Nerón

"Imperium Nero" is the second movie of the series of six productions named "Imperium". I have already unfavorably commented the first one: "Imperium Augustus". This second TV movie produced and broadcast last weekend by the Italian state owned network has the same defects. In addition contains a considerable number of historical errors. Some examples: Nero is a child and Agrippina calls him: "Nero, Nero". At that time is name was Claudius. He was named Nero after his adoption. Nero did not meet Acte when he was young as in the movie but after his marriage with Octavia and his nomination to Emperor. When becoming Emperor his sons where not adults: Britannicus is one month old and Octavia one year old. And many many more. If you are fond of ancient roman history you can find yourselves other examples. "Imperium" series will continue with four more movies : "Titus", "Marcus Aurelius","Costantinus" and"The Fall of the Roman Empire". Finally!

As a ravenous devourer of all films set in the ancient world, but especially the Roman ones, as soon as I found out this and "Augustus" are part of a larger programme, I had to uncover the remaining pieces to be filmed. As culled from the production company website, they are as follows:

Miniseries completed: Augusto/Augustus and Nerone/Nero Miniseries in production: San Pietro/Saint Peter, Pompei/Pompeii, Costantino/Constantine and La Caduta dell'Impero/The fall of the empire.

So it would appear that the series will not focus only on 'imperium' per se, that is emperors and all that. But instead, it will feature some historical events and important characters peripheral to Rome proper (in this case, St. Peter). Much as I don't like the Christian flicks, one cannot look at all Rome's history and shrug it off. But, for my part, I look forward to the Constantine piece. TThe man hasn't been 'filmed' much and I cannot locate the one that I know of on DVD anywhere.

This movie was good. It was both entertaining (although long at 3 hours) and refreshing.

I have seen a lot of movies on the Roman Empire, including Augustus (to which I also found great). Although I only have mild university level knowledge on the history of the Roman Republic and Empire, I know very little of Nero, so I watch Nero from an ignorant point of view.

Gladiator had little historical background yet was hailed and given high ratings and great reviews. Although that is a story, one would assume Nero (as well as Augustus) to be an accurate day-to-day recount of the lives of these Emperors. True, there are some parts that seem out-of-date, far-fetched, and alienated from what seems to be 'truth', but you can't hide that this is a story.

I found huge gaps in Augustus, Rome, and Julius Caesar, but I loved every second of them, and as far as I'm concerned, Imperium: Nero is better than Augustus (even though I studied him for quite some time).

If you haven't seen Nero, it's a good movie, and a great night at home with some ice cream, or popcorn! Most of the reviewers cast "hog-wash", but use Historical Inaccuracies as their main attack, then again, "Gladiator" wasn't the most historically accurate film ever made either.

6.7/10

OK, we all know that historical movies are full of inexactitudes, the list is so long, Troy was a disaster, and Brad Pitt acting was horrible, any movies done on Joan of arc was to laugh about, and so on and so on, so why review them pointing on how bad they are with respecting the real story? Sure I don't retain this movie as being Oscar material (then again I saw some winners worst than this movie), but it was entertaining, the set and costume were nice...The only shame was that it was entirely voiced over even for the English speaking actors, and I never get used to hear somebody familiar speak with another voice......

The miniseries made of television that examines the highlights of the Roman Empire ('Imperium: Augustus' was the first). While the sets and costumes and flavor and atmosphere of that phenomenal period in history is well captured and the production qualities are strong, the historical accuracy is diminished by 'cleaning up' the facts and rearranging dates and incidents to make a 'Hollywood version' of the Roman Empire.

Given the fact that this is not a biopic but rather an entertainment, IMPERIUM: NERO is interesting, if long at 192 minutes, to watch in continuity. Nero was born in 37 AD and died in 68 AD and during those 31 years much changed in Rome. We first met Nero as a child 'abolished' to a life with the slaves by the infighting among the Emperors - Caligula (John Simm) and Claudius (Massimo Dapporto) - and the Senate - namely Porridus (Simón Andreu), Burrus (Maurizio Donadoni), and Septimus (Ian Richardson). While living among the people we are informed that Nero (a fine Hans Matheson) falls in love with commoner slave Acte (Rike Schmid) and when misdeeds in Rome call him back to power (through the wily and devious guidance of his mother Agrippina (Laura Morante, the true star of this film), Nero is forced to marry well and forswear his love for Acte. Once proclaimed Emperor, Nero does some bad things such as having his brother Britannicus (Francesco Venditti) killed, etc and begins to descend into madness instead of fulfilling his vision of creating an empire for the people. His teachers include wise Seneca (Matthias Habich) and commoner Etius (Jochen Horst) and his loyal friends include Tegellinus (Mario Opinato). Once on his downward spiral Nero begins to murder and destroy those close to him and finally burns the city of Rome to prepare the ground for his grand palace and city, all the while playing on is lyre.

If this all sounds wicked and cruel, then it is probably better that the story didn't 'flesh out' the true obese, schizophrenic, megalomaniacal, sexually dysfunctional creature that was Nero. You need the history books to see what a hideous tyrant he was, a man who placed his acting and circus skills above all else, castrating young boys who resembled his mother to marry while also marrying the prostitute Poppea (Elisa Tovati). But the major problem with this version of Nero's tenure is the emphasis on the new sect called Christians. Indeed, even the apostle Paul is brought in to cleanse the proceedings and seep evangelicalism into the story to help it end! But for the script as written (by Paul Billing and Francesco Contaldo) director Paul Marcus brings off a fascinating though long image of the Roman Empire. Not for Roman scholars perhaps, but for those who enjoy historically based epics, this NERO should do nicely Grady Harp