PUNTUACIÓN EN IMDb
5,6/10
8 mil
TU PUNTUACIÓN
Un oficinista intenta contratar a una prostituta para que viva con él permanentemente. Aunque ella en principio acepta, su chulo no está satisfecho.Un oficinista intenta contratar a una prostituta para que viva con él permanentemente. Aunque ella en principio acepta, su chulo no está satisfecho.Un oficinista intenta contratar a una prostituta para que viva con él permanentemente. Aunque ella en principio acepta, su chulo no está satisfecho.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
Michel Vuillermoz
- Le toubib
- (as Michel Vuillermoz de la Comédie Française)
Elisabeth Macocco
- La taulière
- (as Élizabeth Macocco)
Bruno Abraham-Kremer
- Collègue François
- (as Bruno Abraham Kremer)
Reseñas destacadas
I've watched the Depardieu-Blier films all the way back to VALSEUSES and enjoyed them so I came at this one believing all the knocking comment must be wrong.
Well it's certainly not a dead loss. Campan registers in a tricky role acquiring Pigalle poule de luxe Bellucci and taking her back to his office worker flat, despite his shaky health and down at heel associates and this part plays quite well.
Surprisingly, it's when an aged Depardieu doing "vieux jeu con" shows up that things become strained. Well with a record like this, these guys are entitled to one screw up.
The film is by no means a write-off with the changes of light, background and costume within scenes getting attention until you realize that, if they have any meaning, Blier is not going to share it with us. The opera score has oddity value and the small parts are striking. Farida Rahouadj's turn as the Northern neighbour is particularly attention getting.
It's a pity to find this one getting international showing on the strength of its star power, in place of more imposing product.
Well it's certainly not a dead loss. Campan registers in a tricky role acquiring Pigalle poule de luxe Bellucci and taking her back to his office worker flat, despite his shaky health and down at heel associates and this part plays quite well.
Surprisingly, it's when an aged Depardieu doing "vieux jeu con" shows up that things become strained. Well with a record like this, these guys are entitled to one screw up.
The film is by no means a write-off with the changes of light, background and costume within scenes getting attention until you realize that, if they have any meaning, Blier is not going to share it with us. The opera score has oddity value and the small parts are striking. Farida Rahouadj's turn as the Northern neighbour is particularly attention getting.
It's a pity to find this one getting international showing on the strength of its star power, in place of more imposing product.
"How Much Do You Love Me?" revolves around Monica Bellucci's character Daniela and the many different female roles she changes into and out of like so many pieces of clothing. She is definitely a whore and a seductress, but she may or may not also be a girlfriend, a wife, a mistress, an accomplice, and a scam artist. She is at times domineering but at others submissive and weak; at times jealously possessive but at others open and free; at times quiet and pensive but at others loud and raucous. It takes a while for all these different sides of Daniela to appear, but by the end of the film she is changing between them seemingly in the blink of an eye.
Few characters in the movie can resist falling for one or more sides of Daniela, and the audience too will fall in love with the performance Monica Bellucci gives in the role. It certainly helps that Monica has the beauty and the body to pull of the role, and she is not shy about sharing her voluptuous charms with the camera. In one scene she even instructs us on how she is able to seduce her target, and it is clear that Monica Bellucci knows how to use her considerable female attributes.
The other strong performance in "How Much Do You Love Me?" comes from legendary French actor Gerard Depardieu. Depardieu's character does not appear until the second half of the film, well after all the other main characters have been introduced, but Depardieu instantly captures the attention of the audience. He has played many different characters in his career, and in "How Much Do You Love Me?" he looks like he was born to play the role of an amoral gangster.
The main problem I had with "How Much Do You Love Me?" is that the action starts off slowly, and what is billed as a comedy feels like a depressive drama during the first third of the film. As it turns out it takes a while for director and writer Bertrand Blier to set the stage, and the action picks up considerably in the second two thirds of the film. "How Much Do You Love Me?" never turns into a slapstick farce; instead, it is ultimately a sophisticated adult comedy about the different roles women can assume. While being entertaining it also raises some interesting questions about just what the differences and boundaries are between those roles.
