Samurai Champloo

Mugen is a fairly dim, self-taught swordsman who doesn't know how to hold back, Jin is the perfect samurai: cold, calculating, every move flawless. They could be no more different, and in fact one would gladly kill the other with the chance, but they are both reluctantly recruited by the ditsy teahouse waitress Fuu after she saves them from execution.

Samurai champloo is the story of Mugen, Jin and Fuu, as they journey across Japan trying to find "The samurai who smells of sunflowers." All the way they meet all sorts of people, get into trouble, and try to make money. As the show progresses, the mysteries of the characters pasts are slowly revealed.

Samurai champloo is an excellent series from the people who made Cowboy Bebop, the animated sequence in Kill Bill, and a few sequences in the Animatrix. The music is good, offering a wide variety of genres, the animation is excellent, and the dialog is kept to a bare minimum. Oh, and the comedy is great, too.

If you liked Cowboy Bebop, you will probably like Samurai Champloo. One's set in the future and has a lot of jazz music, the other's set long ago in Japan and has a lot of rap in the scene transitions. But the character types in both are pretty much the same, and in both the characters must come to terms with themselves. I recommend it to fans of this genre of anime.

Let me begin by saying I am a huge Cowboy Bebop fan. Spike Spiegel is my hero, okay? So as much as I was dying to see this new work from the mind of Shinichiro Watanabe, I was apprehensive from the standpoint that I didn't want to see any subsequent work destroy any luster or afterglow that Bebop left behind in its wake. I was downright scared, I mean, how can you mix samurai action with hip-hop? I know Bebop's atmosphere of 1940's noir and 2071 spaceships didn't seem possible at first, but I was proved wrong by that. Maybe Watanabe-san had stepped too far outside the box this time.

I'll just come right out and say it: Shinichiro Watanabe can make anything he dreams up work. ANYTHING.

Samurai Champloo is one of the absolute coolest series I have ever seen. And by ever I mean live-action, animated, whatever. "Ever" ever. If you like anime, this is required watching, a new classic for the medium. If you don't like anime, watch this and you just might start to.

The story centers around two rogue samurai and the girl they're somewhat assigned to protect. Fuu, the young damsel who always seems to get in and out of distress; Jin, the serious samurai, and Mugen, the samurai who's seriously un-serious. The three travel around Edo-period Japan in search of the mysterious "Sunflower Samurai". And if I told you any more than that, I'd ruin so much of it for you. Just know this - the first episode will hook you like Tyrone Biggums to crack.

If you're a fan of anime or Cowboy Bebop or just really bad-ass shows/movies in general, you owe it to yourself to check this one out. You can pick up the DVDs or just check it out Saturday nights on Adult Swim.

Oh, and if you watch Adult Swim regularly and haven't caught Samurai Champloo yet, shame on you. You should know better.

The story is about Jin a traditional very skilled samurai, Mugen a innovative equally skilled samurai, and Fuu a girl who worked at a tea house. When Jin and Mugen get caught and are about to be executed, Fuu saves their lives and in return she makes them promise to help her find the Samurai Who Smells Like Sunflowers. It may sound stupid but trust me its not.

The animation. The animation on this show is Bebop quality. The animation is just incredible. The fight scenes are kick ass, beautiful and often times bloody. The backgrounds are very lush and detailed. You will be amazed and how good everything looks.

Now on to the best part, the music. When I first heard about Samurai Champloo the first thing that came to mind was "Well its made by the same dude that did Cowboy Bebop so its got to be good." ,the next thing was "Well what does a Japanese man know about hip hop?". Even though I'm still wondering about the second question, it doesn't matter because all the music works great. Just like with Bebop the series wouldn't be half as good if it didn't have the great music that it does. The opening theme song to Samurai Champloo is a "rap" song. I put rap in quotation because none of the lyrics rhyme so its not a true rap song, but its still great.

