PUNTUACIÓN EN IMDb
7,0/10
16 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.
- Dirección
- Guión
- Reparto principal
- Premios
- 18 premios y 33 nominaciones en total
Kirron Kher
- Parminder 'Bobby' Prakash
- (as Kiron Kher)
Shenaz Treasury
- Shalini
- (as Shenaz Treasurywala)
Reseñas destacadas
The storyline is inspired from When Harry Met Sally, but the indianised version with a few foreign cities thrown in is a good entertainer. Karan, a cartoonist, meets Rhea on a flight to New York. They get well acquainted during a 6 hour stop over in Amsterdam. They have a fall out and they end up going their separate ways once they get to New York. Their chance meetings over then next few years and how their friendship develops gradually over time and how they end up falling in love without even realizing it forms the gist of the story. Saif Ali Khan fits Karan's role perfectly and Rani makes a wonderful Rhea. Even the supporting cat has done a great job. The use of the cartoon characters Hum and Tum in the story narrative adds some color to the movie. It is a welcome change from the cop flicks that have dominated the Indian screen in 2004. All in all, a wonderful movie, worth watching at least once on the big screen.
After seeing Hum Tum here are my opinions on the film. Story: Obviously not original, but the writers have handled the subject well and the result is a refreshing romantic, comedy. Acting: Saif Ali Khan is brilliant, no other actor would have been able to enact the role of Karan Kapoor as well as how Saif has done it. His humor and comic timing is perfect. And with this film he has proved that he can do solo hero films as well. Rani Mukherjee has shown once again that she is one of the finest actresses today, her pairing with Saif is flawless. Kiron Kher is First Rate as Rani's mother, . Rati Agnihotri is adequate and Rishi Kapoor is fine in a small role. Although the screenplay is good in the first half, during the second half and towards the climax the film drags and is very much predictable towards the end. I don't think the cartoon characters helped the proceedings in anyway. The cinematography is awesome, and the music is great, especially the title track, Chak De and Ladki Kyon. And they have been shot well too. On the whole a good film, with wonderful performances and great music. I give it 8.5/10
on the surface, everyone's condemning it for its 'inspired' storyline. but then, even Shakespeare picked up stories from the common database. i am not comparing it to his work.. you could point a finger at its not so original storyline, but credit is due where it is due. the movie is refreshing in the treatment it gives the girl-guy thing. it incorporates a cartoon strip = animation smoothly. and, not only does the movie manage to stay restrained almost throughout without following the general "second half" drag, it also deals with more than just the "cover story" or theme.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
Watching it for guess a 10th time, knowing all the gigs,situations,laughs but wait, I was still able to smile, enjoy the offering & got my endorphins released in dollops!!! Hope that is self explanatory!!! A movie that excelled in every department but mostly will be remembered in times to come , of the mesmerizing chemistry between the lead pair.. I never expected saif to have pulled off that role of a lifetime but surprisingly he races off faster than anticipated
Be it his comic timing, his emotional outburst or the best part i.e. that lovely on screen pairing with talented rani, the guy just rocks!! He does deserve all the accolades that come in his way.. But the star of the show is I guess none other than rani & the director kunal kohli & the guy above.. A great director is one who is able to ooze out award winning performances from his caste & here , he excels .. Though the movie's theme is heavily inspired from another cult classic "when Harry Met Sally" , but mind you, the comparison ends there.. Kunal kohli with his beautiful smart direction, witty dialogs laced with right amount of humor & emotions delivers a fine piece of art, a movie which you cant miss surely
Ooooh, how could I forget her, she is such a fine actress , a rock-solid performer who has been behind some great movies already.. Watch her match step by step with her co-star, her looks, her persona, emotions, anger, gosh she has got everything in the book
She is the beat of the movie
. Rishi sir in his extended appearance leaves an undeniable presence , look for his comic timing.. & the ever dependable Mrs. Kher, as always makes every role just hers only
But all this wont have been possible without a script & even though it does sag down a bit in the middle but boy, it does give the actors lots to enact, loaded with twists.., with unmatched wordly wise dialogs, .. Captured astonishingly well.. the movie also has to its credit those cartoons that pop up at regular intervals & are kinda good, say quite many things
The beautiful hummable music by the talented duo, but to date, unrewarded with a single filmfare award.. Alkaji just woo you with that singing of that title track.. And my personal favorite is that arranged marriage scene, beautifully acted upon
It ain't a fare to be missed
.. A must watch.. 9/10
Hum Tum is an extremely modern and lighthearted romantic comedy. It is very well directed, beautifully shot, and is interesting and entertaining. Kunal Kohli makes a very good job in depicting the world of young Indians who travel the world and live their individual lives with passion and independence. The portrayal of relationships between the characters in the film, particularly that of the main lead, Karan and Riya, is handled with a mind-blowing mix of comedy and emotional drama. The film moves at a steady pace, the animated characters of 'Hum' and 'Tum' are really fun, the music is suitably racy, the cinematography and editing are excellent, and the entire concept of following the hate-to-love relationship of two young people for a period of several years across many different countries, is refreshing and convincingly done.
