Harry Potter y la Orden del Fénix

After his fourth traumatic year at Hogwarts that ended with a showdown with the franchise's very own Mr Bad, Lord Voldemort, it doesn't seem too much for Harry Potter to be asking for a peaceful Summer. However, he doesn't get such a wish – from the opening scene in which Harry and his despised cousin Dudley have close encounters of the life-threatening kind with two dementors in an underground passage, it is clear that Voldemort has unfinished business with the scarred lad, and that he has every intention of finishing it. Plus, nearly everyone in Harry's school believe him to be a liar, Professor Dumbledore refuses to look him in the eye, his friends don't understand him, and, on top of that, Harry must grapple with the skills required in mastering his first kiss. My, my, aren't teenage lives complicated?!

A word of warning. This is not a film for the uninitiated. If "patronum", "Avada Kedavra" and "ministry of Magic" sound like code to you, then best avoid watching this. Harry Potter and the Order of the Phoenix makes no attempt to guide the newbies along the story (and rightly so, because any attempt at that would detract from the film and patronize its viewers). To fully comprehend the plot, you must have seen the four previous films as well as read the book from which this film is based.

The film itself is a wonderful jumble of goods, bads, and uglies. There is plenty to enjoy here, starting with the flawless turn from Imelda Staunton as the sadistic Dolores Umbridge. The woman who we are so used to seeing in roles as the sweet old lady, whether it be in Shakespeare in Love, or her Oscar-nominated turn in Vera Drake, her performance here is a shock and a half. Kitted out from head to toe in pink and sporting a sugary air, we soon find that Umbridge, whose methods of punishment include using quills that protract blood on her students, is anything but sweet. Staunton captures Umbridge's ruthless oiliness perfectly; never before has evil been such fun to watch.

Rupert Grint is also a joy. His ginger hair, large blue eyes, bumbling demeanour and spot-on comedy timing make him the true star of the show, and every scene that he features in benefits as a result of his appearance. Simply put, he is Godly. Sadly, the other two teen stars are nowhere near as good as Grint; Radcliffe, who gave an adequate performance in the West End's Equus, is back to his shoddy self here with an array of overreaching facial expressions and laughable deliveries of his lines. He is most embarrassing of all in the lead-up to kissing Cho Chang, in which everyone in my cinema was collapsing with laughter at his "performance." But it gets even worst, for Emma Watson, aspiring Cambridge student, World Peace Representative (probably) and general object of annoyance to average, frumpy teenage girls such as myself, gave a performance that was so awful, it damn near lost me the will to live. She just couldn't portray any of her emotions convincingly, and just settled for saying the lines that were written for her. Whereas Hermione was one of my favourite characters in the book due to her kindness, knowledge and appreciation for others' feelings, Emma's presentation of Hermione makes her insufferable and punch-worthy. It ain't good.

The two "actors" aside, my main other foible with this film was how it cut/altered some very important details of the book. For example, in the book, it is Kreacher who betrays Sirius and puts him in danger. The appearance of Snape's past as a hated and bullied student is also poorly put together and left to linger rather than properly dealt with. The Cho Chang storyline is pitiful, whereas in the book, we had been led to see that she wasn't all that she had cracked up to be as a person, in the film, she is the sketchiest of sketches and written off practically before she has begun. In terms of 2007 releases, only Pirates of the Caribbean III had more plot holes than this.

That said, I had a huge amount of fun in the 2 and a half hours that this film played, with three newcomers to this movie, Yates (director), Michael Goldenberg (screenwriter) and Hooper (composer). The direction was apt, not perfect, but acceptable. The score was acceptable. The visual effects were stunning, especially in the climactic finale between Dumbeldore's Army and Voldemort's Deatheaters, led by Jason Isaacs, where an entire storeroom containing shelved globes containing prophecies, one of which concerns Harry. It is here that Helena Bonham Carter emerges as Bellatrix Lestrange, one of the final and greatest joys of the film. Laughing manically and sporting long hair greasier than a Professor Snape-Cristiano Ronaldo mixup, she makes the most of her limited screen time to deliver one of the best performances in all the Harry Potter movies. Utterly haunting.

