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IMDbPro

Kiss Kiss, Bang Bang

Título original: Kiss Kiss Bang Bang
  • 2005
  • 18
  • 1h 43min
PUNTUACIÓN EN IMDb
7,5/10
245 mil
TU PUNTUACIÓN
POPULARIDAD
2000
147
Val Kilmer, Robert Downey Jr., and Michelle Monaghan in Kiss Kiss, Bang Bang (2005)
Trailer for Kiss Kiss Bang Bang
Reproducir trailer2:24
10 vídeos
99+ imágenes
¿Crimen¿Quién no?ComediaComedia negraDetective torpeMisterioSátiraThriller

Un misterio de asesinato reúne a un detective privado, una actriz en apuros y un ladrón que se hace pasar por actor.Un misterio de asesinato reúne a un detective privado, una actriz en apuros y un ladrón que se hace pasar por actor.Un misterio de asesinato reúne a un detective privado, una actriz en apuros y un ladrón que se hace pasar por actor.

  • Dirección
    • Shane Black
  • Guión
    • Brett Halliday
    • Shane Black
  • Reparto principal
    • Robert Downey Jr.
    • Val Kilmer
    • Michelle Monaghan
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    245 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2000
    147
    • Dirección
      • Shane Black
    • Guión
      • Brett Halliday
      • Shane Black
    • Reparto principal
      • Robert Downey Jr.
      • Val Kilmer
      • Michelle Monaghan
    • 440Reseñas de usuarios
    • 220Reseñas de críticos
    • 73Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 5 premios y 16 nominaciones en total

    Vídeos10

    Kiss Kiss Bang Bang
    Trailer 2:24
    Kiss Kiss Bang Bang
    Kiss Kiss, Bang, Bang
    Trailer 0:31
    Kiss Kiss, Bang, Bang
    Kiss Kiss, Bang, Bang
    Trailer 0:31
    Kiss Kiss, Bang, Bang
    Not-So-Family-Friendly Holiday Movies
    Clip 2:35
    Not-So-Family-Friendly Holiday Movies
    Kiss Kiss Bang Bang
    Clip 0:46
    Kiss Kiss Bang Bang
    Kiss Kiss Bang Bang
    Clip 0:45
    Kiss Kiss Bang Bang
    Kiss Kiss Bang Bang Scene: What Are You Doing?
    Clip 0:44
    Kiss Kiss Bang Bang Scene: What Are You Doing?

    Imágenes266

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    Reparto principal57

    Editar
    Robert Downey Jr.
    Robert Downey Jr.
    • Harry Lockhart
    Val Kilmer
    Val Kilmer
    • Gay Perry
    Michelle Monaghan
    Michelle Monaghan
    • Harmony Faith Lane
    Corbin Bernsen
    Corbin Bernsen
    • Harlan Dexter
    Dash Mihok
    Dash Mihok
    • Mr. Frying Pan
    Larry Miller
    Larry Miller
    • Dabney Shaw
    Rockmond Dunbar
    Rockmond Dunbar
    • Mr. Fire
    Shannyn Sossamon
    Shannyn Sossamon
    • Pink Hair Girl
    Angela Lindvall
    Angela Lindvall
    • Flicka
    Indio Falconer Downey
    Indio Falconer Downey
    • Harry Lockhart - Age 9
    Ariel Winter
    Ariel Winter
    • Harmony Faith Lane - Age 7
    Duane Carnahan
    • Chainsaw Kid
    Josh Richman
    • Richie
    Martha Hackett
    Martha Hackett
    • Pistol Woman
    Nancy Fish
    Nancy Fish
    • N.Y. Casting Woman
    Bill McAdams Jr.
    Bill McAdams Jr.
    • N.Y. Cop
    Tanja Reichert
    Tanja Reichert
    • B-Movie Actress
    Jake McKinnon
    Jake McKinnon
    • Creature
    • Dirección
      • Shane Black
    • Guión
      • Brett Halliday
      • Shane Black
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios440

    7,5245.1K
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    Reseñas destacadas

    7TheMovieMark

    My kind of dark comedy.

    The term "Kiss Kiss, Bang Bang" was first coined in the 1960s by the Japanese press as a nickname for James Bond. Director Shane Black loved the term and chose it as the movie's title because, "it so clearly represented what this film is." And what exactly is this film? Good question. For starters, it's original. It's a nice change of pace from all of the sequels and remakes we've been inundated with recently. I needed this breath of fresh air after being blind-sided by the news that a remake of Robocop might be on its way.

