Aayitha Ezhuthu

Aayitha Ezhuthu is yet another class-A movie from Mani Ratnam. And please note that it is not a remake of the Mexican movie 'Amores Perros' as said by another user. If you had seen amores perros and understood the movie, you'd come to know that aayitha ezhuthu is completely different from it. There are many movie with the same theme - an incident making the characters meet, for eg. 21 grams which was released in 2000, long before amores perros concept was even conceived. So shall I call Amores perros a shameless remake of 21 grams - remove the authenticity, good actors, change the theme and voila!!! u get Amores perros???

Before beginning,i like to say something to Mr Roby Kurian (USA) ,who reviewed earlier, Mr. you like to be proud finding similarities between movies,but i don't think you will never be satisfied watching movies,as you always look for similarities,not let yourself to enjoy the movie. Its not a remake of that Mexican film.

Now come to the movie.Here are few messages to the people,specially the youth. You will find it when watching the movie.Some of them may match with you also.The bullshit politics is dragged down here,and the new era in politics is also shown.It is the Student who have to make changes. They must.They are the mass who could save their nation.This movie reflects the present politics of south Asia region . Madhban,Surya,Sidarth...and..rest of them acted very well.

I didn't really know what to think of "Ayutha Ezuthu" after the first time that I saw it - I suppose I was expecting a much different movie - but after revisiting it, I really have come to appreciate and enjoy it. Mani Ratnam is really a director who understands characters and shapes them with such heart and soul. The real stand-out actor here for me is Madhavan, who portrays Inba, the street thug who aspires to overcome his low-life existence but does it in all the wrong ways. The nuances of his character really show, and the 180-degree reversal from what we are used to seeing him as makes his performance all the more appealing. And Bharathi Raja ... wow! He comes off as a cunning and very humorous villain, and the exchanges between Surya and him are certainly something to see. I would least expect Mani Ratnam to put out something with a political message, but he does it with grace and style. A big thumbs up!

The movie is based on a premise - what would happen if an accident brings together 3 completely different personalities. At the very beginning, Inbasekar (Madhavan), a hit-man for a state politician, tries to kill Michael Vasanth (Surya), a student who advocates common people to take part in political system. Arjun (Siddharth), a student with US immigration dreams, is caught up in it as a bystander.

The story of each of the protagonist unfolds from this point. The story of both Inba and Michael moves pretty fast with incidents in Inba's life crisscrossing with that of Michael's. The script has been carefully planned and hence we are never confused. Arjun's background moves a little slowly though.

Madhavan has brought the dilemma of Inba very well - enforcing his power on the streets as a by force as well as being a ill-tempered but devoted husband. We feel sad that he gives up all chances of redemption in the end. Meera Jasmine, as his wife Sasi, has portrayed her suffering, in such a way that we empathize with her.

Surya has given a brilliant performance. Be it rallying the villagers to contest in local election or taking on the state minister with sarcastic comments, he maintains good poise and communicates his views sharply. Isha Deol as his girlfriend Gitanjali is good although her dialogue delivery is terrible.

Siddharth, as Arjun is good too - particularly, the scene where he instinctively jumps into the river to save Michael, although being dead scared. This scene forms a figurative basis for bringing out the inherent quality of compassion in him. He later lends support to Michael's path the same way - instinctively, although he does not understand the full meaning of doing it. His frivolous lifestyle before the accident is quite convincing too, although it may offend some conservative folks.

The script has one glitch though. It is not clear what motivates Michael to take a path which 99 % of the educated youngsters do not take i.e. involve actively in country's politics. He makes general statements as to the duty of good person to jump into political system and cleanse it. Although idealistic, this is not the real world situation. There is also a conversation with his mother where we learn that his father was some kind of activist, which could have been the genesis for such goals. However, as a viewer we do not feel for his cause as there is no specific incident or a goal portrayed clearly. Although unfair to the director, one way I can substantiate this statement, is by comparing it with another movie - 'Mudhalvan' where the protagonist is directly dragged into politics by a challenge posted by the Chief Minister or 'Lagaan' where the challenge posted by the British captain makes the villagers take up a strange path to fight him.

There are other characters well defined - the State minister, (Bharathi Raaja) who uses Inba to control his opponents, Arjun's caring but cool father, his younger brother - who helps him in his love life, Michael's friend - who gets beaten up for standing by his cause etc.

The songs of A.R. Rahman are very good as is the background music. They blend very well with the storyline. 'Jana Gana Mana' is the best of them all.

The fight sequences are very well picturised, particularly the final one, on the Napier bridge, amidst heavy traffic.

Overall it is a very good movie by Mani Ratnam.

Aayutha ezhuthu is an underrated film of Maniratnam. Despite being the first tamil film to introduce hyperlink narrative style with a exciting screenplay I dont know why it was not celebrated like other Mani sir's movies like Nayagan, Thalapathy, Iruvar , Alaipayuthey etc. To this day Aayutha ezhuthu is my most fav movie done by Maniratnam.