PUNTUACIÓN EN IMDb
7,4/10
33 mil
TU PUNTUACIÓN
Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.Tres activistas preparan una trama de secuestro tras encontrarse con un hombre de negocios en su casa.
- Dirección
- Guión
- Reparto principal
- Premios
- 11 premios y 6 nominaciones en total
Burghart Klaußner
- Hardenberg
- (as Burghart Klaussner)
Reseñas destacadas
the edukators is a hugely enjoyable film that perfectly balances the human themes of friendship, love and trust with it's more political undertones.
the main characters are all performed with warmth and a playfulness that keeps the human side of the story engaging, while the plot develops with continual twists and tension. of course the idealism and activism of the protagonists plays a central roll, but the film never falls to the temptation to preach or bog itself down with weighty polemic.
all in all, the edukators is a breath of fresh air that is both satisfying to the head and the heart. highly recommended.
the main characters are all performed with warmth and a playfulness that keeps the human side of the story engaging, while the plot develops with continual twists and tension. of course the idealism and activism of the protagonists plays a central roll, but the film never falls to the temptation to preach or bog itself down with weighty polemic.
all in all, the edukators is a breath of fresh air that is both satisfying to the head and the heart. highly recommended.
I went to see the film completely unprepared, and I left the theatre rather euphoric. I liked the film because of the amiable story, the roughly-sketched but believable characters (even if we don't learn too much about their backgrounds) and the funny, witty dialog. And last but not least the surprise in the end -- until three minutes to the end I wouldn't have had an idea how to end a story like this.
The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words.
So go and watch this film but don't jump on the political statements. Things might have some more layers here.
The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words.
So go and watch this film but don't jump on the political statements. Things might have some more layers here.
... but the days of plenty for German Cinema obviously just started!!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
I saw this movie at the Cork Film Festival yesterday night. Being originally from Germany and a huge Daniel Bruehl Fan I HAD to watch this movie. Of course I didn't get disappointed: it's such a brilliant movie with such a profound statement. Hans Weingartner seems to be gifted with a unique power of observation: not living in Germany at the moment made me very sensitive for clichéd German behaviour (Scenes like the one in the tram and the restaurant are just so typical!) Great acting by outstandingly talented young actors (can Daniel Bruehl get any better? Obviously he can!), witty dialogues and a surprising ending made this movie pure fun watching every single second! I am very glad that if German movies make it abroad they are such smart movies as this one (or Run Lola Run, Goodbye Lenin,...). I hope to see more and more German movies over here in the future.
The days of plenty just started for the German Cinema!
10nomonja
Die Fetten Jahre sind vorbei (The Edukators) is the first German film in competition at the 2004 Cannes Film Festival since Wim Wender's In weiter Ferne, so nah! (Faraway, So Close!) in 1993. The film's protagonists, Jan, Peter and Jule, dream of changing society. They form "The Edukators," a group that warns the rich and disturbs their material comfort with non-violent actions. In "the Edukators" Hans Weingartner raises the question: "What happened to the revolutionary generation of the sixties? Where are all the anarchists, hippies and idealists that wanted to change the world? I loved the movie, it is condemning and inspiring at the same time, depressing and uplifting and as a viewer you are forced to decide if you feel sympathy for the idealistic young people or the successful materialistic businessman. Or both?!
I have to issue a few words of warning first:
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.
You will notice this for about 10 seconds.
Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...
This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.
I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...
To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.
Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.
This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.
This is what cinema should be like.
¿Sabías que...?
- CuriosidadesThe song "Where's The Real Sky" is credited to Jeff Cole on the soundtrack and was mentioned in the movie as a favorite artist of Jan and Jule. Jeff Cole is a pseudonym for the score-writer, Andreas Wodraschke. The singer is his friend Sam Genders of London.
- PifiasThe Mercedes that Jule keys in the parking garage is also used as Hardenberg's Mercedes when he arrives at his house right before catching Jule and Jan. You can see this by matching the license plate to each scene.
- Citas
[last words]
Note on Wall: "Some People Never Change."
- Créditos adicionalesThere is an additional take after the credits related to the last project of the three protagonists.
- Versiones alternativasAll foreign (non-German) theatrical versions omit a scene in the ending. The reason for this is that the scene had not been finished at the time the movie was shown at the Cannes film festival. But the distribution rights had already been sold to 44 countries and the director didn't want to force local distributors to take the new ending.
- ConexionesReferenced in Un juego de inteligencia (2007)
- Banda sonoraDarts Of Pleasure
by Franz Ferdinand
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- How long is The Edukators?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The Edukators
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 175.493 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.075 US$
- 24 jul 2005
- Recaudación en todo el mundo
- 8.152.859 US$
- Duración2 horas 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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