Monster

A dark, suspenseful and extremely entertaining anime that boldly answers back to the skeptics who think that all anime must be as brain-dead and child-oriented as the majority of prime-time viewing. (Which is, quite frankly, usually embarrassing to watch in the presence of others.) The plot of Monster is without a doubt the best part, dark but not without cheerful scenes, and centered around the story of a Dr. Tenma, a talented Nero-surgeon, who's upright morals soon send him on a rarely chosen path to correct the wrong he'd unwittingly committed in the name of justice. Unlike other anime, most of which seem to focus on super-powers, fantasy, or sci-fi horror, this one's true chillingness is in the fact that despite being animated, it is portrayed in an all-too-real manner. In reality, the most truly terrifying people are generally people who you wouldn't think out of the ordinary in a crowd, not some supernatural monster who relies on brute force or the inability of the entire world he fights to stop him. The animation isn't the best, but the story more then makes up for it, and even watching it on a 42" TV, I was far to engrossed with the story to make more then the occasional observation that perhaps the movement wasn't quite as smooth in some places as it might be. The same applies to the sound, which doesn't quite keep pace with the story either. Nonetheless, it is one of the best shows I've seen, period.

Monster is an incredibly satisfying watch and rewards paying attention to smaller details. The story is intricately woven to make even the smallest advancements seem well worth it. The characters are all very well written and they all have a very distinct role in the story. Tension is built perfectly and the realm of safety doesn't apply to any of the characters. Monster successfully crafts one of the most engaging stories of all time and is one of my favorite anime of all time.

I was always a bit negative about anime because of the childish, almost cringy ways of delivering stories that have the potential of being really good.

And that's when I came across Monster. The first episode immediately got me scared and hooked at the same time, and it wasn't necessarily the episode itself that got me. It was the credits. The image I saw, the music that played gave me an indescribable feeling of terror, loneliness... and great anticipation.

So I continued watching. Every episode was even better than the last. The story was extremely engaging. I had strong emotions about every character, whether it was love, hatred, disgust or fear. The tension was constantly there, and it was great to see the mysteries unfold. What was so great about it is that the mysteries don't stay mysteries for too long, I always found that when unanswered questions drag on for too long, I lose my interest to even find out the answers (I'm looking at you, BBC Sherlock and the Kingdom Hearts Saga), but this show really got me going.

The small backstories were also a lot of fun, I've told people various small tales that come from this show and I always manage to pique their interest. And I'm not even a good storyteller, that's just how amazing the concept of each backstory is!

Well, I think I've said plenty. If the animation quality/style is what throws you off, which I can kind of understand, please do keep watching anyway. It's really, really worth it.

People traditionally associate Japanese animes with the likes of Pokemon and Dragonball Z and it is often very difficult to convince non-anime fans that there's more to them. I'm no exception! Luckily, Monster was the third serial anime I was introduced to after Death Note and Fruits Basket (odd combos, I know). And to be honest, I was not expecting this.

The series starts off ordinarily with the traditional story of a doctor forced to prioritize between patients and his career. The story of two traumatized children is introduced along the way and things start becoming rather interesting. By the time I got to this point, I had completely forgotten I was watching an anime. See, in traditional Japanese animes (and no disrespect to the fans), the writers have no idea how to develop the dialogue and make it work with the story. The height of a character's shock will be repeating somebody's name in a low, gaspy/raspy voice. Among the millions of other queer things, I never got why anime writers felt that was a good emotional expression. I simply dismissed it as another odd Japanese behavior.

As a pleasant surprise, Monster does almost everything to stray from that. At so many points during the story, I wondered how brilliant this would've been as a non-animated series. The character development is interesting and not muggled up or confusing, the songs/music make sense for a change, there are no irritating characters trying to be funny and the plot keeps thickening ... although slowly, and that might be a flaw. But to be honest, the gradual development is what keeps you so attached to it.

