Blue Gender

I remembered watching the first episode of this show way back in the early 2000's on adult swim. I didn't care for it at the time, but due to the current pandemic I have been watching numerous anime series that feature a bleak, hopeless earth on the verge of collapse. Blue Gender fits this profile nicely and the story is dark, brooding, and besides the two main characters, there is little to no plot armor for anyone. There are numerous tired tropes that you will likely groan at during the show, however it has a strong enough plot and main characters to drive the story along.

Very good. Nothing amazing, but very good.

This series despite being less than perfect has it's share of moments. The premise of the series is much like Robotech perhaps in the Invid storyline where a bunch of mysterious bug monsters have seized control of earth. The monsters are truly disturbing and there are some heart wrenching moments in the series. The truly spectacular part of this series is the emotional journey of the main character as he awakens in the future to find the world he knew destroyed and his desperate fight for survival. Where this series is very different from Robotech is that it treats it's subject matter in as gruesome and horrifying a way as it rightfully deserves to be.

I'm not really a big anime guy; in fact, the genre as a whole sort of repulses me. Blue Gender really only piqued my interest because it was on Adult Swim's lineup around two, three years ago (back when AS was worth watching) and I caught a couple episodes. I'm a total sucker for post-apocalyptic scenarios, and giant, mutilating bugs never hurt anything, so I recently got hold of the series in complete. 36 hours later, I'd watched the series from beginning to end; not so much because it was gripping (that's only partially true), but more because I'm a maniac.

Blue Gender is driven not by the prototypical giant robot action Japan is (in)famous for, nor the horrendous monsters, nor even, for that matter, the dialog. The viewer is compelled through Blue Gender by the characters and their subsequent emotional arrangements, more specifically the leads, Yugi and Marlene. It's basically an epic, sci-fi soap opera with heavy metal and big bugs.

Marlene is the ideal woman. (Yeah yeah, she's a cartoon, "ew gross", get over it: that's not the point. The point is the idea being conveyed by whatever layered ink it travels through:) Marlene portrays the aesthetic of an ideal woman: strong, self-sufficient, but irrevocably feminine. I'd argue that she's more of a focal point for the viewer than Yugi, but Yugi is also a necessary component.

Yugi is a bumbling, sometimes whiny character that often accomplishes incredible things. This the viewer can appreciate and identify with; his relationship with Marlene, because of the viewer's identification with him, is the key in the ignition for this work. The audience is propelled through the series hoping intensely he'll get himself together and snag this pristine idol of a woman.

The interactions that follow the setup between these two are worth the 500-whatever minutes of moderate quality animation and dialog.

The other characters, for the most part, are semi-interesting. Some, however, are notable (eg, Dice). The atmosphere and setting are kind of cool; the creators do a pretty good job of portraying an insect infested planet Earth, but again, this is mostly beside the point.

In this ultimately lonely life, people often underwhelm us. I'm constantly disappointed by the trite selection of people placed before me. Fiction provides a remedy to this, allowing us to construct a composite ideal of characters we'd like to know within the stage of our minds. After all, the only difference between memory and reality is the level of detail.

Anyways, philosophic drooling out of the way, I'm glad to say that this series instilled in me memories of a character I appreciate, and I'd endure double the length of these episodes, spotty details and all, just to glean what I have.

On an end, this series has softened my harsh glare towards cartoons. While I doubt I'll be browsing the Anime section anytime soon, I'm a bit more open to taking animation for the ideas it's portraying as opposed to the raw, intrinsic value of the animation itself.

Oh, also, keep a keen eye out for the hilarious Engrish used in the animated computer interfaces... "Meesuement Impossibility!".

This anime was rather good, it really pulled you in the first few episodes, however at a point it loses some of its steam and is just not the series I was expecting it to be. Basically, the story starts off great as this dude with some mysterious illness is put into cold storage so that one day he can perhaps be revived when a cure is found. He is awakened, but not to a bunch of doctors saying "We did it!". No, instead he is awakened in a nightmare as the earth has been overrun with giant insect creatures, his only chance of survival a mysterious girl using some type of robot vehicle to fight off the many different creatures now seemingly intent on killing people. This part of the story is great, seems they have some plans on using the dude to stop the creatures, his illness being the key. A lot of people are now living in space and this is where the girl must get the boy so they can begin setting a plan of attack against the bugs in motion. It is a really good series up to the point you sort of find out what the people with this illness are needed for and you ask yourself "what"? I just never got what was so special about them, seems like they really had no special ability to me. The series once it reaches the go back to earth phase kind of loses its luster that it built up in the very exciting escorting kid back to the spaceship part of the show. I also never saw the last episode of this series so while I saw all the others I still feel incomplete when discussing this start with a bang series. Just needed work on the second half of the show.

Blue Gender is an old school anime with a familiar post apocalypse story where you have insect monsters exterminating mankind. The main character is awaken from cold sleep after several decades and is needed to help save Earth from the creatures once and for all. Mechs included.

There's many positives to point out. The story is always changing things up and keeping the characters moving. One location to the next. Sometimes its man vs. Insect, and sometimes its human vs. Human conflicts. The show has a great musical score and sound effects for the guns, insects, and machinery which goes a long way in building atmosphere and weight to scenes. The violence is brutal and you feel the intensity of the action. The show was able to keep my interest for the entire run time and rarely hit pacing issues. If you love post apocalyptic anime, then you will probably enjoy this show despite its flaws.

The main issues that really drag down the show from potential greatness is the animation and the main character. The animation is very rough and was distracting countless times. Shots are reused, badly inserted animation on top of backgrounds, and other eye sores that needed polishing. Even for shows AIC was producing around the same time such as "Now and Then, Here and There", its below average quality. I'm usually forgiving when it comes to hand drawn animation, but even for me I couldn't ignore its issues.

The main character is hard to root for the majority of the show. At the first half he complains and screws things up way too much, and then he becomes unlikable for another section in the second half. To be fair, the show sets up the character to be this way in the story, and had the show handled it better i would have had no problem with it. However, the show takes way too long for this flawed character to change to the point to where you start to hate the main character and that is never good. They either needed to tone down the character, or have his arc flow more naturally. I want more flawed characters in anime, but he just did not work for me at all.

Overall, its a slightly above average anime. Even for those who do like this anime, I can't see that many of them claiming its an overlooked masterpiece or anything.