Un grupo de veteranos de la guerra de Irak busca limpiar su nombre ante el ejército estadounidense, que sospecha que los cuatro hombres han cometido un crimen por el que fueron incriminados.Un grupo de veteranos de la guerra de Irak busca limpiar su nombre ante el ejército estadounidense, que sospecha que los cuatro hombres han cometido un crimen por el que fueron incriminados.Un grupo de veteranos de la guerra de Irak busca limpiar su nombre ante el ejército estadounidense, que sospecha que los cuatro hombres han cometido un crimen por el que fueron incriminados.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 4 nominaciones en total
Yul Vazquez
- General Javier Tuco
- (as Yul Vázquez)
Reseñas destacadas
Amusing return to the classic series created by Stephen J Cannell , also here as producer along with Ridley Scott , with an appropriate cast and overwhelming C.G. special effects . Excellent homage to the entertaining episodes with a complex intrigue but following the canon and overemphasis on usual characterization and special effects . A new entry of the mythical series of ¨A Team¨ , this time written and directed by Joe Carnahan , the creator of the successful film titled "Smokin's aces" and many others ; here is developed the first meeting between Annibal Smith , and his pals . While on the lam, they became heroes for hire, working as good-guy vigilantes around the US or the world . At the end of their stint in Irak Col. John "Hannibal" Smith ( Liam Neeson in the role of the deceased George Peppard) and his team were framed for stealing some plates (which they had done, but under orders). The operative group is sent on an assignment to recover plates for printing 100 dollar bills that were utilized to print a billion dollars. After making the mission and returning to the base their commanding General (Gerald McRaney) is murdered in a blow up and the plates are robbed and they are condemned to an US and Germany military prison . They escaped and went on the run, pursued by Captain , later degraded Lieutenant Sosa (Jessica Biel). Hannibal Smith was their chief and an expert at disguises . Templeton Faceman (Bradley Cooper substituting Dirk Benedict) was the team's con artist and lady's man . M.A. Baracus (Quinton Rampage Jackson replacing Mr T) with extreme panic to flight , he was their mechanic , but also took care of mayhem and intimidation . The final member of the Team , "Howling Mad" Murdock (Sharlto Copley similar role to Dwight Schulz), was an expert but nutty pilot, and a certified lunatic , but they broke him out of a mental hospital whenever they needed him for a dangerous mission.
This entertaining story is concentrated on known characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has unstopped ,tension, comedy , emotion, suspense and sensational scenarios like is customary development of the franchise . Spectacular , exciting , fast-paced , thrilling this is the description of this new cinematic outing of ¨A Team¨ , film that reinvents the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Humor , thrills , several agreeable characters and trademark effects abound and will please the series enthusiasts such as the neophyte .
The agreeable acting convinces , especially the leader Liam Neeson , the sympathetic Bradley Cooper and Brian Bloom in a super-villain role , while other players also make a nice work as Patrick Wilson and the gorgeous Jessica Biel. And of course , special appearance in brief cameos from Dwight Schulz and Dirk Benedict , though doesn't appear Mr. T. The moving final amazing the spectator , in which the stirring and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . It is the rebirth of the series, an enjoyable homage , the start of a new scenario . Fans of the series may find much to love , but others will be bewildered by excessive and breathtaking situations . Thrilling soundtrack by Alan Silvestri , he composes an impressive musical accompaniment to the film . Furthermore a colorful and glimmer cinematography by Mario Fiore . Suitable for family viewing , it's an entertaining adventure which young and old men will enjoy . Fans of the series will find very bemusing and fun . It is amusing to watch and aficionados are sure to love it , resulting to be one of the best adaptations based on TV series of the last times.
This entertaining story is concentrated on known characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has unstopped ,tension, comedy , emotion, suspense and sensational scenarios like is customary development of the franchise . Spectacular , exciting , fast-paced , thrilling this is the description of this new cinematic outing of ¨A Team¨ , film that reinvents the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Humor , thrills , several agreeable characters and trademark effects abound and will please the series enthusiasts such as the neophyte .
