Tras entrenar con su mentor, Batman comienza su lucha para liberar a Gotham City de la corrupción.Tras entrenar con su mentor, Batman comienza su lucha para liberar a Gotham City de la corrupción.Tras entrenar con su mentor, Batman comienza su lucha para liberar a Gotham City de la corrupción.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 15 premios y 79 nominaciones en total
Resumen
Reviewers say 'Batman Begins' is acclaimed for its profound exploration of Bruce Wayne's origin, realistic Gotham City depiction, and Christian Bale's authentic performance. The strong supporting cast, philosophical themes, and Christopher Nolan's direction are praised. Cinematography and Hans Zimmer's score enhance the atmosphere. However, some critique pacing, editing, and character portrayals, indicating room for improvement. Overall, it revitalizes the franchise with a mature, engaging adaptation.
Reseñas destacadas
Batman Begins is a well told story of the origin of Bruce Wayne/Batman (Christian Bale). It covers a lot of the same ground as Michael Keaton's original Batman, but goes much further in depth in many factors of his creation. It goes into great detail about subjects such as how he got his costume, what exactly it is. Same goes with the Batmobile. We also find out why he chose to be bat-like.
One of the more interesting aspects here is how it shows Bruce's father, Thomas Wayne (Linus Roache), and how he molded Bruce's life and instilled good judgment within him, a point which is misunderstood about him by most people he comes in contact with. Thomas, too, teaches Bruce valuable lesson, such as "We fall so we can learn to pick ourselves up". This is pretty close to the theme of the movie or motto Bruce Wayne lives by. The resemblance of the father & son is pretty good, too.
I also thoroughly enjoyed the training Bruce Wayne endured becoming "invincible". Bruce is trained by Ducard (Liam Neeson) in many ways like a ninja (The concept of Batman IS similar to a ninja). He is taught many valuable lessons in this temple and is shown no mercy. Eventually, we even see his first real enemy as a superhero/vigilante.
Although I am not positive as to how true to the comic book this movie is, I am sure it took a few liberties, as did Spider-Man. Most of the small examples I have noticed are for the better and make for a good story. The Batmobile is more believable as an expensive armored vehicle that the military would not spend the money on than a juiced up Corvette (or whatever that was). Same with the Batsuit.
Katie Holmes is excellent as Rachel Dawes, a D.A. who is not afraid to go after the big villains in court. Also worthy of mentioning is Michael Caine as Alfred the butler. I do not believe they could have found a better man for that role, although I could not get the image of Caine as Austin Powers' dad out of my head when he was on screen.
Finally, in my opinion, Christian Bale makes a much better Batman than the three recent previous ones in Michael Keaton, Val Kilmer and George Clooney. Something about him makes Batman darker and more mysterious. Hopefully, DC Comics and movies have learned from their mistakes and we will not have to worry about Batman picking up a sidekick in this newest installment of the Batman series. 9/10
One of the more interesting aspects here is how it shows Bruce's father, Thomas Wayne (Linus Roache), and how he molded Bruce's life and instilled good judgment within him, a point which is misunderstood about him by most people he comes in contact with. Thomas, too, teaches Bruce valuable lesson, such as "We fall so we can learn to pick ourselves up". This is pretty close to the theme of the movie or motto Bruce Wayne lives by. The resemblance of the father & son is pretty good, too.
I also thoroughly enjoyed the training Bruce Wayne endured becoming "invincible". Bruce is trained by Ducard (Liam Neeson) in many ways like a ninja (The concept of Batman IS similar to a ninja). He is taught many valuable lessons in this temple and is shown no mercy. Eventually, we even see his first real enemy as a superhero/vigilante.
Although I am not positive as to how true to the comic book this movie is, I am sure it took a few liberties, as did Spider-Man. Most of the small examples I have noticed are for the better and make for a good story. The Batmobile is more believable as an expensive armored vehicle that the military would not spend the money on than a juiced up Corvette (or whatever that was). Same with the Batsuit.
Katie Holmes is excellent as Rachel Dawes, a D.A. who is not afraid to go after the big villains in court. Also worthy of mentioning is Michael Caine as Alfred the butler. I do not believe they could have found a better man for that role, although I could not get the image of Caine as Austin Powers' dad out of my head when he was on screen.
