PUNTUACIÓN EN IMDb
7,4/10
33 mil
TU PUNTUACIÓN
Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.
- Dirección
- Guión
- Reparto principal
- Premios
- 11 premios y 6 nominaciones en total
Burghart Klaußner
- Hardenberg
- (as Burghart Klaussner)
Reseñas destacadas
I have to issue a few words of warning first:
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
... but the days of plenty for German Cinema obviously just started!!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
I went to this film expecting a comedy in the mold of "Sonnenallee" or "Good Bye Lenin", and I wasn't disappointed. The characters became very real to me, even Hardenberg, the kidnapped businessman, who was a bit wooden at the beginning. For me, the best part of the film was watching the relationships build between all 4 of the main characters, both before and after the kidnapping. There is really very little action in the film: it's more about watching the characters develop personally and in their dealings with each other. Lest this sound too dry, I found the film quite humorous at times, exciting and emotionally intense. The conclusion is left open to interpretation--but you'll have to watch the film quite carefully to have the data you need to make your own interpretation! Highly recommended!
The first review I read of this movie criticized the camera work. I wonder why? For an indie production, this was a surprisingly high quality film and nowhere near as jerky as, say, Cloverfield. If you tend towards sea-sickness and have been avoiding watching this film for that reason then rest assured that there is no need to bring a sick bag to the viewing.
Having said that, I found the Edukators to be a well developed character drama that pulled the carpet out from under my feet just when it started to get too comfortable. The three central, activist characters have perfect amount of cynicism, idealism and vulnerability. Their views never came across as preachy, merely pragmatic. But then I'm left wing, so I guess I would say that - however, the 'other side of the story' gets a chance to be heard in the form of Mr. Hardenberg. As a child of a baby boomer I found him to be a familiar character, full of his generation's mournful sense of complicity in corruption. The only complaint i had is that the action drags a bit towards the end, but this is compensated for by the clever twist at the ending.
It's hard to find a story out there that actually contributes emotional depth to the 'capitalist vs. socialist' debate instead of focusing on rhetoric. That's why I am thankful to the makers of this film for contributing such a solid story to the mix. I would definitely recommend it to any activist friends who want to think beyond the next demo and/or leafletting session.
Having said that, I found the Edukators to be a well developed character drama that pulled the carpet out from under my feet just when it started to get too comfortable. The three central, activist characters have perfect amount of cynicism, idealism and vulnerability. Their views never came across as preachy, merely pragmatic. But then I'm left wing, so I guess I would say that - however, the 'other side of the story' gets a chance to be heard in the form of Mr. Hardenberg. As a child of a baby boomer I found him to be a familiar character, full of his generation's mournful sense of complicity in corruption. The only complaint i had is that the action drags a bit towards the end, but this is compensated for by the clever twist at the ending.
It's hard to find a story out there that actually contributes emotional depth to the 'capitalist vs. socialist' debate instead of focusing on rhetoric. That's why I am thankful to the makers of this film for contributing such a solid story to the mix. I would definitely recommend it to any activist friends who want to think beyond the next demo and/or leafletting session.
The cast is impressive. Daniel Bruhl once again shows that he can act. The plot attracts your entire attention as you live the experiences of these three kids in Berlin, and their quest to denounce the evils of capitalism. There's romance, jokes, great scenery and good music. At first it seemed to me this movie was the continuation of Good Bye Lenin (probably because of Daniel in Berlin?) Eitherway, It made me want to travel around Europe some more, learn German, and also think about my obsession with shopping and TV. Very inspiring. In a few words, this movie questions our understanding of happiness and success in a very entertaining way.
¿Sabías que...?
- CuriosidadesThe song "Where's The Real Sky" is credited to Jeff Cole on the soundtrack and was mentioned in the movie as a favorite artist of Jan and Jule. Jeff Cole is a pseudonym for the score-writer, Andreas Wodraschke. The singer is his friend Sam Genders of London.
- PifiasThe Mercedes that Jule keys in the parking garage is also used as Hardenberg's Mercedes when he arrives at his house right before catching Jule and Jan. You can see this by matching the license plate to each scene.
- Citas
[last words]
Note on Wall: "Some People Never Change."
- Créditos adicionalesThere is an additional take after the credits related to the last project of the three protagonists.
- Versiones alternativasAll foreign (non-German) theatrical versions omit a scene in the ending. The reason for this is that the scene had not been finished at the time the movie was shown at the Cannes film festival. But the distribution rights had already been sold to 44 countries and the director didn't want to force local distributors to take the new ending.
- ConexionesReferenced in Un juego de inteligencia (2007)
- Banda sonoraDarts Of Pleasure
by Franz Ferdinand
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- How long is The Edukators?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The Edukators
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 175.493 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.075 US$
- 24 jul 2005
- Recaudación en todo el mundo
- 8.152.859 US$
- Duración
- 2h 7min(127 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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