The agreeable acting convinces , especially the leader Liam Neeson , the sympathetic Bradley Cooper and Brian Bloom in a super-villain role , while other players also make a nice work as Patrick Wilson and the gorgeous Jessica Biel. And of course , special appearance in brief cameos from Dwight Schulz and Dirk Benedict , though doesn't appear Mr. T. The moving final amazing the spectator , in which the stirring and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . It is the rebirth of the series, an enjoyable homage , the start of a new scenario . Fans of the series may find much to love , but others will be bewildered by excessive and breathtaking situations . Thrilling soundtrack by Alan Silvestri , he composes an impressive musical accompaniment to the film . Furthermore a colorful and glimmer cinematography by Mario Fiore . Suitable for family viewing , it's an entertaining adventure which young and old men will enjoy . Fans of the series will find very bemusing and fun . It is amusing to watch and aficionados are sure to love it , resulting to be one of the best adaptations based on TV series of the last times.
Overkill is underrated. One of the many mottoes Colonel John Hannibal Smith throws around whilst hatching his brilliant plans, dispensing them like his insightful wisdom increases the chances of success. A motto director Joe Carnahan has taken to heart in making 'The A-Team'. A smart move, as complete and uncompromising exaggeration appears to be exactly what the format asked for. Especially since the translation of TV shows to the big screen has proved to be no easy task. Just look at 'Miami Vice', which pretty much bombed despite the presence of Michael Mann, the director/producer who created the original series. Or the near criminal trashing überhobbyist MacGuyver recently received by the hands of questionable farce 'MacGruber'. In a world so significantly different from the mid-eighties, the severely underpaid and hopelessly dated missions of the four fugitives could have very much been out of place as well.
The reincarnation by the hands of Carnahan however, avoids many of the pitfalls that the outdated format has to offer. For one, the director has brought the well known premise of the series to the present. Vietnam has been replaced by Iraq and the bad attitude of Bosco Baracus is not the only thing that makes the foursome dangerous: the happy-go-lucky stance of a team that rarely asked for enemy casualties has been replaced by an attitude that better suits a group of elite soldiers. What is especially striking is how well the cast handle their roles, and how much fun they have doing so. Understandable, since the characters in Carnahan's installment have been blown up as well. Hannibal in the hands of Liam Neeson, although not as charismatic as George Peppard, is equally complacently on the jazz whenever a dangerous situation can be even remotely relished. Templeton "Faceman" Peck in the version of Bradley Cooper enjoys the swindling of both women and all sorts of tools even more than his predecessor Dirk Benedict and the script provides Quinton "Rampage" Jackson with a philosophical depth to his distinctive character - and evolution thereof - in the BA 2.0 version. The acting skills of the professional wrestler are up for debate, but then again you never questioned Mr. T. either. Even though he played the bejeweled, Mohawk sporting powerhouse with an acute fear of flying as an overly enthusiastic pupil in a school musical, always staring at the next person to speak his lines way long before they had the floor. The biggest fun, however, comes from Howling Mad Murdock in the interpretation of 'District 9'-phenomenon Sharlto Copley, who occupies the crazy pilot with both a zest for life and an absolute fearlessness of death – cue the suicidal midair antics. His inimitable flying skills, Murdockian features (sock puppets and his interaction with BA for example) and especially his imitation of Mel Gibson in 'Braveheart' - including stick horse - make him the movies' main asset.
The script then. The plot, pretty much a side issue, continuously serves up action excesses – equally incredible and entertaining – but yields more than a whipped episode of the series stretched to a playing time of two hours. You could say the plot is kind of a cross section of the five years the series ran, if you omit the recurring missions the mercenaries entered into. There is plenty of borrowing from existing story lines, more or less adapted to the new universe of Carnahan. The film opens with a spectacular introduction of the four veterans some years ago - only Hannibal and Face are trusted comrades, BA and Murdock have still to cross their paths - setting up the Alpha team that started it all. Included of course, is a supporting role for the black GMC Van, which can impossibly be disregarded as the fifth member. Cut to eight years and eighty successful missions later, to the operation that sees the team become the proverbial scapegoat the series theme credits were based on – something to do with a crime they didn't commit. The bank robbery in Hanoi has been replaced by the hijacking of a truckload of counterfeit money in Baghdad, commanding General Morrison is still here. The CIA is present as well, in a possible set-up for a sequel in which Hannibal's outfit will be contracted by the organization in a reference to Stockwell (Robert Vaughn) of the fifth season of the series. The plot is driven by the aftermath of the robbery, offering supporting roles for Captain Charisa Sosa (the distractingly attractive Jessica Biel) and CIA man Lynch (Patrick Wilson, 'Watchmen'), but it's all a mere hook for ridiculous set pieces and extravagant action to be towed on.
