Watchmen

The graphic novel source material is a masterpiece, bold, uncompromising, subtle, witty, imaginative with very unique characters and an immersive world. Albeit one that is near-unfilmable, with the themes, the huge amount of content and the amount of depth needed, a three hour film sounded nowhere near enough on paper. Plus Zack Snyder is nowhere near close to being a favourite of mine, but saw 'Watchmen' anyway because of my love for the source material, that it looked fantastic and because the cast are very talented.

'Watchmen' really is well worth your time. More the director's cut though than the theatrical release, though both versions have the exact same brilliant qualities. Of which there are many in 'Watchmen'. It is a prime example of how to transcribe a graphic novel to film, while not being as good and not having everything there, and still be near-great on its own terms. It is by far Snyder's best film in my view, as well as being his most mature and ambitious, being the only one to be above good and be more than style over substance. His other films left me mixed to indifferent.

Is 'Watchmen' perfect? No. It does feature one of the most uncomfortable-feeling and pointless love scenes on film, and Leonard Cohen (well certainly for the song in question, it is a great song that is not well used) has never been used more awkwardly in visual media in my view (partly because in my opinion it doesn't fit with the context of the scene).

Matthew Goode is also a bit too stiff and subdued as Ozymandias. Actually do prefer Jeremy Irons' more eccentric and all out portrayal in the recent series, despite the character being a lot less puzzling here. So it is easy to see why 'Watchmen' is a divisive film, though more for its heavy, polarising themes, the huge length (that sounds overlong on paper), that figuring out what's going on admittedly is not easy for anybody who is not familiar with the graphic novel and it seems that the ending has left people divided (the ending in the source material sparks much debate as well).

For all of the flaws mentioned, so much works in 'Watchmen's' favour. It looks amazing for one thing. Very stylish and imaginative with some incredible special effects, there is nowhere near as much gratuitous slow-motion here than seen in some of Snyder's other work. The opening sequence is absolutely amazing in as jaw-dropping a way as you can get, what a way to start a film. The music is nostalgic and atmospheric, with mostly inspired use of great songs. Only the Cohen song in the scene in question is questionable. Snyder's direction is some of his most ambitious and doesn't try to do too much to the same extent as his other films.

Moreover, the script compels, flows naturally and raises interesting ideas that provokes thought, managing not to trivialise its difficult content. A good deal of talk but not too exposition-heavy, even when focused on Dr Manhattan in the middle act. There is not much subtlety here, Snyder and subtlety never belonged in the same sentence, but the ironic wit translates well to film from the graphic novel as does the maturity. The length is a long one, but the source material is massive so the film really needed to be long. If anything, in terms of adapting it would be better a mini-series. The story makes the most of getting one immersed in an authentically rendered world, and thematically it is bold and executed in an unforgivably uncompromising approach as ought. The violence shocks but didn't come over as gratuitous and the action thrills. Didn't have much of a problem with the ending, but can see why others would, the climax is thrillingly staged at least.

A good job is done with the characters, though Adrian Veidt/Ozymandias is underused and a bit underdeveloped. Night Owl and in particular Rorschach being the standouts, though The Comedian is also a difficult role to pull off. Apart from reservations with Goode, the performances are strong. Jackie Earle Haley is perfect casting as Rorschach, and have no qualms with Billy Crudup, Patrick Wilson and Jeffrey Dean Morgan either. The most difficult roles, pulled off beautifully.

Overall, very good and nearly great, with a lot done extremely well with a couple of misgivings. The polarisation is understandable but the appeal is even more so. The recent adaptation, despite getting a lot of over the top hate very prematurely into its run is also worth seeing. It is a slow starter and ends anti-climactically but there is so much brilliant about it, and if one sticks with it if put off by the first couple of episodes it to me and others got a lot better. 8/10

I thought this movie was just OK when it came out in 2009. Now watching it in 2023 I am watching this movie realizing I was an idiot in 2009. I see the Boys and almost every comic movie since in it in 2023. They've all pulled something from Watchmen. Superheroes with real people problems that have real opinions negative and positive doing both good and bad things all the time. It's great and I'm finally seeing what those that got back in 2009 that were way ahead of the curve. Acting, camerawork, effects, costumes, story, nostalgia, all put on full display in this movie. Jeffrey Dean Morgan and Jackie Earle Haley put on a show in a movie that I felt like everyone was exceptional. That's how good they are. Give this another go if you're somehow here reading this debating on whether you should watch this movie.