Having mentioned its light mood and refreshing tone, Hum Tum, above all, has true heart and soul, and there's actual depth beneath its comic tone and pretty visuals. It's not a fluffy rom-com which is just enjoyable, it is actually an affecting human story. Part of what makes it so good is the freshness of the narrative, which is mostly conversational. The conversations between the two leads are first quite confrontational but later become interestingly philosophical and intellectual and, in time, emotional. As the story develops, you find yourself increasingly engrossed in the proceedings and familiar with the characters, liking them and wishing for a good resolution to their story. Karan, the male lead, is a particularly interesting character of a spoiled man who is always well-meaning and has his heart in the right place, but actually grows as a person throughout the film.
The film leans on a truly electrifying chemistry between the two leads, Saif Ali Khan and Rani Mukherjee. Mukherjee is very appealing and natural and performs brilliantly throughout the film, but it is Saif Ali Khan who steals the show big time. Playing a trendy, humorous, carefree yet gracious womaniser, Khan seems to be tailor-made for the role of Karan, which gives him ample scope to showcase his superb comic-timing but also capture the human beneath the mischief and register his personal growth. He completely inhabits the part, performing with natural ease, infusing it with the right amount of depth, wit and energy, and consistently appearing so real and effortless that it can be rightly concluded that no one else would have been able to do it as well as he did. This is an exceptional, unforgettable performance and, indeed, one of the greatest comic-dramatic acts I can think of.
In support, Rishi Kapoor is very enjoyable in one of his finest and funniest performances. Kirron Kher is outstanding and simply hilarious in an all-out comic part as the loud and loving mother. Rati Agnihotri is as beautiful as ever in a smaller part, and Jimmy Shergill and Isha Koppitar provide great support. The soundtrack, as already mentioned, perfectly suits the film's mood; the title song is particularly beautiful in both melody and screen visualisation. Please note, Hum Tum is definitely not a rip-off of When Harry Met Sally, as some people have suggested. There are some tiny similarities in the general concept but nothing more than just that, and it has pretty much a story of its own. Finally, Hum Tum is a lovely and memorable film. It is both very funny and moving, and is overall a heartwarming picture which can always be a great watch for the entire family.
Having mentioned its light mood and refreshing tone, Hum Tum, above all, has true heart and soul, and there's actual depth beneath its comic tone and pretty visuals. It's not a fluffy rom-com which is just enjoyable, it is actually an affecting human story. Part of what makes it so good is the freshness of the narrative, which is mostly conversational. The conversations between the two leads are first quite confrontational but later become interestingly philosophical and intellectual and, in time, emotional. As the story develops, you find yourself increasingly engrossed in the proceedings and familiar with the characters, liking them and wishing for a good resolution to their story. Karan, the male lead, is a particularly interesting character of a spoiled man who is always well-meaning and has his heart in the right place, but actually grows as a person throughout the film.
The film leans on a truly electrifying chemistry between the two leads, Saif Ali Khan and Rani Mukherjee. Mukherjee is very appealing and natural and performs brilliantly throughout the film, but it is Saif Ali Khan who steals the show big time. Playing a trendy, humorous, carefree yet gracious womaniser, Khan seems to be tailor-made for the role of Karan, which gives him ample scope to showcase his superb comic-timing but also capture the human beneath the mischief and register his personal growth. He completely inhabits the part, performing with natural ease, infusing it with the right amount of depth, wit and energy, and consistently appearing so real and effortless that it can be rightly concluded that no one else would have been able to do it as well as he did. This is an exceptional, unforgettable performance and, indeed, one of the greatest comic-dramatic acts I can think of.
In support, Rishi Kapoor is very enjoyable in one of his finest and funniest performances. Kirron Kher is outstanding and simply hilarious in an all-out comic part as the loud and loving mother. Rati Agnihotri is as beautiful as ever in a smaller part, and Jimmy Shergill and Isha Koppitar provide great support. The soundtrack, as already mentioned, perfectly suits the film's mood; the title song is particularly beautiful in both melody and screen visualisation. Please note, Hum Tum is definitely not a rip-off of When Harry Met Sally, as some people have suggested. There are some tiny similarities in the general concept but nothing more than just that, and it has pretty much a story of its own. Finally, Hum Tum is a lovely and memorable film. It is both very funny and moving, and is overall a heartwarming picture which can always be a great watch for the entire family.
¿Sabías que...?
- CuriosidadesWhen Rishi Kapoor meets Kirron Kher, she says her nickname is Bobby. He says, "Why don't I call you Dimple?" The eponymous female lead in Bobby (1973), was played by Dimple Kapadia.
- PifiasDutch scenery, license plates etc. in Paris scenes (the whole Paris section is actually filmed in Amsterdam).
- Citas
Rhea Prakash: Say it.
Karan Kapoor: What?
Rhea Prakash: What you've never said to me before.
Karan Kapoor: That I love the kids and Tommy more than you?
- Versiones alternativasThe brief scene showing Karan and Rhea in bed after spending the night together was deleted from some theatrical prints in India.
- ConexionesFeatured in 50th Filmfare Awards (2005)
- Banda sonoraLadki Kyon
Written by Prasoon Joshi
Composed by Jatin Pandit (as Jatin) - Lalit Pandit (as Lalit)
Performed by Shaan and Alka Yagnik
Courtesy of Saregama HMV
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- How long is Hum Tum?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 796.641 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 275.882 US$
- 30 may 2004
- Recaudación en todo el mundo
- 1.878.842 US$
- Duración2 horas 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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