Hannibal's crack commando unit must pull out all the stops in order to clear its name, in an adventure that at times offers absolute top entertainment. That is, if you're willing to believe that a parachute suspended tank (as seen in the trailer), wherein the fearless foursome escape from an exploding plane, can be easily maneuvered in midair using the inboard cannon, simultaneously discarding enemy aircraft like it's a game of Duck Hunt. There are enough sequences that ask more than a lot of your ability to shut off your brain, but as said that exaggeration is exactly what this film needed. 'The A-Team' is simply a masterful popcorn spectacle par excellence, offering high-level action entertainment and jokes that are more often than not very decently set up. The cast has great fun working with the pleasantly unlikely adventures and the story is – in good tradition - full of references to the 80's hit series it is based on. The plot falters a bit left and right and the credo overkill is underrated is at times perhaps taken a little too far, but that is merely an expected consequence of handing control over to the man behind 'Smokin' Aces'. Regardless, the oncoming release might well feature a well-deserved 'to be continued' by the time the end credits start rolling.
The reincarnation by the hands of Carnahan however, avoids many of the pitfalls that the outdated format has to offer. For one, the director has brought the well known premise of the series to the present. Vietnam has been replaced by Iraq and the bad attitude of Bosco Baracus is not the only thing that makes the foursome dangerous: the happy-go-lucky stance of a team that rarely asked for enemy casualties has been replaced by an attitude that better suits a group of elite soldiers. What is especially striking is how well the cast handle their roles, and how much fun they have doing so. Understandable, since the characters in Carnahan's installment have been blown up as well. Hannibal in the hands of Liam Neeson, although not as charismatic as George Peppard, is equally complacently on the jazz whenever a dangerous situation can be even remotely relished. Templeton "Faceman" Peck in the version of Bradley Cooper enjoys the swindling of both women and all sorts of tools even more than his predecessor Dirk Benedict and the script provides Quinton "Rampage" Jackson with a philosophical depth to his distinctive character - and evolution thereof - in the BA 2.0 version. The acting skills of the professional wrestler are up for debate, but then again you never questioned Mr. T. either. Even though he played the bejeweled, Mohawk sporting powerhouse with an acute fear of flying as an overly enthusiastic pupil in a school musical, always staring at the next person to speak his lines way long before they had the floor. The biggest fun, however, comes from Howling Mad Murdock in the interpretation of 'District 9'-phenomenon Sharlto Copley, who occupies the crazy pilot with both a zest for life and an absolute fearlessness of death – cue the suicidal midair antics. His inimitable flying skills, Murdockian features (sock puppets and his interaction with BA for example) and especially his imitation of Mel Gibson in 'Braveheart' - including stick horse - make him the movies' main asset.
The script then. The plot, pretty much a side issue, continuously serves up action excesses – equally incredible and entertaining – but yields more than a whipped episode of the series stretched to a playing time of two hours. You could say the plot is kind of a cross section of the five years the series ran, if you omit the recurring missions the mercenaries entered into. There is plenty of borrowing from existing story lines, more or less adapted to the new universe of Carnahan. The film opens with a spectacular introduction of the four veterans some years ago - only Hannibal and Face are trusted comrades, BA and Murdock have still to cross their paths - setting up the Alpha team that started it all. Included of course, is a supporting role for the black GMC Van, which can impossibly be disregarded as the fifth member. Cut to eight years and eighty successful missions later, to the operation that sees the team become the proverbial scapegoat the series theme credits were based on – something to do with a crime they didn't commit. The bank robbery in Hanoi has been replaced by the hijacking of a truckload of counterfeit money in Baghdad, commanding General Morrison is still here. The CIA is present as well, in a possible set-up for a sequel in which Hannibal's outfit will be contracted by the organization in a reference to Stockwell (Robert Vaughn) of the fifth season of the series. The plot is driven by the aftermath of the robbery, offering supporting roles for Captain Charisa Sosa (the distractingly attractive Jessica Biel) and CIA man Lynch (Patrick Wilson, 'Watchmen'), but it's all a mere hook for ridiculous set pieces and extravagant action to be towed on.