Finally, in my opinion, Christian Bale makes a much better Batman than the three recent previous ones in Michael Keaton, Val Kilmer and George Clooney. Something about him makes Batman darker and more mysterious. Hopefully, DC Comics and movies have learned from their mistakes and we will not have to worry about Batman picking up a sidekick in this newest installment of the Batman series. 9/10
I've just come back from a preview screening of Batman Begins. I went in with low expectations, despite the excellence of Christopher Nolan's previous efforts. Talk about having your expectations confounded! This film grips like wet rope from the start. I won't give away any of the story; suffice to say it mixes and matches its sources freely, tossing in a dash of Frank Miller, a bit of Alan Moore and a pinch of Bob Kane to great effect.
What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. The story does not progress in linear fashion for the first half, and there are some truly spectacular hallucination scenes. Parents thinking of taking their young kids along, think twice. When we left, a terrified 8-year-old boy was being comforted by his parents. Some of what's up there on screen really is the stuff of nightmares.
Of the cast of Brits chosen to bring this American tale to the masses, Christian Bale convinces in his dual role, while Michael Caine as Alfred comes up with the humour just when the film is in danger of taking itself too seriously. Gary Oldman and Tom Wilkinson provide able support, as does Morgan Freeman.
Most refreshing of all is the way that Nolan and co have come up with a way of bringing comics to the screen that does justice to the often adult source material in a way that, say, Daredevil, tried and failed to do (although the director's cut is better). If the Dark Knight doesn't return after this, there's no justice.
What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. The story does not progress in linear fashion for the first half, and there are some truly spectacular hallucination scenes. Parents thinking of taking their young kids along, think twice. When we left, a terrified 8-year-old boy was being comforted by his parents. Some of what's up there on screen really is the stuff of nightmares.
Of the cast of Brits chosen to bring this American tale to the masses, Christian Bale convinces in his dual role, while Michael Caine as Alfred comes up with the humour just when the film is in danger of taking itself too seriously. Gary Oldman and Tom Wilkinson provide able support, as does Morgan Freeman.
Most refreshing of all is the way that Nolan and co have come up with a way of bringing comics to the screen that does justice to the often adult source material in a way that, say, Daredevil, tried and failed to do (although the director's cut is better). If the Dark Knight doesn't return after this, there's no justice.
Director Christopher Nolan is rebooting the Dark Knight with a ever darker style. It is faux realism. He starts off with the death of Bruces' parents. After not able to kill their killer, Bruce is in a Chinese prison where he meets the mysterious Ra's Al Ghul. It is the anti-Obi-Wan Kenobi. His message is a dark perversion of Justice. When he returns to Gotham, he invents Batman.
There are two things that keep this from an even more impressive start of Nolan's Batman Trilogy. The first is Katie Holmes. She is not up to the task. She is still playing that little girl character from Dawson's Creek. She doesn't have the seriousness or gravitas to play this gutsy lawyer character. It's a big character, and not just another girlfriend.
The second is that Scarecrow (Cillian Murphy) isn't a big enough villain. The evil plan has too much of a silly Bond feeling. It is too unrealistic in a Batman movie that is suppose to be realistic. It leaves a bad taste for the climatic ending. Other than those two, this is still a great start to the trilogy. It sets the tone for the final two.
There are two things that keep this from an even more impressive start of Nolan's Batman Trilogy. The first is Katie Holmes. She is not up to the task. She is still playing that little girl character from Dawson's Creek. She doesn't have the seriousness or gravitas to play this gutsy lawyer character. It's a big character, and not just another girlfriend.
The second is that Scarecrow (Cillian Murphy) isn't a big enough villain. The evil plan has too much of a silly Bond feeling. It is too unrealistic in a Batman movie that is suppose to be realistic. It leaves a bad taste for the climatic ending. Other than those two, this is still a great start to the trilogy. It sets the tone for the final two.
10tenten76
Christopher Nolan (and cast) have pulled off what I hadn't dared to dream - a Batman every bit as good as Burton/Keaton's vision - and eradicated the camp, feverish memories of Clooney, Kilmer and (cough..) O'Donnell.