Thus, verily I say, Harry Potter and the Order of the Phoenix is a worthwhile outing. If you can put up with the abomination commonly known as "Daniel Radcliffe and Emma Watson trying to act", as well as the slightly pretentious over-editing of Harry's dream sequences, not to mention the ten thousand odd plot holes, then you should venture out to the cinema to see this. Not capital film-making, but, as I'm yet to see Ratatouille and The Simpsons movie, about as good as you'll get this Summer from the cinema.

When I first walked into the movie, my expectations were not very high. The first two movies, I thought, were the best of the series mainly due to Richard Harris' dead-on portrayal of Dumbledore and screenplays that closely followed the original books. Though the third and fourth movies were very artistic and dramatic, I couldn't really connect to them in the way i had with the books. They glossed over many of the little things that made the Harry Potter series so magical in the first place, focusing on a select few plot lines and limiting dialog to only what was necessary to further the story.

As a result they've felt more like a collage of scenes, a series of puzzle pieces, thrown at the viewers faster than they can piece together, just leading up to a final confrontation. Pacing has certainly been an issue, leaving fans feeling disjointed, and those new to the series confused as to what exactly is going on. In this respect, Order of the Phoenix was very similar to the previous two movies. As a Hollywood film, it deserves praise, bringing this amazing world to the big screen, telling a compelling tale, and keeping the viewers glued to their seats for the duration of the movie. However, to the die hard fans of the books, you will undoubtedly be disappointed.

Many scenes that one would think invaluable to the story have been cut, replaced by the hasty filling in of plot holes. And while it pains me to ignore some of my favorite scenes from the book being left on the cutting room floor (St. Mungo's, Harry's Quibbler interview, the Quidditch fight, etc.), I realize that yes, not everything could be included in the movie. But in this watered down version of the book, there seems to be something missing. We still have all the drama and excitement, but some of the magic just seems to be gone.

Aside from Evanna (couldn't have made a more perfect Luna), the kids give simply average performances, never really reaching the full potential put forth by JK Rowling's writing. The same goes for Gambon, who seems to have ignored the calm, all knowing, endearing idea of who Dumbledore is, in favor of a more erratic yet powerful headmaster. Sure, this works well in the more dramatic scenes (specifically the final battle), but otherwise, his performance falls flat, lacking the eye twinkling charm we came to love from the late Richard Harris. Thankfully, Imelda Staunton more than makes up for this in an amazing portrayal of Dolores Umbridge, one of the more fully realized characters of the movie. As for the rest of the cast, it's largely hit or miss, determined by how each scene is written.

Overall, I would certainly recommend the movie for everyone, fan or not, as it really was a well made movie, despite a few wooden actors and some bad dialog. But when looking at the books, one really can't help but think how much more potential this movie could've had.

Why do Harry Potter movies give me, but not the children, nightmares? I've been wondering this for the past few years. Today, watching Movie No. 5, Harry Potter and the Order of the Phoenix (Warner Bros., 2007), I got my answer. Simply: Harry's world is the real world. As Harry and his friends mature, the line between the world of wizardry, magic, and Hogwarts and the world of self-centered, manipulative, cruel adults thins to the point of almost magical invisibility.

Fantasy literature has since the beginning of time been about mediating and making sense of the real world; Harry Potter is part of this tradition.

Indeed, one of the movie's first big special effects embodies this idea. As the movie opens, Harry is the subject of a smear campaign that Valdemore has cooked up because darkness works tirelessly to triumph over the light; when his friends come to rescue him from the suburban horror show known as his adoptive family, they take him to the headquarters of the Order of the Phoenix, a place that doesn't exist until a row of Georgian homes stretches out to reveal it. It's there, but the neighbors are unaware of it. They have no idea their building grew a house that the wizards and witches of the world can solve an internal problem. Such is life; how seldom do we know the inner workings, the coping mechanisms, the interior life of the people around us? In The Order of the Phoenix, Harry Potter again does battle with evil to bring home the theme that when you fight, you fight well with and for your friends and to the death if necessary. Truth and goodness--call if love, if you want--are worth the trouble. The Gothic idiom of Harry Potter brilliantly takes the challenges Harry faces out of the present on one level even though these are very clearly 21st century characters facing contemporary challenges. Alongside the power of goodness over evil theme is the theme of the power of the imagination to find solutions to problems that are the same in every generation: politics, power games, jealousy, stupidity, growing up.