So in conclusion, if you're a japanime fan and want to introduce the haters to the club, I highly recommend you make them watch this as their first ever anime. All in all, a 9.5/10 score. Definitely worth the watch!

This series held surprises into the very last episode.

I'm not really going to include any major spoilers for the series in my review. The closest that I'll come will cover what you've probably heard about from any general discussion concerning the TV series, or the books that the story comes from, or the opening TV credits for the very first episode. That means that some key elements from the first 4 episodes, which covers the first 5% of the 74 episode series, will be mentioned. But it's hard to even say what the series is about without going that far, and you're likely to get more spoilers in any major review of the latest Hollywood mega-release anyways.

In life, there are two types of monsters. The first is the type that most of us have probably thought of in our childhood, the type that we feared under the bed or in the closet, the type who our parents or guardians told us didn't exist. The second type, however, is what the title of this series refers to. This is the type which adults do fear, the type that does exist. This monster can plan human deaths with the same nonchalance that others have when they decide the details of getting their next coffee.

Naoki Urasawa's story is one that covers such a monster, but this monster isn't the main character. Instead, the main character is the highly skilled Japanese neurosurgeon Kenzou Tenma, working in Germany shortly after its reunification. Tenma believes that all life is of equal high worth, and that the value of life isn't changed with wealth, fame, nor with celebrity status. But he discovers that the hospital itself doesn't share that belief. The life that he saved, the life which more desperately needed his skills, looked so much like another anonymous life that was about to get wiped out by the hospital's lack of ethics. But Tenma unknowingly gave life back to a monster. And for the first time ever, Tenma regrets the life that he saved; so much so that he finds himself forced to correct that mistake.

From this point, if you saw the opening credits which cover the first 90 seconds of the very first episode, you can guess the general direction of the series. Picture the TV series 'The Fugitive', but with a single storyline which went from the first episode to the last. Now throw in a detective (Inspector Runge) who is as calm, confident, and calculating as the devil himself, pursuing Tenma. There are also other characters in the series, who are crucial to how the story builds, and who are rather difficult to introduce clearly without spoiling some of the many subplots which build through the series. These characters include Tenma's ex-fiancée Eva, as well as a retired detective, a reclusive billionaire, two criminal psychiatrists, members of organized crime, ones involved in possible illegal dealings with the Czech police, a crusading defense attorney, and others.

There will be a few times where the main storyline seems to be put on hold, and a new storyline with new characters will be introduced. And you'd likely be wondering why things have taken a detour, or when they'll get back to the actual story. But the overall plot is much more complex and detailed than you may have seen on other serial thrillers such as 'Alias', '24', or 'Lost'. The seemingly disjointed story lines in 'Monster' slowly build to be a critical part in the overall plot, and the series overall doesn't have any wasted scenes or episodes (filler), nor the jumps and jolts which betray signs of last minute rewrites.

If you're hoping that the upcoming Hollywood movie based on the series will be as good, you might want to reconsider. For starters, it'll mean rewriting a story which takes 37 broadcast hours to tell, and re-conveying that over a time slot of 90 to 100 minutes. Also, it'll be coming from the same talent pool which took the highly rated Japanese movies 'Ringu', 'Ju-On', and 'Shall We Dance', and turned them into the mediocre Hollywood productions 'The Ring', 'The Grudge', and 'Shall We Dance'. (From 94-64-79 to 72-40-49, according to RottenTomatoes.com.) While Hollywood can make a good original movie occasionally, their record at remaking movies leaves a lot to be desired.

In short, this is one of the better suspense stories out there. The writing is solid, the characters are believable (even when their character changes), and the story always makes sense. In some story arcs, just when you think they're getting ready to wrap things up, they find a way to ratchet up the tension again. But it never seems forced, or cheap, like what is by far more common in most thrillers I've seen. 'Monster' is definitely a series which requires your full attention when watching it, due to the pace which events happen and the number of details which all come together as the story progresses. And if you don't mind a long story with a lot of twists and turns, this is definitely one worth following.