Hannibal's crack commando unit must pull out all the stops in order to clear its name, in an adventure that at times offers absolute top entertainment. That is, if you're willing to believe that a parachute suspended tank (as seen in the trailer), wherein the fearless foursome escape from an exploding plane, can be easily maneuvered in midair using the inboard cannon, simultaneously discarding enemy aircraft like it's a game of Duck Hunt. There are enough sequences that ask more than a lot of your ability to shut off your brain, but as said that exaggeration is exactly what this film needed. 'The A-Team' is simply a masterful popcorn spectacle par excellence, offering high-level action entertainment and jokes that are more often than not very decently set up. The cast has great fun working with the pleasantly unlikely adventures and the story is – in good tradition - full of references to the 80's hit series it is based on. The plot falters a bit left and right and the credo overkill is underrated is at times perhaps taken a little too far, but that is merely an expected consequence of handing control over to the man behind 'Smokin' Aces'. Regardless, the oncoming release might well feature a well-deserved 'to be continued' by the time the end credits start rolling.
If you are looking for a light, funny and action packed movie, it doesn't get much better than this. The A-Team is very, very easy too take in, but never boring, has action-scenes that will blow you out of your seat and is stuffed with plenty of damn funny moments.
Also very nice for a change: this action/comedy film doesn't take itself too seriously. Which is quite refreshing if you take a look at all the 'comedy with a message' crap Hollywood produces these days.
The new B.A. (Quinton 'Rampage' Jackson), Murdock (Sharlto Copley), Hannibal (Liam Neeson) and Face (Bradley Cooper) are all great at their roles. Props for Patrick Wilson as the slick C.I.A. agent Lynch and Jessica Biel is lovely as always. Joe Carnahan, who wrote and directed this movie, simply did a great job and gives the audience exactly what it needs.
I'd say it was definitely worth my money.
Also very nice for a change: this action/comedy film doesn't take itself too seriously. Which is quite refreshing if you take a look at all the 'comedy with a message' crap Hollywood produces these days.
The new B.A. (Quinton 'Rampage' Jackson), Murdock (Sharlto Copley), Hannibal (Liam Neeson) and Face (Bradley Cooper) are all great at their roles. Props for Patrick Wilson as the slick C.I.A. agent Lynch and Jessica Biel is lovely as always. Joe Carnahan, who wrote and directed this movie, simply did a great job and gives the audience exactly what it needs.
I'd say it was definitely worth my money.