Always in Harry Potter is the clear distinction between the good guys and the bad ones right alongside the good kids and the annoying kids, who could very well become evil people if they so choose. They are tragic because they don't understand the long-range consequences of their petty cruelties--but then, as we learn in this movie, even the good kids are capable of petty cruelties that break souls. Always there is Snape, the middling Hogwarts employee who is not clearly good but not clearly bad but capable of both (until fate forces his hand in Book 6).

J.K. Rowling doesn't let anybody off of the hook of responsibility for their choices. But she does present the internal struggle for goodness and justice for the mess that it can be. Just as the Gothic world of Hogwarts helps Harry and his friends mediate the real world, so Rowling helps her readers see the world for what it is. This is a world that can give me nightmares, though not my daughter and my nephews. Perhaps because all they really need is an honest story.

Once again, I believe that the series is only getting better with each progressive movie. I attended a preview screening tonight and was completely blown away by the movie. While quite a bit of detail was lost in the movie, how can you really expect a three hour movie to capture what takes Rowling hundreds of pages to explain? This said, Yates did a great job capturing the spirit of the book, and he had me on my seat from the first scene all the way through the end of the movie. I cried, I laughed, and I am pretty sure there were a few times where I couldn't breathe from the tension.

What really made the movie for me was the talent of the actors. As expected, the older cast members deliver some of the best acting England has to offer. Sidenote: there is something about Emma Thompson where every time she cries in a movie, I start tearing up myself. I was especially impressed with how much Daniel, Emma (Watson), and Rupert have improved their acting since the last movie. Having come from seeing Daniel in Equus two weeks ago, I was expecting a lot from him. Even after seeing him display more intensity than I thought possible on stage, he surprised me in Phoenix. His emotions were so raw and genuine that I literally got goosebumps.

Well done to the cast and crew! I can't wait for the next one!!

I actually was lucky enough to see this at a sneak preview on Monday. The "experience" was lousy, but the film was good...IF you take it as a separate entity from the series of books. If you separate the film from the book, you won't be disappointed.

For the negative...there were, of course, MANY things that were omitted from the film. As a huge fan of the books, I still must be realistic. I knew there would be a lot of information left out. There were a few things that I felt could have made the story richer if they had been included, but I won't go into detail so I don't give away any of the film's changes. There were a few changes that made me frown at times, but as the story played out, it did make the film flow well. One of their worst casting decisions, Michael Gambon, was actually tolerable in this one, for the most part. I am NOT a fan of his portrayal of Dumbledore, but I guess he worked for this film simply because, for the majority of the story, he is supposed to be acting somewhat aloof towards Harry. That worked for him. I miss the subtlety that Richard Harris brought to that role, and, while he wasn't dreadful in this one, I still believe that there are countless other well known actors in the UK that could have done this role better justice. There wasn't enough Molly or Hagrid for me though. I love both of those characters.

On a positive note, the special effects were very well done. The thestrals were marvelous--eerie, but strangely peaceful creatures. Evanna Lynch could not have been more spot on as Luna. Her voice, mannerisms and demeanor were amazing. My only complaint about her was that she wasn't on screen enough. :o) Imelda Staunton, as Umbridge, and Helena Bonham Carter, as Bella, have to be two of the BEST casting decisions that they have with regard to these films. They were SO incredible. I was actually quite impressed with Dan, Rupert and Emma as well. They have come quite far in their acting abilities. They have finally achieved the art of saying a lot without necessarily opening their mouths. The scene in the common room following the kiss between Harry and Cho was hysterical. Kreacher and Grawp were great additions to the films. Fred and George's exit was very well done, albeit slightly different. The film, if taken by itself, was really good. Unfortunately, it's a lot different from the book. But, as I'm doing a film review and not a comparison, I'll give it 8 out of 10, because I was highly entertained.

Our "sneak preview" was interrupted in the middle due to a problem with the film, and I think we still missed some of it. We lined up 3 hours before the movie was supposed to begin, it started late, it was interrupted in the middle for over 30 minutes, we were wanded for metal and electronics every time we went in or out...I think we'll just wait until opening week next time. It's crowded, but a lot less trouble.

We are actually going to see it again.