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Mi madre

Título original: Ma mère
  • 2004
  • NC-17
  • 1h 50min
PUNTUACIÓN EN IMDb
5,0/10
8 mil
TU PUNTUACIÓN
POPULARIDAD
4052
1949
Isabelle Huppert in Mi madre (2004)
DramaDrama psicológicoRomanceRomance trágico

Cuando su padre muere, un joven es introducido por su atractiva y amoral madre en un mundo de hedonismo y depravación.Cuando su padre muere, un joven es introducido por su atractiva y amoral madre en un mundo de hedonismo y depravación.Cuando su padre muere, un joven es introducido por su atractiva y amoral madre en un mundo de hedonismo y depravación.

  • Dirección
    • Christophe Honoré
  • Guión
    • Georges Bataille
    • Christophe Honoré
  • Reparto principal
    • Isabelle Huppert
    • Louis Garrel
    • Emma de Caunes
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,0/10
    8 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4052
    1949
    • Dirección
      • Christophe Honoré
    • Guión
      • Georges Bataille
      • Christophe Honoré
    • Reparto principal
      • Isabelle Huppert
      • Louis Garrel
      • Emma de Caunes
    • 53Reseñas de usuarios
    • 55Reseñas de críticos
    • 35Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Imágenes18

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    Reparto principal14

    Editar
    Isabelle Huppert
    Isabelle Huppert
    • Hélène
    Louis Garrel
    Louis Garrel
    • Pierre
    Emma de Caunes
    Emma de Caunes
    • Hansi
    Joana Preiss
    Joana Preiss
    • Réa
    Jean-Baptiste Montagut
    • Loulou
    Dominique Reymond
    Dominique Reymond
    • Marthe
    Olivier Rabourdin
    Olivier Rabourdin
    • Robert
    Philippe Duclos
    Philippe Duclos
    • Le père
    Pascal Tokatlian
    • Klaus
    Theo Hakola
    • Ian
    • (as Théo Hakola)
    Nuno Lopes
    Nuno Lopes
    • Le docteur
    Patrick Fanik
    • Eric
    Susi Egetenmeier
    • Le femme des dunes
    Sylvie Marie Amour DeCristo
    • Le femme de ménage
    • (as Sylvia Johnson)
    • Dirección
      • Christophe Honoré
    • Guión
      • Georges Bataille
      • Christophe Honoré
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios53

    5,08K
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    Reseñas destacadas

    4MOscarbradley

    This leaves a very sour taste in the mouth

    Isabelle Huppert is one of the greatest and boldest actresses there is, unafraid of any role she's given. Unfortunately that sometimes means she's given parts that are, quite frankly, beneath her. Her role in Christophe Honore's screen version of Georges Bataille's novel "Ma Mere" is one of them. She plays a hedonistic woman who, after the death of her husband, initiates her adoring young son in her lifestyle. She attacks the part gamely enough as does a frequently nude young Louis Garrel as the son but the film is mostly unpleasant and shallow. It's like a porn movie with the pretensions of seriousness, as if all sex is just a cover for something more profound rather than as an end in itself. Ultimately it reminded of seventies Europorn and it leaves a very sour taste in the mouth.
    10gradyharp

    The Oedipus Complex with Variations from Novelist Georges Bataille

    'Ma mère' is a film on the edge. Director Christophe Honoré (who gave us the little jewel 'Closer to Leo') has adapted a tough book by Georges Bataille that explores incest, sadomasochism, love, family dysfunction, and nebulous moral values of conflicted adolescents caught in the web of sexual investigation. It is filled with difficult scenes and ideas and certainly is not a film for the faint of heart or spirit, but at the same time it is a brave film depicting the dissociative state of sexual mind to which we've come after the influences of such thinkers as Bataille, Foucault, Derida, Gide, and others. Christophe Honoré captures an impossible story extremely well on the screen! 17-year-old Pierre (Louis Garrel of 'The Dreamers') is a spiritually challenged adolescent home from his Catholic school to be with his mother Hélène (Isabelle Huppert) whom he idolizes and loves and see his father (Philippe Duclos) who is distant in every sense. Hélène finds it necessary to inform Pierre of her background (her husband raped her when she was very young, causing such anguish that she has become addicted to a life of immorality as a means of escape), a means of warning him of what close association with her could mean. Pierre is blind to all things negative about Hélène and with the news of his father's death, he demands to be included in the wild sexual life of Hélène and her female lover Réa (Joana Preiss). Hélène is sexually attracted to Pierre and elects to include him in her games of voyeurism (watching Pierre during intercourse with Réa, introducing him to the shallow and compulsive Hansi (Emma de Caunes), mutilation, and all forms of debauchery.

    The group goes to the sunny islands off Spain where Pierre falls in love with the dangerous Hansi and follows her lead in learning about his mother's strange and dangerous proclivities, sexual acts which include the involvement of young Loulou (Jean-Baptiste Montagut), a young man whom they torture for the sake of sexual satisfaction. All the while that Pierre is being introduced into Hélène's bizarre world he is conflicted by his superego in the form of the Catholic Church: he is seen reciting catechism in the desert surrounded by a silent, nude Greek chorus a la Fellini. Ultimately the 'vacation' is over and Pierre returns home with Hélène and the ultimate incestuous aspect of the Oedipus complex plays out in a completely bizarre and very dark way. To say more would destroy the impact of the ending.