Few characters in the movie can resist falling for one or more sides of Daniela, and the audience too will fall in love with the performance Monica Bellucci gives in the role. It certainly helps that Monica has the beauty and the body to pull of the role, and she is not shy about sharing her voluptuous charms with the camera. In one scene she even instructs us on how she is able to seduce her target, and it is clear that Monica Bellucci knows how to use her considerable female attributes.
The other strong performance in "How Much Do You Love Me?" comes from legendary French actor Gerard Depardieu. Depardieu's character does not appear until the second half of the film, well after all the other main characters have been introduced, but Depardieu instantly captures the attention of the audience. He has played many different characters in his career, and in "How Much Do You Love Me?" he looks like he was born to play the role of an amoral gangster.
The main problem I had with "How Much Do You Love Me?" is that the action starts off slowly, and what is billed as a comedy feels like a depressive drama during the first third of the film. As it turns out it takes a while for director and writer Bertrand Blier to set the stage, and the action picks up considerably in the second two thirds of the film. "How Much Do You Love Me?" never turns into a slapstick farce; instead, it is ultimately a sophisticated adult comedy about the different roles women can assume. While being entertaining it also raises some interesting questions about just what the differences and boundaries are between those roles.
I love French cinema, but I was rather disappointed by this movie. The most positive thing about this movie is beautiful and erotic Bellucci taking her clothes off but the plot is so poor I can't understand Gerard Depardieu playing such a one-dimensional person.
The dialogs are sometimes ridiculous, maybe unintentionally because of the bad German synchronization I watched. It is not enough to play classical opera music instead of creating a convincing dramaturgy and script.
But to mention some positive aspects as well, there are plenty of breathtaking stills like Bellucci sitting in the window of the bar in Pigalle or "Francois" and "Daniela" at the beach, so the movie offers, as French cinema often does, excellent aesthetic quality. Accepting that this is cinema showing totally artificial characters, you might have a good time watching this movie.
The dialogs are sometimes ridiculous, maybe unintentionally because of the bad German synchronization I watched. It is not enough to play classical opera music instead of creating a convincing dramaturgy and script.
But to mention some positive aspects as well, there are plenty of breathtaking stills like Bellucci sitting in the window of the bar in Pigalle or "Francois" and "Daniela" at the beach, so the movie offers, as French cinema often does, excellent aesthetic quality. Accepting that this is cinema showing totally artificial characters, you might have a good time watching this movie.
What a disappointment. I was expecting much more from a film coming from Bertrand Blier, who has made Tenue de Soir in the 80s, and a bunch of reasonable films since. Having Depardieu and the mind-blowing Monica Belucci in the film was not certainly enough.
All the film turns around Monica Belucci. Sure, such a beauty makes man die for and can make them pay millions or kill for, the issue is that the characters in this film seem to be willing to do exactly this, and this is the whole story, not much more. One of the reasons of failure is I believe the cast. Bernard Campan in the role of the gray clerk who wins the lottery and intents to buy a beautiful Italian whore for the rest of his life is lacking charisma, and there is no chemistry between him and Monica Belucci. In other words, I can certainly understand him, but I cannot understand her, and the whole intended love story is less than credible.
All around dance a bunch of characters who fail to be coherent enough, or funny, or to be able to collect any sympathy. Even Gerard Depardieu who is an actor who seemed not to be able to do wrong looks like mis-cast. Actually all characters seem under-developed, and if it were not for Monica Belucci's beauty and talent (almost completely wasted here) the film would have sunk into complete failure. It gets a few stars however, and all belong to Belucci.
All the film turns around Monica Belucci. Sure, such a beauty makes man die for and can make them pay millions or kill for, the issue is that the characters in this film seem to be willing to do exactly this, and this is the whole story, not much more. One of the reasons of failure is I believe the cast. Bernard Campan in the role of the gray clerk who wins the lottery and intents to buy a beautiful Italian whore for the rest of his life is lacking charisma, and there is no chemistry between him and Monica Belucci. In other words, I can certainly understand him, but I cannot understand her, and the whole intended love story is less than credible.
All around dance a bunch of characters who fail to be coherent enough, or funny, or to be able to collect any sympathy. Even Gerard Depardieu who is an actor who seemed not to be able to do wrong looks like mis-cast. Actually all characters seem under-developed, and if it were not for Monica Belucci's beauty and talent (almost completely wasted here) the film would have sunk into complete failure. It gets a few stars however, and all belong to Belucci.