Bottom line. If you are a fan of Cowboy Bebop you have to see this. In fact if your a anime fan at all you need to see this. This will go down in history as one of the greats along with Cowboy Bebop.

first of all, you have to understand that samurai champloo was done by Shinchiro Watanabe, creator of Cowboy Bebop.

now that it's outta of the way, u can obviously tell this show will have hip-hop fusion along with great animation. Watanabe has done it again. This time, he heads toward the samurai-era with 3 wonderful characters. Jin(the passive, quiet, stern and traditional samurai master), Mugen (the hyperactive(jumps a lot), violent, and agile criminal/samurai), and Fuu(the calculating, crafty, and often persistent girl). Fuu saves Jin and Mugen's life and as a debt, they have to help her find a "samurai who smells like sunflower". it may sound average but believe me, this show is extraordinary. the fights are animated so fluidly(Kill-Bill-animation), the story is funny a s hell, and the music is "interesting"(rap opening). There's even beat-boxing in one ep. WATCH THIS SHOW!!! YOU WILL NEVER REGRET IT

With 1998's "Cowboy Bebop", one of the most acclaimed anime TV series ever (go read the comments index for it here on IMDb if you don't believe me!), Shinichiro Watanabe became a creative force to watch out for. The innovative energy, drama and beauty of "Bebop" are carried forward in his second original series, "Samurai Champloo". Fans have been quick to look for similarities between "Bebop" and "Champloo" (even the titles have clear parallels), and it's true there are some: the assembly-of-rootless-loners cast of characters, the dramatic and cinematic visual style, and especially the importance and integration of music into the storytelling mix--in SC's case, everything from hip-hop beatboxing to Ainu and Okinawan folksong. But "Champloo"'s differences from "Bebop" are much more interesting than its likenesses. "Bebop" is drenched in melancholy and regret, dreams of the lost past and the future that couldn't be. "Champloo" is all about facing the future, the wave of change, the onrush of history that can't be stopped, and how three kids from widely diverse backgrounds--not even friends when they set out-- find themselves right on the crest of that wave. We're in Edo Period Japan; since 1638 the Tokugawa Shogunate has banned contact with all countries except China and Japan, a ban that lasted two centuries. The outside world can't be kept outside forever. Even the long-respected samurai class is losing its power, and there's restlessness in the land plus accompanying pressure from the Shogunate on all sides. Through this uneasy landscape (rendered in lushly beautiful watercolors that might remind you of Miyazaki) wander our cast of characters: outlaw ronin Jin, a gifted swordsman, stoic, disciplined and heartbreakingly gorgeous, devoted to the bushido code but exiled for killing his sensei; Okinawan wild-boy Mugen, orphan, former pirate and brilliant innovator, whose fighting style mixes everything from Brazilian capoeira to break-dancing, and whose feral-child innocence faces the toughest tests in the series; and teahouse waitress Fuu, spunky, compassionate and packing a lot of secrets, who rescues the two swordsmen from the executioner's block and enlists them on her quest to avenge her mother's death. On their long walk from Edo to Nagasaki they'll see a lot, face a lot of trials, starve, quarrel, save each other's lives, break up, re-bond, and become inseparable. Except that Jin and Mugen still swear they'll fight to the death one day, and no one (not even Fuu) is saying anything about the Sunflower Samurai, the object of Fuu's quest.

Have I made this sound like a straight historical drama? I ought to mention that it can be hysterically funny as well as vividly bloody, contains knockout fight scenes and anachronisms by the carload (the aforementioned break dancing and beatboxing, Jin's Armani glasses, the appearance of landmarks not built till the 1900s...), has made me cry more times than any anime since "Bebop", and has sharp things to say about the heavy hand of authority and tradition on groups as diverse as gay men, married women, foreigners, aboriginal natives and illegal aliens. It's unfailingly beautiful to look at (well, 95% unfailingly) and listen to, delectably well-written, and simply brilliant. When it gets to America, go find it.