Un abogado se ocupa de un caso de homicidio por negligencia en el que se ve envuelto un sacerdote que realizó un exorcismo a una joven.Un abogado se ocupa de un caso de homicidio por negligencia en el que se ve envuelto un sacerdote que realizó un exorcismo a una joven.Un abogado se ocupa de un caso de homicidio por negligencia en el que se ve envuelto un sacerdote que realizó un exorcismo a una joven.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 9 nominaciones en total
Reseñas destacadas
The acting was excellent, from one end to the other. The scenes, the flashbacks, the drama, the horror, the faith vs doubt theme ... all were entwined in a back-and-forth web that maintained constant focus on the strongest feature of all: the Story itself.
And what a Story! I won't give it away except to say that the plots and subplots and intrigue and characterizations were all woven together to spin a simply riveting, terrifying, provocative, endearing, challenging Story.
I really liked the multiple depictions of What Happens and How the Characters React. You see Something Happen; and then feel Fear; and then watch the Face of the Character on hand experience Fear; and then perhaps the order is slightly changed: you see the Face of the Character experience Fear as the Character gazes in terror over the viewer's shoulder. Then you see What the Character is looking at. And experience Fear.
I also really liked the legal conflict ... and the way the Story honored both sides. There's no doubt, ever, where our sympathies lie: with the Laura Linney character. Yet, the prosecutor is not at all a "straw man." He is give a great opening, and is effective and believable throughout. This enhanced greatly the Doubt vs Faith conflict that reinforced the Story throughout.
And through all this, the Priest's insistence that the Story should be told, is what really drove the action above all. This gave a feeling of authenticity to the Story that both made it appealing, and frightening.
A wonderful, wonderful, movie ... !
The first thing to mention is that there has never been a combination of horror movie and courtroom drama before, and while some reviewers have stated that the two genres don't go together well, I have to disagree. The courtroom setting added a lot of suspense to the story and horror movies always work best when there is suspense added to the spooky and creepy elements. And boy, does this movie have some creepy scenes.
The four main actors do a fine job and the restrained direction is pretty atmospheric too, except for some minor fashionable shots that are probably not going to age very well (for example, one time Scott Derrickson reverts to Darren Aronofsky-cam, which is already getting old). Anyway, the main attraction is the story itself, and as I've said, it's fast paced and exciting - at least until the third act. Up until that point it's hard to watch the screen at times because Derrickson uses his shock scenes so effectively and steers clear of any jump-clichés. Then a certain climax is reached, the movie reduces its supernatural elements and relies maybe a bit too much on the courtroom drama aspect. On the plus side Derrickson avoids going over the top like so many other horror movies do including embarrassing CGI-orgies in their showdowns. On the other hand, it is exactly that relatively quiet ending that prevents "The Exorcism Of Emily Rose" from becoming a real classic. One just has the feeling that the priest and the trial made a whole lot of fuss about nothing, because there's no real solution in the end.
"The Exorcism Of Emily Rose" has enough chilling moments not to be overshadowed by "The Exorcist", the big Kahuna of the exorcism genre, but it's not going to be remembered as a cornerstone of the horror genre. In 2005 you couldn't find a lot of spooky movies that were better than this one, though.
I'm a big believer in the supernatural and I've studied it a lot in the past. What is presented here is a very believable, very frightening account of demonic possession. I honestly believe that this really happened. Although the film is lengthy and slow-moving, it's never boring and that's because somebody had the great idea of including harrowing flashbacks of the possessed Emily during the courtroom case. It really works, breaking up the courtroom tension, and adding in genuine frights and chills along the way too.
The movie is topped off with a fantastic cast working at the top of their game. I don't believe Laura Linney has ever been better than she has here, and her portrayal of a woman with integrity is fine. Tom Wilkinson makes us believe he is the disturbed priest with every drop of sweat that comes from him. As for Jennifer Carpenter, well she should be going places with her portrayal of the tormented Emily here, and I hope she doesn't suffer the same kind of career nosedive as Linda Blair did in the '80s.
What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.
In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.
I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).
¿Sabías que...?
- CuriosidadesJennifer Carpenter's audition was so convincing and scary that the director decided to cast her right then.
- PifiasThe prosecutor is only partially correct in that humans have two sets of vocal cords (they are properly known as vocal "folds"). He calls them "duel sets," consisting of the "superior vocal cords" and the "primary ones." They are correctly known colloquially as "true vocal folds" and "false vocal folds." The FVF are called "false" because they are made up of membrane, whereas the true folds have a deep layer of muscle tissue and can be controlled. The FVF can be recruited by powerful airflow and/or by disciplined muscular movements by the muscles surrounding them. However, they cannot be "activated" in the sense that a muscle can, and would not produce a different "voice." At most, some harmonic overtones or vibratory interference (such as that heard in Tibetan chanting) might be heard. The prosecutor uses the term "dual voices" as if it means two separate actual voices, as if "voice" was being produced by two distinct sets of vocal folds, which is not possible in humans. The writers confused it with some individuals' ability to produce two different fundamental frequencies by vibrating each of the true vocal folds at different rates, but the act of forming words is not determined at the vocal fold level, but by resonances created by the positions of the articulators in the vocal tract.
- Citas
Father Moore: Tell me your six names!
Emily Rose: [possessed] We are the ones who dwell within.
Emily Rose: [in Hebrew] I am the one who dwelt within CAIN!
Emily Rose: [in Latin] I am the one who dwelt within NERO!
Emily Rose: [in Greek] I once dwelt within JUDAS!
Emily Rose: [in German] I was with Legion!
Emily Rose: [in Assyrian Neo-Aramaic] I am Belial!
Emily Rose: [in English] And I am Lucifer, the devil in the flesh.
- Créditos adicionalesOpening statement: This film is based on a true story.
- Versiones alternativasTheatrical version 119 min. and the unrated version 122 min.
- ConexionesFeatured in 2006 MTV Movie Awards (2006)
- Banda sonoraPrelude, Op. 3, No. 2 in C Sharp Minor
Music by Sergei Rachmaninoff (attributed as Written by)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- L'exorcisme de l'Emily Rose
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 19.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 75.072.454 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 30.054.300 US$
- 11 sept 2005
- Recaudación en todo el mundo
- 145.166.804 US$
- Duración
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1