I remember first hearing about this. Cautious optimism was among my immediate reactions. Later, I caught a trailer(on that, do not think for a second that you saw all the good stuff, there's plenty they didn't give away). I was still not sure what to think. Then I watched it tonight. I enjoyed every single frame. No, I'm not kidding, this works from the very start and never loses you. I love the show, and this pays a lot of respect to it(at times, a tad much... early on, Neeson's every other line contains the word "plan"), and this not only nails the four characters(who all get an unforgettable introduction each, and several individual heroic moments), it doesn't merely imitate, but builds and slightly reinterprets to update them. They are played rather well; Liam looks like he was born with that cigar in his mouth, Bradley genuinely is charming and suave, Sharlto(from District 9; he reverts to his dialect here and there) comes across as a lunatic without that making us dislike him, and Jackson... well, he looks cool, he's not asked to do anything he can't handle, and he's certainly got more charisma than any other wrestlers on the silver screen(or Vin Diesel). The acting is in general marvelous, and every role is well-cast. Everybody is a bad-ass in this(on/off at least), and that does get old every now and then. Biel is largely eye-candy(as is all other females in this), though we know that she can do this kind of thing, and she doesn't let us down. The dialog wants to be as clever and full of banter as 2008's Iron Man, and this leads to it trying too hard some(with that said, two thirds of it works perfectly, and it's not a complete buzz-kill when it doesn't). It is hilarious a lot of the time, and the half-full theater I was in all clearly got a kick out of it. This is two hours of pure fun with non-stop, awesome action that doesn't repeat itself, with shoot-outs, chases and fights. It's not realistic, and it's not meant to be. The plans are *brilliant* and seeing them gather materials for them is a blast. This keeps to an immensely fast pace, without overwhelming us, and it fits in plenty of well-thought out plot(that doesn't confuse, in spite of twists and such, that hold up). The script is by the guy who did Wolverine, Swordfish and Hit-man and a rookie; however, maybe because of help from the director(who I've only seen one other thing by, his outstanding The Hire short), they turn in something magnificent. FX are plentiful(occasionally overshadowing the people... be careful, Carnahan), and excellent with a few brief poor bits. The editing is tight, cinematography stylish. While it's black and white, switch-off-your-brain-at-the-door, Hollywood popcorn flick, it doesn't claim or attempt to be anything else, and it's an utterly well-made and re-watchable one at that. There is a little strong language and brutality to the violence in this(no blood). I recommend this to fans of the television series who don't have impossible-to-reach expectations, and everyone who can get into a movie that just entertains you for a solid 120 minutes. 8/10
Action packed film dedicated to the original TV series with the same name.
Interesting at first because of its cast (Bradley Cooper, Liam Neeson, Sharlito Copley) and because of the very fast pace right from the beginning of the film. The action sequences are messy but deliver entertainment throughout the movie and that overruns the sometimes flawed script and the plot holes. Acting is ok; the performance of Sharlito Copley is hilarious. He is spicing up the boring in between conversations of the characters and the things he says or does are very funny. Overall, entertaining blockbuster which still stands its ground. 7/10
¿Sabías que...?
- CuriosidadesB.A. Baracus (Quinton 'Rampage' Jackson) bears the tattoos "Pity" and "Fool" on his knuckles, as a tribute to Mr. T's catchphrase from Rocky III (1982): "I pity the fool!" Contrary to popular belief, Mr. T never uttered that exact phrase on El equipo A (1983).
- PifiasTo replace a firing pin in a 1911 requires at the very least a punch and a retainer plate. It would have been impossible for Hannibal to simply drop the firing pin into his pistol and have it function, as there is a spring that provides constant rearward pressure and must be put under tension before the retaining plate can be slid into place.
- Citas
Col. John 'Hannibal' Smith: Give me a minute, I'm good. Give me an hour, I'm great. Give me six months, I'm unbeatable.
- Créditos adicionalesThe film's theatrical release features two out-of-place scenes after the closing credits, featuring two of the original El equipo A (1983):
- at Penascola, Face gets tips from fellow inmate Milt (played by Dirk Benedict, the original Face)
- Frankfurt, Murdock is analyzed by a German doctor (played by Dwight Schultz, the original Murdock).
These scenes were set back in their chronological place in the film's extended edition/home release.
- Versiones alternativasThe UK release was cut, two reels from this film were originally shown to the BBFC in unfinished form to consider language issues. The distributor were advised that two inadequately obscured uses of 'motherfucker' would result in a 15 classification rather than the requested 12A. When the finished version of the film was submitted for formal classification, the two uses of the term had been further obscured and the film was classified 12A.
- ConexionesFeatured in De wereld draait door: Episodio #5.82 (2010)
- Banda sonoraThe A-Team (Theme)
Written by Mike Post and Pete Carpenter
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Brigada A - Los magníficos
- Localizaciones del rodaje
- Cold Lake, Alberta, Canadá(escape from Germany)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 110.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 77.222.099 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 25.669.455 US$
- 13 jun 2010
- Recaudación en todo el mundo
- 177.238.796 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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