How Much Do You Love Me? is a romantic sex comedy featuring the irresistible Italian actress Monica Bellucci as the leading actress, with veteran actor Gerard Depardieu and Bernard Campan as the 2 leading guys in the drama, which involves weak heart, sex, lottery, blackmail and tonnes of laughter.
Francois (Campan) is a civil servant living in a bachelorhood. He strike lottery and he set his eyes on Daniela (Bellucci), a beautiful prostitute. He makes an offer of paying her 100,000 euros per month to stay with him until he used up his cash award of 4 million euros. She moves in with him and everything begins from a role play of husband and wife. As they goes on, he develop feelings for her. However, Charly (Depardieu), a mafia boss, who was the lover of Daniela, steps in. He opens up a proposal for Francois: to buy the freedom of Daniela from Charly at 4 million euros.
Director Bertrand Blier has spiced up the film with tonnes of laughter, with a touch of slapstick. While some of the scenes might seems to be exaggerating, it is actually not. At a certain level, he has brought up the loneliness of a middle age bachelor faced, from mentally to physically.
Monica Bellucci is the focus of How Much Do You Love Me. Once again, she takes up the sexually challenging role of a prostitute after Malena and Irreversible. She swings in between Campan and Depardieu, where the former is a civil servant paying for the service, and the latter her lover. Swining in between the 2 men spices up the later part of the film, where it is unmissable.
Depardieu, however, seems to be pulling the whole film down, where the role of Charly the mafia boss seems to be too dull and boring. Though he might be trying hard to play the role of mafia boss, more effort can be put in. Campan, on the other hand, has room for improvement, though it can be seen that effort has been put in.
Do not expect any raunchy sex scene in How Much. Instead, do expect the witty and humorous sex jokes and argument in a scene where Bellucci, Campan and Farida Rahouadj (who plays Francois's neighbor) gather outside the house for a dispute.
This movies worths 6/10. And it is a good movie to spice up a boring weekend night.
Francois (Campan) is a civil servant living in a bachelorhood. He strike lottery and he set his eyes on Daniela (Bellucci), a beautiful prostitute. He makes an offer of paying her 100,000 euros per month to stay with him until he used up his cash award of 4 million euros. She moves in with him and everything begins from a role play of husband and wife. As they goes on, he develop feelings for her. However, Charly (Depardieu), a mafia boss, who was the lover of Daniela, steps in. He opens up a proposal for Francois: to buy the freedom of Daniela from Charly at 4 million euros.
Director Bertrand Blier has spiced up the film with tonnes of laughter, with a touch of slapstick. While some of the scenes might seems to be exaggerating, it is actually not. At a certain level, he has brought up the loneliness of a middle age bachelor faced, from mentally to physically.
Monica Bellucci is the focus of How Much Do You Love Me. Once again, she takes up the sexually challenging role of a prostitute after Malena and Irreversible. She swings in between Campan and Depardieu, where the former is a civil servant paying for the service, and the latter her lover. Swining in between the 2 men spices up the later part of the film, where it is unmissable.
Depardieu, however, seems to be pulling the whole film down, where the role of Charly the mafia boss seems to be too dull and boring. Though he might be trying hard to play the role of mafia boss, more effort can be put in. Campan, on the other hand, has room for improvement, though it can be seen that effort has been put in.
Do not expect any raunchy sex scene in How Much. Instead, do expect the witty and humorous sex jokes and argument in a scene where Bellucci, Campan and Farida Rahouadj (who plays Francois's neighbor) gather outside the house for a dispute.
This movies worths 6/10. And it is a good movie to spice up a boring weekend night.
¿Sabías que...?
- CuriosidadesBertrand Blier: first customer of the prostitute who wants to go to Seychelles (Muguet).
- PifiasWhen Francois' neighbour overhears Daniela, she is in an apartment to the left of Francois' apartment as seen from outside. However when she comes to complain, she comes from the left-hand apartment as seen from the corridor. whereas it should be the right hand apartment
- ConexionesFeatured in Ladies Moaning Loudly (2016)
- Banda sonoraMoniebah
Composed by Abdullah Ibrahim
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- How long is How Much Do You Love Me??Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Quant m'estimes?
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 € (estimación)
- Recaudación en todo el mundo
- 6.771.085 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the streaming release date of ¿Cuánto me amas? (2005) in the United Kingdom?
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