The story is as good an origin story as you'll find - covering all the major (true-to-the-comic) events, and not wasting ages on them. We see Wayne's all-important training period (previously ignored), and his connection to the Tibetan shadow-ninja clan led by Ra's Al Ghul. We see Bruce come up with ideas for his symbol, his costume, his gadgets, his car, his cave - IT ALL FITS SO PERFECTLY.
That's not all - Liam Neeson is perfect (as ever, when Lucas isn't writing his lines), Batman's first mad nemesis (the Scarecrow) is genuinely frightening; with some outstandingly scary 'fear' effects.. Gary Oldman looks just like a young Commissioner Gordon (and doesn't dominate), Morgan Freeman and Rutger Hauer give solid heavyweight support to the boardroom machinations at Wayne Enterprizes. I love Michael Gough(?) but Michael Caine is great as Alfred. It's only Katie Holmes who didn't ring true for me - not because of her performance, but simply because she looks all of 15 years old (sorry Katie). I am always blown away by Christian Bale, and this is no exception.
The fights are great, the Bat-gadgets all there, the car is amazing, the plot is thorough and exciting, Gotham looks great, Batman really is frightening & menacing (and lethal!).. And the scenes with the bats themselves FINALLY get across the idea of how scary they can be.
There is some humour, but it's fairly dry. The soundtrack, like all the best original soundtracks, is excellent - you hardly know it's there, but the emotions of the scene are enhanced and boosted. For the most part this is a serious Batman film, with plenty for long-time fans. This NEW Batman is one I'd like to see again. Bravo Mr Nolan, bravo.
The story is as good an origin story as you'll find - covering all the major (true-to-the-comic) events, and not wasting ages on them. We see Wayne's all-important training period (previously ignored), and his connection to the Tibetan shadow-ninja clan led by Ra's Al Ghul. We see Bruce come up with ideas for his symbol, his costume, his gadgets, his car, his cave - IT ALL FITS SO PERFECTLY.
That's not all - Liam Neeson is perfect (as ever, when Lucas isn't writing his lines), Batman's first mad nemesis (the Scarecrow) is genuinely frightening; with some outstandingly scary 'fear' effects.. Gary Oldman looks just like a young Commissioner Gordon (and doesn't dominate), Morgan Freeman and Rutger Hauer give solid heavyweight support to the boardroom machinations at Wayne Enterprizes. I love Michael Gough(?) but Michael Caine is great as Alfred. It's only Katie Holmes who didn't ring true for me - not because of her performance, but simply because she looks all of 15 years old (sorry Katie). I am always blown away by Christian Bale, and this is no exception.
The fights are great, the Bat-gadgets all there, the car is amazing, the plot is thorough and exciting, Gotham looks great, Batman really is frightening & menacing (and lethal!).. And the scenes with the bats themselves FINALLY get across the idea of how scary they can be.
There is some humour, but it's fairly dry. The soundtrack, like all the best original soundtracks, is excellent - you hardly know it's there, but the emotions of the scene are enhanced and boosted. For the most part this is a serious Batman film, with plenty for long-time fans. This NEW Batman is one I'd like to see again. Bravo Mr Nolan, bravo.
To tell the truth, I thought the Batman franchise could never be saved, and I was really let down that I may never see my favorite superhero in a good movie ever again. Then I saw the preview to Batman Begins, I didn't really know what to think. New Batman. New Alfred. New story. New style. I wasn't sure why I wanted it 'the old way', but maybe I wanted to the actors in the Batman films I grew up with, to revive themselves and make a good Batman movie. I wanted Robin and sadly, Batgirl, alongside Batman saving the world from another familiar villain.
I heard Batman Begins, and I thought great, this was called "Batman" in 1989, selfishly I said, "I want something new!".
But, of course being a big Batman fan, I went opening night to Begings. 2 and half hours later, like the rest of the audience was completely blown away. It was the only movie I had ever been to (and yes I have been to some great ones) where the crowd claps and the end. This was not just golf claps for a popcorn clip, this was a standing ovation for 10:30 pm show in a crowded theater in Austin, Texas.