    Isabelle Huppert is brilliant as always, her quiet outwardly plain demeanor disguising the profoundly ill soul inside. Likewise Louis Garrel makes the fragile, gullible, needy and severely conflicted Pierre understandable: we may not agree with his choices as he wades through the strange waters of perversion, but we never lose sight of his vulnerability and passionate need to be loved. There is a lot of graphic sex in this film, but this particular story could not be told without it. Christophe Honoré manages this strange tale by letting the story take us into the realm of the unreal and he never for a moment loses our interest.

    Even the music scoring is substantive, using Samuel Barber's own setting of his famous 'Adagio for Strings' for the choral 'Agnus Dei', most appropriately heard when Pierre is mentally visiting his spiritual conflicts with his corporal deeds. This is clearly not a film for everyone, but for those who admire the French cinema history of uncovering strange tales, this is a fine example. In French with English subtitles. Grady Harp
    8wimbroekaert

    daring, but not cheap

    As I watched the movie, I felt (probably like many others) somehow shocked by the powerful and explicit images. Yet it can't be said that this is merely done to make a controversial film. The viewer gets a slowly developing picture of the relationship between mother and son, or more correctly of the adaptation of mother's lifestyle by her son. Finally everybody is invited to morally judge the relations, actions and sayings of the main characters. But as most viewers are likely to enjoy the "forbidden" relationships or explicit scenes, who are we to give criticism? This film puts a whole new dimension in the concept of what is normal, allowed or understood as morally acceptable. It's sometimes almost revolting, and yet when you've seen the story-lines that led to these scenes, you may find the actions acceptable (or maybe I've a twisted mind). I would like to call the attention to the beautifully chosen soundtrack and the abrupt ending, which leaves the viewer a little bit disturbed.
    6rburson

    Not the worst in French Existentialism

    If you like French existentialist movies (which in this case is also a perverse "coming of age" movie), this is one of the better ones; if not, don't bother. The first half is slow and cumbersome with the scenes more like vignettes to reveal the Son's naiveté, while the Mother remains inaccessible until the very end. While the second half remains cumbersome through choppy editing, it is more interesting with the introduction of Hansi and Loulou. Most people seem to get hung up over the Libertine attitudes portrayed through deviant sexual activities, but what I took away was the idea that the psyche of willing participants, and particularly the young or immature, can be damaged by any emotionally charged experience, be it sexual or religious. The struggle is to rise above it. The one scene of particular interest revealed the blurred distinctions between dominant and submissive personalities (Hansi & Loulou), with the Sadist revealed as a Masochist by the emotional damage they were inflicting on themselves through the physical damage inflicted on someone they cared about. The Sadist/Masochist roles are easily reversed as seen through Loulou's comment when he throws himself in the pool in the deleted scene.
    eastcoastprov

    Thumbs up

    Despite having heard that this movie had some pretty controversial sexual content, I walked into the theater not expecting to be that shocked by anything I would see. Much to my surprise and pleasure, I found myself squirming uncomfortably along with the rest of the audience. Call me a masochist if you must. But this film is worth much more than just its shock value. The synthesis of the cinematography, music, and landscape was so beautiful and on point, I felt fortunate to discover myself months later often to be reflecting on it. The cast also gets highmarks, not just for their acting, but also their tre sexy bodies. Ma mere is a crazy movie, but by the time the creditss came on, I felt I had the post orgasm exhaustion for myself.

    Ma mere definitely gets thumbs up. On a side note, I discovered the hard way that it makes a terrible first-date movie. I'd also suggest avoid seeing it with your family.

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    Argumento

    Editar

    ¿Sabías que...?

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    • Citas

      Hélène, the Mother: Your father is dead. I won't lie to you anymore. You must admit that I'm worse than him. I don't deserve your respect. What do you think I've been doing every afternoon all these years? Why were you raised by your grandmother? What did you imagine? Look at me, Pierre! I'm a bitch. A slut. No one respects me. Your father knew. He allowed it. If you really love me, then admit that I'm disgusting. I want you to love me for that. For the shame I inspire in you.

    • Conexiones
      Referenced in Caché (Escondido) (2005)
    • Banda sonora
      Agnus Dei
      Written by Samuel Barber

      Performed by New College Choir Oxford (as Choir of New College Oxford)

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    Preguntas frecuentes

    • How long is Ma mère?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de mayo de 2004 (Francia)
    • Países de origen
      • Francia
      • Portugal
      • Austria
      • España
    • Sitio oficial
      • TLA Releasing (United States)
    • Idiomas
      • Francés
      • Inglés
      • Alemán
      • Español
    • Títulos en diferentes países
      • Ma mère (Mi madre)
    • Localizaciones del rodaje
      • Canary Islands, España
    • Empresas productoras
      • Gemini Films
      • Madragoa Filmes
      • Amour Fou Vienna
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 71.616 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 10.334 US$
      • 15 may 2005
    • Recaudación en todo el mundo
      • 1.510.052 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 50 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • Stereo
    • Relación de aspecto
      • 1.66 : 1

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