Dark Water (La huella)

I have never posted a review on this site, but I feel that I should inform some people on "Dark Water".This is NOT a horror film.Yes,it's being marketed that way but it's not.This is a drama about a mother and daughter trying to make it on their own with a bit of a ghostly twist.Jennifer Connelly is amazing and has become one of my favorite actresses.In this,she is strong and fragile.She almost made me cry once or twice as she tried to hold things together and convince herself that she is not crazy.The little girl playing her daughter is sublime;The next dakota fanning maybe. This film is slow paced,there are NO big scares,no blood-just tension and mystery under the surface.The pace brings you to really care about the characters and not root for dahlia because it's Jennifer Connelly,but because it's Dahlia.It has one of the saddest yet hopeful endings I've seen in a while.This stands head and shoulders above "The Ring" (which I liked) and "The Grudge".Give it a try if you're looking for a good drama.

What Dark Water lacks in thrills, it does make up for in mood and wonderful performances, especially from Jennifer Connelly as the stressed out single mother trying to keep her wits about her after learning her apartment is haunted by a child's ghost. Expect less of a horror film and more of a drama and you'll be in the right headspace.

After separation her husband (Dougray Scott) and taking custody her daughter (Ariel) , Dahlia (Jennifer Connelly , though Jennifer Love Hewitt turned down this role) attempts to do a new start . The apartment she moves alongside her daughter seems perfect at first . Dahlia carries her daughter to nearly school where the teacher (Camyn Manheim) teaches her and she , subsequently , hires a lawyer (Tim Roth) for the divorce . Soon , though , weird things start happening into house . Huge water stains appear on the ceiling and drip constantly , more water and oozing liquid into the rooms everyday . She calls the doorkeeper (Pete Postlehwaite) and the landlord (John C. Reilly) but they refuse to make anything about it . A child's red bag shows up in odd places and soon the child herself starts appearing and causing usual poltergeists phenomenon recreated with high grade special effects . Dahlia then discovers the origin of the specter .

This new version of Hideo Nakata film is plenty of screams , fear , suspense , thriller and results to be quite entertaining . The terror moments are delivered compactly and quietly with no fuss . The script copies exactly the Japan original movie without surprises . While the look is suitable atmospheric and eerie , the plot stretches plausibility to the breaking point . Nice acting by Jennifer Connelly , she turned down the role of Paige in ¨House of wax¨ (2005) , another horror remake , in order to appear in this one . Colorful cinematography by Alfonso Beato , usual cameraman of Salles , and creepy musical score fitting to horror movie by Angelo Badalamenti (Twin Peaks) . The motion picture was well realized by Walter Salles , in spite of little originality . Salles is the number one producer (City of God , Lower city) and director (Motorcycle diaries , Central Station , Behind the sun) from Brasil and recently making an American career . The flick will appeal to terror cinema buffs, well worth seeing.

Of all the recent remakes of Japanese horror films, I have to say that Dark Water is the only remake that actually surpasses the original. I think the reason that so many people are so hard on it is because they went in expecting to see THE RING or THE GRUDGE. They went in expecting to see a scary ghost movie. Dark Water is not really a horror movie, at least not in the traditional sense. It's actually more of a drama set in a haunted apartment complex. If you go in expecting to have stuff jump out at you, you will be disappointed.

It's sad that everyone expects horror films to have a bunch of jump scares in them these days. Whatever happened to the slow buildup of tension and paranoia of something like ROSEMARY'S BABY? If you go into Dark Water expecting something more akin to Rosemary's Baby or a Hitchcock thriller, you might just end up enjoying this film.

As far as comparing this remake to the original, I will say that I felt that Jennifer Connelly was a much more compelling character than the mother in the original movie. Overall, the characters were fleshed out better. I understood the conflict between the mother, the father and the little girl much more in the remake. The original just sort of glanced over many of these details. Some of the shots were actually more effective than the ones in the original, and the ending in the remake is more satisfying and better executed than in the original. Generally, I think that J-horror is better left in its original incarnation. As much as I liked the Western version of THE RING, I felt like the only reason they remade it was to cast Naomi Watts as the lead. THE GRUDGE, they should have left that one alone. Nothing was gained by Sarah Michelle Gellar. But this one, this one is actually better than the Japanese original in my opinion.

This movie is not for everyone. It is a slow, poignant drama set in a really creepy location. It would probably play well in a double feature with ROSEMARY'S BABY. If you want to have stuff jump out at you, watch THE GRUDGE. If you want to watch a movie that has a little more depth to it, watch DARK WATER.

This is not a "child talks to dead people" movie. You should rejoice. It's not a "woman fights supernatural forces" thriller. You should get down on your knees and thank the powers that be. This is not "just an unnecessary re-make of the Japanese original". It's better.

Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.

This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.

The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.

Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.