Sophie Scholl (Los últimos días)

As a person who spent many years 'making art', I could not be more amazed reading some of the comments. I've just been to a preview of Sophie Scholl in Manchester, England; and I am not only glad that this movie has been made, but also that it is done at the time when young people are happier to do 'whatever' rather than have any principles.

There is no point debating historical accuracy. As it followed from the Q&A session with Marc Rothemund following the preview, not only the filming took place at the original locations that are still there, but the crew went at great length doing things 'right', including getting the weather reports for February 1943. Yes, there is this strange feeling of looking at the film's title, which sounds like the title for a documentary. But then I didn't gather the impression that Rothemund's goal was to poeticise the story of Sophie Scholl. I think it is quite enough that in Germany she is perceived as a martyr. What Sophie Scholl - Die Letzten Tage does successfully is it shows a person behind the image, a young girl (younger than myself), who was prepared to die for her idea, but desperately loved life.

I read critical comments, and mine was in part sparked by them. Far from trying to debate their correctness, I'll do exactly what I always do on these occasions. Guys, those of you who decide to write next dismissive drag, instead tell us how you would direct in Rothemund's place. Or how would you act in place of Julia Jentsch? If you have really valid suggestions, we'll all be happy to hear.

As this is more of a history film, I will write this review based on the historical aspect of the film and not so much about the acting. However it goes without saying that the acting and handling of the camera was nothing less than superlative! By watching the film you really have the impression of being there at that time.

This film details the last six days of the primary members of a resistance group called the White Rose. The White Rose was an organization of students, mainly around Munich, during the years 1942-1943, though there were fringe elements that eluded capture by the authorities that survived until the end of the war. Many of those survivors contribute to this story.

There are two other films about the group. The main one was a film called "The White Rose". It can be found described here in IMDb. It recounts the complete story of the group. The other was Fünf Letzte Tage (The five last days), which deals with Sophie's last five days. Both of these movies were released in 1982 and the same actress (Lena Stolze) plays Sophie Scholl.

This current film is an amalgamation of the two films with some expansion to the story. More information since the original two films, released in 1982, was subsequently available.

I have studied the story of this group at some length and find the historical aspects of this film track very well with a few notable exceptions. First, at one point when Sophie learns that Christoph Probst was also implicated (she and Hans tried to take all the blame to avoid others from being drawn in) historical accounts say she was shaken to her core and she screams. In the movie however it hardly phases her, she only screams later after the meeting with her parents. I suppose this was done to increase the theatrical value by the placement.

The other is that Police Commissioner Mohr is painted slightly darker than in real life. According to Else Gebel he came back from the prison "white as chalk". She asks if they will die and he only nods shaken from the experience. Else asks how she took it. He replies that she was very brave." He then said, "Keep her in your thoughts in the next half an hour. By that time she will reach the end of her suffering.".

However despite this I thought it was a fantastic film, and probable to date the best one on the subject. There have been a recent wave of films coming from the Bavaria Film Studios, "Der Untergang", "Napola" and this film, coinciding with the 60th anniversary of the end of the war. It has been suggested in some circles that this is an attempt to whitewash, I disagree. Until 1994 when I made a visit to Tuebingen and saw some graffiti, I never heard of the White Rose (I am an American). In fact I didn't even know there WAS a German resistance. So I think this about time that this is also given it's place in history along side of the other aspects. In every age there is always a resistance element -- even in our own day. So why should this be such a surprise?

I hope that those who see this film enjoy it as I have. I give it nine stars!

OK, first of all. This movie is absolutely not like "the Downfall" (Der Untergang). Sophie Scholl is way more demanding and exacting. Now, 3 days after I've seen this movie, I still got a feeling of guilt and concernment in my stomach. In my opinion Sophie Scholl is due to its precision more like a (replayed) documentary movie than a Drama, which makes it even more "shocking". This is for sure no light entertainment, and those, that don't like long conversations or even are not interested in history, should not watch this movie. This is the main reason, why Sophie Scholl won't make the transatlantic heap, because it's too "special". It's a part of German history and requires a willingness to cope with it.

Marc Rothemund does a very good job on directing this movie, and Julia Jentsch is very convincing. While watching this movie you don't have the feeling that the story is 60 years ago and can't touch you. It makes you feel like you're in the thick of it. And that's why I give a 9/10. Great Movie.

German film is on its way again and this is another example. Sophie Scholl was a member of the White Rose, who distributed pamphlets against Hitler at the Munich university in 1943. That was of course suicide. Gestapo got them.

This is not only a recapitulation. Far from it. There is also a small but strong mini drama between Scholl and the Gestapo interrogator and despite the situation and what in the end can't be avoided, it's not clear who really wins that battle.

Very good acting by Julia Jentsch and Gerald Alexander Held here. A real nightmare and a perverse situation, but still taken out of life. This is not only drama. It is also possible.

In 1943, in Munich, the siblings Sophie Magdalena Scholl (Julia Jentsch) and Hans Scholl (Fabian Hinrichs) distribute anti-Nazi pamphlets in the University of Munich. However, they are arrested by the Gestapo and Sophie is interrogated by Robert Mohr (Alexander Held).

Sophie becomes loyal to her ideal and to her comrades of The White Rose resistance group and pleads guilty of all charges to save them. In a couple of days, she is judged by a Nazi court with her brother Hans and their friend Christoph Probst (Florian Stetter ) and they are sentenced to death and beheaded.

"Sophie Scholl - Die Letzten Tage" recreates the last days of the twenty-one year-old Sophie Magdalena Scholl, who was a student of the University of Munich and leader of the Anti-Nazi resistance group The White Rose. This awarded film has great performances and direction, and the dialogs are awesome, specially the ideological discussion between Sophie and Mohr during the interrogation.

I am a big fan of German movies and for those who liked "Sophie Scholl - Die Letzten Tage", there is another good film about this resistance group named "Die Weiße Rose" (1982). My vote is eight.

Title (Brazil): "Uma Mulher Contra Hitler" ("A Woman against Hitler")