    It's also funny and action-packed. The pace comes at us almost as quickly as the clever dialogue, making it nearly impossible for the average viewer to get bored. You may be offended, you may not appreciate the dark humor, and you may not get the style, but I would predict the majority of you won't get bored. Will I refund your ticket money if you *do* get bored? No, absolutely not. Don't be silly. I'll just say, "Oh well, I guess you're just in the minority on this one!" What I like most about Kiss Kiss, Bang Bang is it's so hard to "genre-lize." See what I did there? Add that term to the Movie Mark Dictionary. When you can't "genre-lize" something then you can't easily force it into any one specific genre. Clever, huh? That's what makes Kiss Kiss, Bang Bang so fun. Is there action? Yes! After all, it's by the same guy who wrote the Lethal Weapon movies. But it's not an action movie.

    Is there humor? Indeed. The laughs mostly come from the chemistry between Val Kilmer and Robert Downey Jr. and some of the crazy situations they find themselves in. This is my kind of dark humor. I love to be caught off guard by unexpected moments that make me laugh at things that might not be so funny if they were witnessed in the real world. But this isn't a comedy. The humor is never forced and doesn't have to resort to slapstick or flatulent puppies just to get cheap laughs. Sure, there's a scene that involves peeing on a corpse, but it has to be seen in its context to be appreciated.

    If I were forced to affix a label to this then I suppose I'd say it's a darkly comedic murder mystery. It takes itself just seriously enough to keep you in suspense, but it's irreverent enough to simply be fun and entertaining. It works well enough as a farce without ever coming off as a pure parody.

    My main complaint is that the story does get a little too confusing. I admit that I openly mocked other reviews that called the story "needlessly complex," but now that I have seen it I totally understand what these reviews are talking about. You'll want to pay careful attention or you'll get lost pretty quickly. I'd even suggest taking notes. If you're not careful you'll become so immersed with keeping up with the rapid-fire dialogue that you could lose focus on the plot details. It's not mind-blowing, but there are just so many characters and minutiae to keep up with that it's easy to lose track of what exactly is going on. If your friends call you "ol' goldfish attention span" then you could be in trouble.

    I'm not going to lie to you and tell you that this movie is for everybody. The language gets pretty rough, there is strong sexual content, Val Kilmer is a detective who just happens to be gay and jokes are made at his expense, there's a decent amount of gunplay, and some people just might not appreciate the unconventionality on display.

    But I loved the fact that this wasn't formulaic and that the look and style was different than the norm. Black admits to de-saturating the colors in post-production to give the film a crude, rough look. Perhaps some might like their movies a little more bright, but I thought it was quite effective at giving the film the pulp detective story vibe that Black was going for.

    I wouldn't recommend this to my mother, so I won't pretend to know whether this fits *your* taste either. It all depends on how you view these kinds of things. Is it gratuitous or knowingly over-the-top? Clever or too clever for its own good? Cheesy or comfortable in its self-awareness? Ask yourself what it takes to offend your senses and let that be your guide.
    10almonetts

    Shrewdly written, expertly delivered comic film-noir

    Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.

    A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.

    Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.

    Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.

    Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.

    All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.

    I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.

    One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.
    7The_Void

    Not entirely successful, but nevertheless an interesting film

    I'm not sure whether or not I like this film. On the one hand, I enjoyed watching it and I respect the fact that it's tried to be a little different; but on the other hand, Kiss Kiss Bang Bang reminds me too much of the guy at the buffet who fills his plate and doesn't end up eating it all. The film is a comedy, a thriller, a murder mystery, an action flick; a character study and a crime film, all rolled into one. It would be hard for any film to take this cocktail and spin it into a coherent piece, but to it's credit; Kiss Kiss Bang Bang almost succeeds; but cracks begin to show where the story is concerned, as the film clearly makes the conglomeration of genres it's central point, and it's too easy to get confused. The film is based on a collection of stories by Brett Halliday, and it follows a petty thief who stumbles into the top flight of Hollywood by chance, and soon finds himself part of a murder investigation after witnessing a car speeding into a lake. The investigation includes a gay detective named 'Gay Perry', and his former childhood sweetheart, Harmony.

