PUNTUACIÓN EN IMDb
3,5/10
4,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaTwo serial killers go on a murdering rampage as one films the outcome from behind a video camera.Two serial killers go on a murdering rampage as one films the outcome from behind a video camera.Two serial killers go on a murdering rampage as one films the outcome from behind a video camera.
AnnMarie Reveruzzi
- Girl in cellar
- (as Ann Marie Reveruzzi)
James Comerford
- Man Behind The Camera
- (sin acreditar)
Joe Knetter
- Self
- (sin acreditar)
- …
Reseñas destacadas
OK, I heard about this series of films a while back, and read up on the director, the production company, what they have done since etc.etc. I don't really have a strong stomach for violence, but i do like to be shocked. And, to be honest, it took me a while to get round to picking this ( the trilogy ) up and preparing myself for what i'd heard was a pretty shocking ride. I was quite cautious putting it on, and expected to either turn it off or fast forward at some point. well, what a let down. Granted, it is pretty vicious, but not in a way that is going to disturb anyone, at least anyone of a reasonable disposition. I can only see anyone really enjoying this if they are using this purely as a means to fulfil some sort of need for pointless aggression, which is just what this film is, pointless. I have given it 3 stars, and that is purely down to some of the dialogue being, and i am sure many will disagree, quite witty, and i am sure it was not scripted at all. i can't believe there was a script involved in this full stop. Also, the apparent lack of motivation for any of the events in the film could be considered interesting if it were handled in a more professional fashion. I believe the director quotes 'Henry; as one of his prime influences, more precisely the home invasion scene. Well, that scene, and film in fact, is pretty shocking, and i'd recommend that over this a thousandfold. I can't quite work out what the director was aiming to achieve with this, because a certain connection with the situation, or characters, is required to engage the audience enough to care about what happens, and this just isn't the case. you don't care, you are just waiting for the next shocking thing to happen to see if it repulses you, and quite frankly it doesn't do that. I started to watch the sequel, which appears to have a far more sexual motivation, but had to stop due to having something better to do, and i don't think i'll bother watching the rest.
I don't think vogel is totally talentless. He can't direct, clearly can't script a film and his acting sucks ( there seems to be a pre-occupation with ridiculing victims because of their weight, when none are anywhere near as fat as he is, which is quite unfathomable ) but put him with a team of competent, talented film makers and i reckon you might get something really good out of him. Having said that, avoid this unless you really feel the need to watch it, i expect the reasons that most people would want to see it are because of the supposedly shocking and outrageous violence. Well, it isn't shocking, and neither is the sequel ( of what i have seen ), only a bit sad and misguided.
I don't think vogel is totally talentless. He can't direct, clearly can't script a film and his acting sucks ( there seems to be a pre-occupation with ridiculing victims because of their weight, when none are anywhere near as fat as he is, which is quite unfathomable ) but put him with a team of competent, talented film makers and i reckon you might get something really good out of him. Having said that, avoid this unless you really feel the need to watch it, i expect the reasons that most people would want to see it are because of the supposedly shocking and outrageous violence. Well, it isn't shocking, and neither is the sequel ( of what i have seen ), only a bit sad and misguided.
From the plot summary, you might think that August Underground might be like a heinously gory version of the Belgian semi-classic 'Man Bites Dog', but you'd be wrong as August Underground is nowhere near that good. The film apparently has the intention of being a phony snuff film, and indeed the violence looks graphic and realistic, but it's all really cold and pointless. There is a sex scene at the end of this film that really sums it all up; it's about as far from being erotic as it gets, so it's extremely difficult to get involved with it, and the same goes for the violence. Violence that is simply shown gives the audience no reason to care, and so overall; the film is really rather boring. There has been a slew of direct to video trash films like this one over the last few years, and despite the fact that August Underground seems to be reputed to be one of the better ones; it really isn't. The only good thing I can think to say about it is that director Fred Vogel succeeds in creating a home video style look to the film through the use of a hand-held camera; but like the worst film ever made, The Blair Witch Project, this really only makes it so that the audience can't always see what's going on; which only succeeds in being irritating. Overall, I can't really recommend this film. I'm a fan of sick filth, but it didn't do anything for me. I'd recommend seeing something else instead.