Some time after "The Boys" I decided to give this film a rematch... Back in 2009 it was still a time when there was not that many similar to each other superhero films Watchmen cam out a bit too early..., What makes Watchmen feeling so fresh in 2020 is that it's completely different to most of Marvel films.... The characters in Watchmen feel more like real people than idealistic figures you usually get - they age, they change opinions on things, they do wrong things... The world is also much more similar to ours in 2020 that it was in 2009... Brilliant film 9/10!

A complex movie with some of the most human characters that i have ever seen and a villain that is also the hero.

Tones a bit dark, almost realistic for a superhero movie but it works.

Let's get this out of the way - Watchmen the movie is not as good as the graphic novel.

Zack Snyder's Watchmen is not your average graphic novel adaptation. Unlike with 300, which was short and sharp and shallow and easy to adapt, the original Watchmen is incredibly dense and, as written, unfilmable. So Snyder did something very smart - he didn't even try. What he did instead was to take the world of Watchmen and rebuild it in a way which made a virtue of this new medium (film) rather than try to cram the graphic novel into a cinematic form.

Nowhere is this approach more obvious than in the film's title sequence. A wonderfully composed collage of images depicts scenes from the universe of Watchmen in a way which is only possible in the movies. In this way, we are subconsciously introduced to a world where costumed heroes are a part of everyday culture and brought, in a stylish and fluid way, from the original days of the Minutemen to those of the Watchmen. This introduction is cinematically perfect and is indicative of the heights which the Watchmen movie is perfectly capable of achieving but not quite capable of sustaining.

Watchen is a brave film for a major studio to make and without a doubt it would not exist in its present form without the success of 300. It is incredibly dark (both in tone as well as shooting style) with events that would be anathema to any other superhero story. The less you know about the story, the better so there will be no spoilers here but suffice to say Watchmen's version of a happy ending is a far cry from the Hollywood norm.

Snyders brings his unique approach to action to bear on Watchmen, expanding on the action scenes in the comic without making it feel too redundant. His efforts are ably supported by the incredibly game cast, excellent cinematography and near perfect visual effects - this film is incredible to look at but also manages to create an entire world in a way which most superhero stories never do. The attention to detail in even the smallest scenes is commendable and the dense flashback structure means the same attention is paid to the presentation of full and complex characters.

Snyder has made a film which is gorgeous to look at, agreeably violent, well written, wonderfully designed and features some of the best small scale action sequences ever committed to celluloid. But, naturally, not everything is perfect. Most of the performances are excellent, with a cast of relative unknowns who manage to distinguish themselves despite constantly competing with overbearing effects and design. Patrick Wilson, in particular, does great work with a difficult role as Nite Owl, while Jackie Earle Hayley is blistering as Rorschach. Unfortunately in a film which could have done with a strong female presence, neither Carla Gugino nor Malin Ackerman make much of an impression, despite having quite a lot of screen time. Synder's musical cues are another bone of contention - often pushing the tone of the film into the realm of parody. And the ending... well let's just say it cheapens the experience in search of the lowest common denominator and the whole package suffers. On a related note, neither of the stories major revelations are handled that well. These moments were genuinely shocking in the graphic novel but are almost glossed over in the film.

Don't get the wrong impression, Watchmen is a good film, sometimes a great film. Snyder has managed to make a movie which is a terrifically well balanced compromise between accessibility and fidelity. That anyone can sit down in the cinema and experience a distillation of the Watchmen universe in just 163 minutes is a marvel. It does not deliver the depth of feeling and connection of the novel but that is more a matter of the differences in the media than a failure on the part of the film.

On its own merits, Zack Synder's Watchmen is a dark and twisted tale peopled with complex characters whose motivations are not obvious even to themselves. It is a solid film, sometimes rising into the extraordinary, and deserves to be successful. This is not Alan Moore's Watchmen but it is a competent extension of the universe into another medium and a worthy cinema-going experience.