I never would have thought this would have worked, even with Nolan directing. But I was wrong, so wrong. After seeing the X-Mens and Spidermans, I clearly thought Marvel had the upperhand and DC was just simply trying to keep up, again, so wrong.
Nolan gave us a dark, gritty, and pleasantly realistic, view of Batman. Bale gives a tremendous performance as both Batman and Bruce Wayne. Michael Caine was a fabulous Alfred, and Morgan Freeman almost stole the show as Luscious Fox.
Even though X-Men and Spiderman(all of them) are wonderful superhero movies, Batman Begins, is just a good, no, great movie. And I think that is what blew people away, that it wasn't just some superhero, special effect, hero gets girl, good guy wins movie, it was a truly dark and well crafted movie, and it maybe stupid to say, but it didn't even feel like you were watching a superhero movie.
I don't even think Burton, and his animated style(which works), could have revived this troubled series, that Schumaker wrecked, because like Fantastic Four and Daredevil, tried over do it and give us the latter part of things.
So, here is to you Chris Nolan. You saved a franchise. You made an unforgettable movie, that will be remembered as the best superhero movie of all time, but just an all around great and unforgettable movie classic.
I heard Batman Begins, and I thought great, this was called "Batman" in 1989, selfishly I said, "I want something new!".
But, of course being a big Batman fan, I went opening night to Begings. 2 and half hours later, like the rest of the audience was completely blown away. It was the only movie I had ever been to (and yes I have been to some great ones) where the crowd claps and the end. This was not just golf claps for a popcorn clip, this was a standing ovation for 10:30 pm show in a crowded theater in Austin, Texas.
I never would have thought this would have worked, even with Nolan directing. But I was wrong, so wrong. After seeing the X-Mens and Spidermans, I clearly thought Marvel had the upperhand and DC was just simply trying to keep up, again, so wrong.
Nolan gave us a dark, gritty, and pleasantly realistic, view of Batman. Bale gives a tremendous performance as both Batman and Bruce Wayne. Michael Caine was a fabulous Alfred, and Morgan Freeman almost stole the show as Luscious Fox.
Even though X-Men and Spiderman(all of them) are wonderful superhero movies, Batman Begins, is just a good, no, great movie. And I think that is what blew people away, that it wasn't just some superhero, special effect, hero gets girl, good guy wins movie, it was a truly dark and well crafted movie, and it maybe stupid to say, but it didn't even feel like you were watching a superhero movie.
I don't even think Burton, and his animated style(which works), could have revived this troubled series, that Schumaker wrecked, because like Fantastic Four and Daredevil, tried over do it and give us the latter part of things.
So, here is to you Chris Nolan. You saved a franchise. You made an unforgettable movie, that will be remembered as the best superhero movie of all time, but just an all around great and unforgettable movie classic.
¿Sabías que...?
- CuriosidadesAlthough Christian Bale performed many of his own stunts, he wasn't allowed anywhere near the Batmobile.
- PifiasSearchlights like the one Falcone is tied to are incredibly hot. Anyone held against one like that would be horribly burned.
- Citas
Henri Ducard: But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just... poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.
- Créditos adicionalesThis is the first DC Comics film to have a DC Comics logo on it. This logo was in fact a new one, that was designed the same year the film came out.
- ConexionesEdited into Tankman Begins (2005)
- Banda sonoraFolletto!...Folletto!
from "Mefistofele"
Written by Arrigo Boito
Performed by Norman Treigle, The Ambrosian Singers, and London Symphony Orchestra (as London Symphony Orchestra)
Conducted by Julius Rudel
Courtesy of EMI Classics
Under License from EMI Film & Television Music
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- How long is Batman Begins?Con tecnología de Alexa
- Who created the character of Batman? Bob Kane is listed in old (pre-2015) media including the comic books as creating Batman on his own but new media (made after 2015) shows him as co-creating the character with someone called Bill Finger, so what's all that about?
- Which characters were adapted from the Batman comic books?
- What is "Batman Begins" about?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Batman inicia
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 206.863.479 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 48.745.440 US$
- 19 jun 2005
- Recaudación en todo el mundo
- 375.406.308 US$
- Duración2 horas 20 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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