    The cast is one of the film's main assets. Director Shane Black is always happy to show off his main star, who has finally made his way back into 'A' class movies after some...errr...time out. Downey is a talented actor, and it's through him that the film gains most of its vitality. He is joined by Val Kilmer, who is a lot better than I thought he would be in the role of the gay detective. Michelle Monaghan rounds off the cast, and holds her own against the two bigger name male leads. Shane Black is most famous for his action films, including credits for the Lethal Weapon series and Arnie vehicle; The Last Action Hero, but like the film's main lead; Black has had some time off recently, and this film marks his comeback. Some people were relieved to see the Predator co-star back in action...I cant say I share the sentiment, but all in all; I'm glad that he has finally made his directorial debut with this film. On the whole, this will appeal to people who like their films to be quirky and offbeat. The mock-noir style bodes well with Downey's witty performance, and the film is constantly entertaining; even if it doesn't always hit the mark dead on.
    7Flagrant-Baronessa

    "I'm retired. I invented dice. What do you do?"

    A lucky mistake shifts out-of-luck criminal Harry Lockhart (Robert Downey Jr) from the gritty streets to glossy showbiz in L.A, landing him a part in an upcoming film. Another mistake then shifts him from actor to private detective, and this is where Val Kilmer comes in and things start to go wrong, more wrong and unbelievably wrong until they've snowballed into an enjoyable detective mess -- all to impress failed actress Harmony (Next big thing: Michelle Monaghan).

    Shane Black's directorial debut 'Kiss Kiss Bang Bang' is a comic film noir. Even in the dazzling opening credits using a montage of contrasts of red, black and white, it is evident that this is no run-of-the-mill crime story, but a viciously entertaining ride from scene 01. What makes it so special is that it mixes equal doses of humour and crime like a $15,000,000 blender, pouring out a balanced end product and glazing it with a clever narrative coating by Robert Downey Jr. Black also sprinkles some rapid-fire dialogue onto his product, which is facilitated by the comedic chemistry between Downey and Kilmer. Some of the lines, gags and images are truly laugh-out-loud worthy. Everything else is nice, but forgettable.

    Its only problem, as far as I can see it, is its paper-thin plot. It does not seem believable; it is complex, dizzying and not nearly as involving as it would like to be. So back to formula on that one, and Kiss Kiss Bang Bang would be a near-perfect comedy-thriller.

    7.5/10
    6BA_Harrison

    Difficult to follow thriller, full of Black humour.

    Shane Black is a fine writer and his screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight bristled with witty dialogue, great characters and deftly handled action scenes. Kiss Kiss Bang Bang, his directorial debut, also shares these attributes, but suffers from a convoluted plot and a script so overloaded with witticisms and clever asides that the viewer soon feels overwhelmed by the sheer intensity of the experience.

    Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...

    Kiss Kiss Bang Bang is an ambitious debut — several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.

    The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.

    Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.

    Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      As a show of support for Robert Downey Jr.'s recovery from alcohol and drugs, Val Kilmer refused to drink during the entire production.
    • Pifias
      The microsurgery needed to reattach Harry's finger is too complicated and extensive for an emergency room visit; it likely would require a hospital stay of days, if not weeks.
    • Citas

      Perry: My $2000 ceramic Vektor my mother got me as a special gift. You threw in the lake next to the car. What happens when they drag the lake? You think they'll find my pistol. Jesus. Look up "idiot" in the dictionary. You know what you'll find?

      Harry: A picture of me?

      Perry: No! The definition of the word idiot, which you fucking are!

    • Créditos adicionales
      At the end of the movie, Val Kilmer says not to leave, to stay and watch the credits, and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.)
    • Conexiones
      Featured in Great Movie Mistakes 2: The Sequel (2011)
    • Banda sonora
      Sleigh Ride
      Written by Leroy Anderson and Mitchell Parish (uncredited)

      Performed by Al Caiola & Riz Ortolani

      Courtesy of EMI Records

      Under License from EMI Film & Television Music

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    Preguntas frecuentes

    • How long is Kiss Kiss Bang Bang?Con tecnología de Alexa
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de noviembre de 2005 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Warner Bros. (Belgium)
      • Warner Bros. (Canada)
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Entre besos y tiros
    • Localizaciones del rodaje
      • Monumental sculpture "Double Ascension" 1973 Herbert Bayer 505 South Flower St, Los Angeles, California USA(shown through window of Standard Hotel)
    • Empresas productoras
      • Warner Bros.
      • Silver Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 15.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 4.243.756 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 180.660 US$
      • 23 oct 2005
    • Recaudación en todo el mundo
      • 15.785.458 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 43 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.39 : 1

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