Juhong geulshi

"The Scarlet Letter" hits you hard, and it's all you need to know. Excellent acting and perfect fit into the genre conventions (erotic thriller/drama) carry this movie, and everything else goes on as smoothly as possible.

Nudity ain't there to turn you on and without a reason (which is quite rare, in today's films), but actually fits perfectly into the story beats.

The best part of the movie is of course Lee Eun-ju: what a brilliant actress she was! Her acting in this film is for sure one of the best performances I have ever seen on the screen.

I honestly don't understand the bad reviews: to get a 10 out of 10 is it mandatory to have extremely complicated plots, to have been produced by the best directors of the world, and to have been nominated for a thousand international awards? And also, since a few people complained about the pace, they should probably specify that it doesn't fit their personal taste, because this movie does everything right and more. If you want to watch an erotic thriller/drama, or simply something incredibly good, this is THE movie.

Kudos to one of the best films and one of the best performances (Lee Eun-ju's) ever.

This is one of those films where you can't help but improvise. It has those scenes where you shout out brilliant, but then proceed to make a few alterations to the already produced script to make the thing workable, if not believable.

There are many awful south Korean films out there (for whatever reason, most of them seem to be romantic comedies)-- this is not one of them. Unfortunately this is no "Sympathy for Mr. Vengeance" or "Sorum" either. There are a handful of brilliant scenes in this film, including one particularly claustrophobic segment that reminded me of a permutation of Tarantino's Kill Bill Volume 2. Unfortunately, these moments are mired in irrelevance, overacting, and implausibility.

By all means, have a drink, take the film in -- but be prepared to throw a huge amount of constructive criticism at your TV. Be prepared to start writing a screen play, maybe take up non-linear editing as a hobby.

An entirely misrepresented film (lesbian cover, Reeeeeeely?) with truly Tarantino level twists bogged down by Desperate Housewives style plot minus the laughs.

First of all, this film's pacing is a mess. Over developed scenes stretch on for a quarter hour while an entire opportunity for a superb subplot is squeezed into 45 seconds.

Moreover, characters are built up steadily only to end up all but irrelevant while important relationships are glossed over.

Furthermore, the cynical poster shot of the two naked women in bed leads to nothing more than a minor footnote in the entire tale...

The token lesbian moment looked quite literally as if it were tacked on just to rake in a few extra sales... Pretty poor showing... Seriously, what the hell were the marketing people thinking? Oh yes, they were probably cynically thinking of sales...

OK, with the bad out of the way...

This film had its glorious moments....

The acting and characterisation were first rate, all the major characters were excellently portrayed with top rank performances. Special props to the portrayal of the detective: equal parts charismatic and total shitbag.

The sound editing was excellent.. Clear vocals with excellent ambience in every scene. Additionally, the classical music score and incidental BGM were without fault.

But best of all, the camerawork and editing: Top notch... The cinematography is some of the best I've seen at this budget level and really played to the strengths of the storyline... Intimate closeups; dreamy, floaty vistas, Jagged, claustrophobic macros.... 10/10 and worthy of note for students of the genre.

And THE SCENE... You'll know it when you watch it: Visceral enough to give Tarantino a hard-on.

All in all, a worthwhile watch.... Just don't go in there for the lesbian scenes.

The Scarlet Letter is an excellent film for fans of unique cinema. Part erotic thriller, part murder mystery, part police procedure, part extreme cinema, but somehow masterfully pieced together into a single cohesive, disturbing, tragic, emotional and intellectually stimulating film experience.

The cinematography, sound, music, acting, direction and script are all first rate. Although special mention must go to Lee Eun-ju, who steals every scene in a breathtaking performance, which was tragically her last as she committed suicide shortly after completing this project. Obviously she was in some serious emotional pain in her personal life at the time of filming, which she has used to add a raw and real emotional depth to her character.

The storyline is deceptively simple, at first appearing to be a routine murder investigation plot, based on a fairly mundane murder, however as we get deeper into the film this plot takes a back seat to the real story which is a dissection of the investigating officer's (Han Suk-kyu)complicated personal life and his relationships with his wife and his girlfriend (Lee Eun-ju).

It is in the complexities of this love triangle that the films true power and force really take place as the characters try to manage their lives as they slowly unravel. This leads to a climax that is emotionally overpowering and disturbing, and totally unique.

This is very intelligent, artistic, mature, dark, thriller.

At first I wasn't sure whether I should watch the movie because of some negative comments, but I decided to give it a try. Bearing in mind that I could always turn it off if I didn't liked it. But I was pleasantly surprised. The story was something I never saw before. Very original. The movie has quite a few twists and surprises that makes sure you are never bored and after every new discovery you want to see how it all turns out.

I would definitely recommend it to anyone I know. And if you are lucky enough to obtain a copy or can buy the DVD, don't hesitate.

8 out of 10.