Kyûtî Hanî

I saw this film at the Fantasia Film Festival in Montreal, right after Blueberry. Holy smokes, this movie is totally awesome!!! Why can't north Americans make cool movies like this? It's super happy and action-packed, and it even makes fun of itself = it's perfect!!! For this vein of movies, Cutie Honey is the best I've ever seen!!!

If you have a vague idea what this movie is about, you'll be blown away by the extremes and humour presented on the screen. It's not serious. But a most excellent treat indeed!

All the acting is superficial, there's a constant(but not tumultuous) music track throughout, all the photography is extreme and the story itself is completely retarded. A lot of the humor comes from making fun of stupid little "cutesy" movies --> also, the sexism is exaggerated too: Cutie Honey behaves in a ... "special" way: always innocently making sexy poses wearing only underwear, etc... All the action sequences are completely over the top, super loud, and mixed with cartoons as well.

For what it is, it's unbeatable.

Not to degrade the movie, but if you can't get over a "Power Rangers" feel, then pass this title by. However, if you enjoy humor, weird costumes, crazy action, and insane levels of Cuteness, then this may be the movie for you. Based on an old anime (manga too?) by Go Nagai, this live action version is quite amazingly a live action anime. I was never a huge fan of the original animation, but this move almost makes me want to go back and recheck it out. The movie is fast-paced, and action-oriented. It has decent character development (but don't look for anything too deep) and best of all, it was just silly. If it weren't for that last factor, the movie would have completely sapped an hour an a half from my life. The cast was great, considering the roles, but the thing that stands out is the way they were able to combine the live action with a very cartoony style (watch as Honey dodges all those missiles in the beginning, it a whole new style on it's own.) It was very entertaining, and it was definitely an example of camp gone right.

I've always had a bit of a love/hate relationship with anime. Quick flashes of artwork reconciled within the plot lines of the larger work have always felt more intrusive than they have integral to the total story, but, as could any reader, there's always something in there worth appreciating. Whether it's the personal history of the lovable lead or the angry clutter of a villain bent on destroying life, some element always gels, fueling the vicarious excitement for as long as I'm willing to suspend disbelief.

Then again … when the lead actress is an absolute knockout having the time of her life chewing scenery, slaying bad guys, and decked in spandex, who am I really kidding? The live-action (the term should be used loosely, as the film is full of heavy CGI sequences) adaptation of "Cutie Honey" feels like an idea that originated from anime but desperately desired to rise above the conventions of the literature. In this story, Honey – an ordinary office girl turned super-powerful android by magical uber-genius of her deceased scientist/father – is granted the chance of, well, her second lifetime: she can avenge dear ole dad's death by bringing an end to the notorious Panther Claw gang … but is she willing to risk the lives of her new-found friend, Detective Natsuko Aki (Mikako Ichikawa), in the process? Of course, androids have never been lovelier than this one embodied by Eriko Sato. As Honey, Eriko bears the weight of the film, delivering a performance of a visual marvel: her features strike an almost perfect balance between doe-eyed-anime-schoolgirl-cuteness and drop-dead-gorgeous-comic-book-heroine-beauty. She's perfectly cast, and it would appear that she knows it! She uses her feminine wiles and impish lunacy from start to finish with nothing short of total commitment. Such dedication should give even the most impotent Scrooge something to admire, if not a resurrection of male blood flow. Yes … she's … just … that … stunning. In her capable hands, what could have been a farce becomes a force to be reckoned with.

"Cutie Honey" is not without its flaws. The high-fashion, sparkly camp design works well most of the time, coupled with some terrific special effects work. Anime sequences – largely used for flashbacks and battlefield filler – are impressive, but these scenes don't offer much to differentiate themselves from straight anime pictures. Despite or to the advantage of the goofy feel-good banter, the actors all seem to enjoy themselves, as it's clear that no one is taking this stuff too seriously.

At some points, I couldn't suppress the "What am I watching?" effect. Normally, a film like "Cutie Honey" is not my cup of tea … but, one scene later, I was drawn up into this goofy world once more, laughing at the campy villains or admiring what little fabric the costume designer refused to waste on Eriko's ordinary-girl-alter-ego outfits.

Did I mention that Cutie is a real cutie? In the end, there's something wholesomely redeeming to watch a group of mismatched heroes take time out from saving the world to drink sake, let loose, and sing karaoke.

Saw Cutie Honey at the Leeds Film Festival on Saturday... not sure if James Maruyuma had been paying attention until the last half of the movie, because people breaking into song for no particular reason and "metaphysical" (actually psycho-sociological but nevermind) thoughts about love and opening your heart to people are there throughout. The film is 95% very very very silly, with a couple of curveball moments where things get a bit more serious, then right back into silliness and fluffiness again. The film is shot and edited in a very anime-esque way, with extensive use of CG to enhance the stylisation and "cartooniness" that's already quite abundant from the costumes and overacting. In fact, so much effort has been spent making the live action film feel like an animated film that one sometimes wonders why they didn't just animate it ;) The answer is, of course, the super-cuteness of Sato Eriko (though I was actually more partial to Ichikawa Mikako's super-repressed detective character, make of it what you will).

Overall, very very camp and silly fun with a fluffy message about the power of love n' stuff. Not the stuff classics are made of, but worth seeing if the opportunity arises.

And I agree with the other reviewer, i think James totally missed the point! The idea as far as I can tell was to make a live action anime, it was a parody not a serious movie. The way the characters are posed, in particular the journalist, and one scene where a character has a megaphone covering her mouth was a nod to the way animation is shot-ie exaggerated poses, and objects over mouths to save on animation costs.It was supposed to be a large poke of fun at the silliness of magic girl anime series and anime standards, like a live action version of excel saga! I enjoyed it greatly, and laughed the whole way through, i suppose if you have seen the original series its difficult not to get precious about it. But for someone who has watched a lot of anime, it was enjoyable for all the references to other series and the way a master of the medium can poke fun at his own creations.The performances were good and in a way perfectly studied, they all acted like anime characters, which was the point, Anno was having a dig at how simplistic a lot of characters in anime are and in particular female characters. I agree the end with Sister Jill was a bit sappy but again i thought he was trying to make a point about soppy endings to anime series, as well as obviously trying to fill his need to have some comment on human nature in all his productions! All in all a highly enjoyable film!