I am not sure this would be classified as a 'true' horror movie. Instead, the horror in this movie lies in the fact that it is something 'new'; the somewhat of a shock you get because everything is so unexpected. For example, you are afraid of bugs, they are ugly and disgusting – Now imagine this bug in a different form. Maybe it has a different color and makes weird noises. You will remember this bug because it is so different, and the difference from other bugs you are used to makes it even more disgusting. This is how I would describe this movie.
The two main protagonists seem to consider themselves to be at the top of the food chain; the world is their playground and the people in it are there solely to be used for entertainment. The protagonists do everything in a really nonchalant way, and regardless of how friendly others are towards them, they always see them as objects rather than people. This is the biggest reason why I raised my eyebrows, and questions like 'What are they doing, and why?' popped up in my head.
At first, I was not really sure I wanted to watch this movie, because of what people said about it and how extreme it is. In all honesty, the movie is not that brutal and chaotic as I expected. The pure violence portrayed in this movie is not as out of this world as someone might expect. We are so desensitized to this type of extreme violence nowadays that we get to see hammers, chainsaws and axes being used to chop off this and that even in mainstream Hollywood movies. It is not the visual violence that is disturbing in August Underground, but the concept of it and the atmosphere. It is more connected to the real world than in other movies, and the fact that this actually can happen (and probably has) in the real world, together with the previously mentioned attributes makes this movie quite unique and disturbing in a way we rarely see.
The two main protagonists seem to consider themselves to be at the top of the food chain; the world is their playground and the people in it are there solely to be used for entertainment. The protagonists do everything in a really nonchalant way, and regardless of how friendly others are towards them, they always see them as objects rather than people. This is the biggest reason why I raised my eyebrows, and questions like 'What are they doing, and why?' popped up in my head.
At first, I was not really sure I wanted to watch this movie, because of what people said about it and how extreme it is. In all honesty, the movie is not that brutal and chaotic as I expected. The pure violence portrayed in this movie is not as out of this world as someone might expect. We are so desensitized to this type of extreme violence nowadays that we get to see hammers, chainsaws and axes being used to chop off this and that even in mainstream Hollywood movies. It is not the visual violence that is disturbing in August Underground, but the concept of it and the atmosphere. It is more connected to the real world than in other movies, and the fact that this actually can happen (and probably has) in the real world, together with the previously mentioned attributes makes this movie quite unique and disturbing in a way we rarely see.
This camcorder tape cant even be classified horror, and would be an insult to the outstanding horror directors to have it labeled as such. It is the result of two very sick and twisted depraved examples of individuals who think they can be the next Blair Witch producers. Nothing is further from the truth. It is a fine basis for them being able to commit a heinous crime and be able to present a defense of INSANITY. It would appear similar to the result of two freaked out, doped up teenagers who would next think of attempting to simulate the Columbine incident. I have viewed most of the top listed horror or disgusting films and would not even consider this to be in the running. As I started my comments, this is not even a film. And I would not give it the satisfaction of being something worth rating. I listed it as 1/10 because that is the least one can to to proceed with their comments.
It don't even fall in the category of the Guinea Pig series. Those can be seen for what they are. This is nothing.
It don't even fall in the category of the Guinea Pig series. Those can be seen for what they are. This is nothing.
¿Sabías que...?
- CuriosidadesWhile traveling to Canada to attend a film festival in Toronto, director and co-writer Fred Vogel was arrested, pending charges of transporting obscene materials into Canada, when copies of August Underground and its sequel were found by customs officials among the merchandise he had intended to bring to the convention. The charges were eventually dropped, after Vogel had spent roughly ten hours in customs prison.
- Citas
Killer: [while looking at statues of Biblical figures] You know what I don't understand? I don't understand, you know, like, in, y'know, in the Bible, and y'know, the stories that you hear, y'know, they're always upset, and weeping, and crying and stuff like that. These people just have a stoned look on their face. Get it?
Man behind the Camera: That was bad.
- ConexionesFeatured in S&man (2006)
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Detalles
- Duración1 hora 10 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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