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IMDbPro

This Revolution

  • 2005
  • R
  • 1h 35min
PUNTUACIÓN EN IMDb
5,4/10
563
TU PUNTUACIÓN
This Revolution (2005)
DramaRomanceThrillerWar

Añade un argumento en tu idiomaIn this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.In this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.In this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.

  • Dirección
    • Stephen Marshall
  • Guión
    • Stephen Marshall
  • Reparto principal
    • Rosario Dawson
    • Nathan Crooker
    • Amy Redford
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,4/10
    563
    TU PUNTUACIÓN
    • Dirección
      • Stephen Marshall
    • Guión
      • Stephen Marshall
    • Reparto principal
      • Rosario Dawson
      • Nathan Crooker
      • Amy Redford
    • 19Reseñas de usuarios
    • 3Reseñas de críticos
    • 36Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes43

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    + 35
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    Reparto principal60

    Editar
    Rosario Dawson
    Rosario Dawson
    • Tina Santiago
    Nathan Crooker
    Nathan Crooker
    • Jake Cassavetes
    Amy Redford
    Amy Redford
    • Chloe Harden
    Brett DelBuono
    Brett DelBuono
    • Richie Santiago
    Brendan Sexton III
    Brendan Sexton III
    • Daniel Symptom
    Immortal Technique
    • Self
    Robert Bella
    Robert Bella
    • Bob Kramer
    Cynthia Garrett
    Cynthia Garrett
    • BCN News Anchor
    Ned Silverman
    • Dexter
    Brett Berg
    Brett Berg
    • Cody
    Jermaine Chambers
    • Max
    Gavin Bellour
    • Dante
    Vija Zvers
    Vija Zvers
    • Mousy
    • (as Vija Brigita Grosgalvis)
    Jim Titus
    Jim Titus
    • Music Producer
    • (as James T. Williams II)
    Juan Carlos Hernández
    Juan Carlos Hernández
    • Cruz Santiago
    • (as Juan Hernandez)
    Stephen Marshall
    Stephen Marshall
    • Silverback
    Akir
    • Tech's Goon No. 1
    Toure Harris
    • Tech's Goon No. 2
    • Dirección
      • Stephen Marshall
    • Guión
      • Stephen Marshall
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios19

    5,4563
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    Reseñas destacadas

    bob the moo

    The concept is good – the delivery is poor

    Writer/director Steve Marshall may have thought himself in trouble when the big name star of his low budget film got arrested doing a shoot during the real protests in New York. Certainly he had to rework his film to accommodate the loss of Dawson but I think he quickly got over it and was thankful for it happening – particularly for all the press the film got at the time. I know I watched this film because it stuck in my head for that reason and I imagine that many others heard about it and saw it as a result of her arrest. And, from Marshall's point of view it is a blessing because there is very little else about the film that makes it memorable or something to be talked about.

    The film appears to have been conceived in good faith as an attempt to capture the spirit of the activists and deliver their message in a film. However in reality the film has a very thin plot that it spends a lot of time on and leaves most of the commentary down to asides that are sound-bites no different from those you have heard before. If you agree with what they are saying then I guess maybe you can ignore the quality of the film and embrace this content but that will only appeal to a limited audience and even then. Many have criticised the quality of the filming but I can forgive this to a point given the low budget and style of making. Some of the set shots are really clunky and obvious though and little about Marshall as director is of interest. The real problem is in the material though which doesn't have the complexity and realism to draw the viewer into the characters or the discussion. This is a real shame considering how many viewers (including myself) will agree with the broad sentiments of the activists (if not their methods) but yet it just clunks around on the screen in an annoying way.

    The blame must more or less be totally put at the feet of Marshall because he is responsible for the majority of the film. His low budget matches his low ambitions in regards his cinematography and plotting and the end result is a rather lacklustre film that looks cheap and feels thrown together. The cast are mixed but generally don't have the material to help. Even if Dawson got the cover and the headlines, Crooker takes the main character – you will probably not have heard of him as an actor because he is frankly not very good. He doesn't feel real and has no screen presence – not helped by the nature of filming either. Dawson tries to have chemistry with him but it doesn't really work. She is good once (on the fire escape) but she has no character, no material and has been put in a hairstyle meant to make us think "street" but only made me think "wow, someone has worked out a way to make the stunning Rosario Dawson look ugly". Outside of these two the supporting cast are mixed – the activists generally convince but other set performances are generally weak. It was a nice idea to have the political rapper Immortal Technique involved but again this doesn't work within the context of the film.

    This Revolution is a nice idea and got fame from Dawson's arrest but yet it doesn't make the most of this potential. The ugly visuals I can sort of understand but the plot is messy, the characters poorly drawn and the message is clunked down in an obvious manner that is a lot less effective than it would have been if it had been delivered with intelligence, insight and debate. Of course it has been made for a target audience who loved it before they saw it, but for the casual viewer this is a pretty average film.
    8dfrancocci

    Welsh premier of this film

    I saw this film tonight at the Beyond TV festival in Swansea, S. Wales and I was very impressed. As well as being an intelligent expose of the Big Brother state that the US has become, the film is also very enjoyable at all levels, and I think it would appeal to a wider audience. The protest scenes at the beginning really set the pace for the film which never lets up until the end. Its great to see a film about the real America without the Hollywood glitz. I'd happily recommend anyone seeing this film, and I'm glad to hear that it's coming out on DVD. I'd be interested to know how much of an airing it gets in the US.
    10sdnoble

    This Revolution

    There's a scene in Butterfly, Jose Luis Cuerda's film about the lead-up to the Spanish Civil War, where the teacher removes a book from his bookshelf and briefly considers giving it to the protagonist, a seven year-old-boy. The book is by Russian anarchist Peter Kropotkin. It is quickly returned to its place on the shelf.

