Kamikaze Girls

A completely enchanting and engrossing comedy-drama about two 17 year old girls, vastly different from each other (one a self-absorbed dreamer with a love for Rococco period fashion and behavior; the other a rebellious biker chick), who become friends and change each other's lives. The film makes the most of this simple plot line, and it's the compelling personalities of the characters, beautifully overplayed by Kyoko Fukada and Anna Tsuchiya, respectively. The film is told through a color-saturated visualization and stylish direction by Tetsuya Nakashima, who adopts a manic style not unlike that of Jean-Pierre Jeunet in AMELIA or Tom Twyker in RUN LOLA RUN, with jump-cut flashbacks, bizarre cut-aways and edits; the effervescent vitality of Nakashima's direction coupled with the performances of the lead and supporting cast really make this film a fascinating and repeatedly watchable experience. Also of note is a terrific score, which varies from J-Pop to American hard rock and punk, to classical (one fight scene is set to Strauss' Blue Danube) and really sets the film's aural tone and pacing; Yoko Kanno (MEMORIES, ESCALFLOWNE, GHOST IN THE SHELL: STANDALONE COMPLEX, and Nakashima's previous SUMMER TALE) is responsible for the underscore and several of the songs.

Wonderful, colourful and amusing tale of two young girls whose personalities clash in the country of culture clashes. Anna Tsuchiya who played the prostitute in Sakuran, here plays a cool and very crazy bike girl from a gang of 'yanki's' and the cutie doll faced, Kyoko Fukada plays the frilly dress wearer, reminiscent of the young girls on the bridge at Harajaku, Tokyo.

This non-stop extravaganza takes in teenage angst, the clash between the traditional and the western styles, the passion for costume, the need or not of friends and so much more. And all in such a bright and infectious manner. A joy for all.

Maybe the one and only movie with a theme about Embroidery, that still can be considered "cool". Kyoko Fukada as cute Lolita-look Aficionado and Anna Tsuchia in a tough Biker-Gang Wardrobe make up a most strange, yet sympathetic pair of friends. Makes you laugh, makes you feel warm, yeah, even nostalgic. "Kamikaze Girls" is the archetypal essence of Manga-Culture come alive, pure J-Pop Fanservice in psychedelic, overbidding videoclip visuals (including one hysterical Anime story sequence), and one of those rare movies, where you don't ever want to see the credits. Also features a great entrance by my favorite Pin-up Idol Eiko Koike.

Simply absurd, imaginative, unreal. A naive Kyoko Fukada in Lolita shape, fan of embroidery and Rococò and its fabulous lacy dresses , meets a bad-to-the-bone female thug that will change her life. The story is the quintessence of pop culture's exaltation, a movie so coloured that makes Cutie Honey a faded charcoal, a demential opera as much as Excel Saga, a reflection on the true importance of friends and dears.

Kyoko Fukada's acting is perfect, she makes what she does better: an ingenuous little girl. Anna Tsuchiya is a very talented actress, can't wait to see her on the new Katsushito Ishii..

'Kamikaze Girls' is adapted from a comic book; it contains some short animated scenes, but in fact the entire movie is made in a comic-book style, even when it employs real actors, with exaggerated physics and characterisation. It's unlikely story pairs a girl who dresses in rococo outfits with a tough biker chick (the supporting cast includes a man with a four-foot quiff); for those who aren't Japanese, it may come as a shock to learn, however, that the boutique rococo retailer that features in the film is actually a piece of product placement - it really exists, and there's some popularity to this bizarre style of dress. The film zips along, and there are some nice humorous touches, although it never feels deeper than a comic. But the tone is right for the material - and it's infinitely preferable to countless Hollywood comic adaptations that futilely try to tell us there's something profound in the their stories.