Los tres entierros de Melquiades Estrada

I just had the pleasure of seeing this wholly original modern-day American western. Just when you think you have this film's plot pigeon holed it takes you in a different direction. THREE BURIALS OF MELQUIADES ESTRADA is in part a revenge story, but it's also much more than that. There are no one dimensional characters. As much as you want to hate Barry Pepper's numbed border patrol officer, you can't help but feel sorry for him. And Tommy Lee Jones' Pete will break your heart. He and Pepper have never been better and Jones' direction is natural and subtle. My only problem with the film was sometimes it got a little too quirky for its own good. But for the most part I believed every moment and really cared for these lost characters. It's one of those films that really leaves you thinking about a lot of stuff, from mortality and loss to the very real problems of racism and inhumanity. It's never preachy or self aware and isn't out to impress, it's just telling a story. I highly recommend this movie. It's by far one of the best films I've seen recently.

Ay, carramba! A diablo of a marketing challenge: a bilingual movie, with an impossible-to-remember title, a story of white trash, Mexican wetbacks (that's the film's language), cruel Border Patrol "cowboys," and Tommy Lee Jones as the director and the uniquely memorable lead character... and a film that's one of the year's best.

"The Three Burials of Melquiades Estrada" opens with a somewhat confusing sequence of flashbacks, and for the first half hour, you wish you were watching something more "orderly," but you'll be hooked anyway. For the next hour and a half, however, there is a crescendo of images and situations hitting the viewer over the head, amazing and moving.

Taking the corpse of a friend - and his very much alive killer - back to Mexico for a "proper burial" and to mete out justice, Jones' voyage is a quirky, epic adventure, based on the brilliant writing of Guillermo Arriaga (of "21 Grams"), and filmed to perfection by Chris Menges (of "The Killing Fields" and "The Mission").

Besides Jones (who won the 2005 Cannes Festival best actor award for this), "3 Burials" features fabulous performances by Barry Pepper ("25 Hours"), Julio Cedillo, and a large group of remarkable supporting actors on both sides of the border.

Jones says something in the production notes that could sound arrogant or affected... except that it's true: "Some visual influences have been the kabuki theater, the art of Donald Judd and Dan Flavin, and the films of Akira Kurasawa, Sam Peckinpah, and Jean-Luc Godard." Amen.

At times 21 Grams others Don Quixote. A meaningless killing, leads to three burials and a quest with a corpse through Mexico, Arriaga(the screenwriter here, formerly of Babel, Ammores Perros, 21 Grams) as always weaves in themes both global and personal, political and poetic, with a skill and restraint not often seen. Ostensibally a modern western, this film shares with those others an ostensibly simple event told through a variety of chronologies and characters, great stuff. As with those other films it does tend to have a slow pace, but it does so give the viewer a grander scenic sense of the landscape Arriaga and Tommy Lee Jones, who direction should not be overlooked, unfold for us, a literate, mindful, grossly underrated modern western which manages to say many powerful things about the world today and human life in general.

The Three Burials of Melquiades Estrada is for me the film that saved 2005. Written by Guillermo Arriaga, also writer of "Amores Perros" and "21 grams" and the first movie of Tommy Lee Jones as a director (but also lead actor), "The Three Burials of Melquiades Estrada" tells the story of Ranch hand Pete Perkins (Tommy Lee Jones) who wants to fulfill the promise he made to his recently deceased Mexican friend by burying him in his hometown in Mexico. The power of this modern western and initiatic journey resides in the complexity of the characters, their depth and their controversial behavior. None of the protagonists are one dimensional; none of them are right or wrong but all of them do right and wrong things. They are not always rational, and most of the time they feel lost. In one word they all appear profoundly human. Build over a chase dynamic fueled with contrasts and paradoxes, the film opposes Wild West landscape and Modern carton built houses, 4WD tracking hunt and horse back journey, fake TV soaps and true friendship but maybe most of all Freedom and Prison. Indeed most if not all characters are trapped in their apathetic lives from which they can't or don't want to escape forcing us to ask ourselves how close is our lives to the spectacle projected in front of our eyes. Melquiades Estrada embodies this possibility of Escape and now that he has been buried 3 times he transcends this Freedom making redemption possible not only through death but also through rebirth, suggesting that nobody is beyond it.

The Three Burials of Melquiades Estrada

Directed by Tommy Lee Jones (2005)

I have always liked Tommy Lee Jones as an actor. He has made some really great performances in the movies JFK, Heaven & Earth, and The Fugitive. And otherwise he has always been good, although he got some typecast in some stereotype roles. In 1995 he debuted as a director on TV, with the movie The Good Old Boys, which I sadly haven't seen. Now, he has joined some of his famous and acknowledged colleges like Clint Eastwood, Mel Gibson, Denzel Washington, and made the step from actor, to actor & director in his own very first motion picture - The Three Burials of Melquiades Estrada.

In this movie, Tommy plays the lead as Pete Perkins, who under some mysterious circumstances, finds out that his best friend has got killed. As a consequence of this, he reacts strong and dramatically, wanting to fulfil his old promise to his, now gone, friend.

The script is written by Guillermo Arriaga, and he mixes the characters and the beautiful landscape into an original story, dealing with many subjects. As said before, the movie is beautifully filmed and good edited. Aside from the director, the shooting star – Barry Pepper – delivers another very good and solid performance! He is a very good actor, which I hope to see a lot from in the future…

All in all a solid, and good piece of movie craft from Tommy Lee Jones, which I know respect more than ever!

8/10