    Is the filmmaker suggesting we aren't ready for such ideas?

    The scene in Butterfly provides a metaphor for the way anarchism and politics in general have been treated by filmmakers. With few exceptions, either such topics aren't broached at all, or they are broached in such a way as to leave the viewer completely mystified. "Social Realism", according to the online artcyclopoedia, "is a rather pejorative label in the United States, where overtly political art in general, and socialist politics in particular, are extremely out of favor".

    Which is perhaps why I enjoyed "This Revolution" so much. There's nothing shameful about expressing overt political sentiments in art, and there's nothing shameful about going overboard either. Witness John Heartfield, or Josep Renau, or Jean Vigo, or Pier Paolo Pasolini. Better sorry than safe, and better to risk being labeled pedantic than pussyfoot around the issues in the hopes of appeasing the critics.

    The film is honest. Marshall may not be in the same league as Pasolini, but as another reviewer pointed out, he's not ending his career but beginning it. There's nothing in This Revolution that can't be forgiven in light of the budget constraints and timetable. If nothing else, it's a lot of fun. Watch for Immortal Technique's piece and the 9/11 rant; watch for the RNC footage, which is electrifying (you won't always be sure what is staged and what isn't); and watch for the reference to Malatesta, who I'm pretty sure has never been mentioned in the medium before.

    Get off your high horse and I think you'll find Marshall's film refreshing and timely. We need more of this stuff.
    8gregorwossilus

    A powerful and important movie that grows and grows and grows after seeing it!

    I saw this movie at the Munich film-festival. Due to the nature of film-festivals I did not know very much about what I was going to see since the info on all the movies shown is very limited. From the first moments on the rapid and rough style of Marshall's picture grabbed me by the throat and held my interest until the end. THIS REVOLUTION has a feel of a modern reality show like the ones we see on MTV. Like it or not this is current and pretty "Zeitgeist"! This should appeal especially to younger audiences. It certainly would be a great thing if younger people watched this film. Marshall has a lot to address and delivers something that regular Hollywood fails to accomplish: He really changes your perspective on things. His film gets you thinking, especially after leaving the theater. Since Marshall wrote, shot, edited and produced the whole thing in the very short period of 100 days I am even more astonished how well it came out. Marshall delivers a clear and classic 3 act structure! That works well of course but Marshall - coming from a documentary background - also succeeds in filling in a lot of documentary like bits and pieces which launch a lot of social background at the viewer. Furthermore everybody gets a good idea of how divided America really is at the moment. If you take nothing at all from this film this still won't escape you. To me as a German this is particularly interesting. OK, the love story sometimes slows the movie down, the main character is not always sympathetic. But considering all the achievements Marshall made in this film and how big the impact of the movie was on me, I consider this minor flaws. This is a modern, controversial, exiting, stylish and very original movie that grows and grows and grows on me after seeing it. And that is certainly a good thing to say about a movie. Go see it. Especially when you don't share the same political view...it could be very inspiring! And if it annoys you...even better! Controversy means movement, and movement means change! For me as a German I can say that I am very happy to see a controversial film like this coming out of America these days. We all can look forward to more feature films from Marshall!
    9flasshjacksson

    True to the cause

    This movie offers true insight into the plight of the "real" average American. It depicts a hard core reality, and helps to clarify what system is keeping us down and who "The Man" really is! Working in the South Bronx of New York, I can testify that the reality of the situation (as accurately portrayed by "This Revolution") is harsh, and often times something middle America doesn't realize, or is blinded to seeing, either because they reject it, agree with it, just plain don't know.... I gave it a nine because the acting isn't that great at times, but the message more than makes up for it... for those who know, it's powerful, for those who don't know, it might just fly right over their heads....

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    Argumento

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    • Curiosidades
      During filming of a scene August 29, 2004 a block away from the Republican National Convention, Rosario Dawson, Vija Zvers and director Stephen Marshall were arrested. Dawson and Zvers allegedly refused to yield to police and were wearing bandannas as masks, in violation of local law regarding public demonstrations. When Marshall protested the arrests and showed police the film's permits, he also was arrested. The last 15 minutes of the film were changed to incorporate the incident into the movie including using actual footage of the arrests. All charges were dropped in March 2005 after video showed that the filming did not cause any obstruction and that Dawson and company obeyed all police directives.
    • Conexiones
      References Network, un mundo implacable (1976)
    • Banda sonora
      Me Tarzan You Jane
      Written by Fil Eisler

      performed by Fil Eisler

      Courtesy of Own Brand Records

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    Detalles

    Editar
    • Fecha de lanzamiento
      • enero de 2005 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Эта революция
    • Localizaciones del rodaje
      • Boston, Massachusetts, Estados Unidos
    • Empresas productoras
      • Revolution Theory
      • Artists / Media Cooperation
      • Guerrilla News Network
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 2.000.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 35 minutos
    • Color
      • Color

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