Juego sucio 3

If you loved the first two 'Internal Affairs' movie, then you'll probably find it easy to also enjoy this concluding part: if not, you may find it more difficult. Part one was a tense thriller; part two, more epic in tone, a prequel that filled in the back story, concentrating on some of the secondary characters from the first film. But it's not completely clear where there's any plot left to fill a third part. What this film does is overlay the previous stories with an additional layer of romanticism and complexity; but there's a certain lack of focus to the plot, with almost all of our favourite characters already dead by the end of the second film (although, in flashback, there's a rebirth for the great Tony Leung, absent from part two). Indeed, the film works almost entirely by encouraging us to feel differently about scenes we have already witnessed. I still liked this third story about the quiet men of violence, and it did succeed in feeling like something more than just a repeat of the earlier films. But it's not so clear how much it adds to them.

Internal Affairs III is the final film in the trilogy, this film is like the prequel (the second installment) directed by Andrew Lau and Alan Mak, the former being the one who directed the original. This third film serves as both a prequel and sequel to the first film, as it continues after the events of the first film and before those events. Andy Lau and Tony Leung reprise their roles from the first film as Senior Inspector Lau Kin-Ming, an ex-Triad spy in the Hong Kong Police Force who tries to cover his criminal past and remain as a cop. Tony Leung as Chan Wing-Yan, an undercover Hong Kong Police Force officer in the Triad. He was killed by Inspector B in the first film, but returns in the prequel aspect of the film. Kelly Chen, Anthony Wong, Eric Tsang and Chapman To also reprise their roles again, joined by new cast members Leon Lai and Chen Daoming. Andy Lau actually won the award for Best Actor in the Golden Horse Awards, well deserved I must say. The film was nominated for a lot of other different awards. Andy Lau's acting is superb. Being one of the new cast members, I think Leon Lai is one of those standout performances in the film as Superintendent Yeung Kam-Wing who's Lau's rival in the police force. Chen Daoming is too quite great as "Shadow" Shen Cheng, two good additions to the trilogy.

Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.

So I bought the whole trilogy on Criterion and I got the director's cut of the movie, more than I knew before buying as I had only heard about the first film. I thought this version of the film was a good viewing, a crime story worth telling, with great themes. Will Lau survive the infernal agonies of fear, paranoia, and lack of trust? Watch and you'll find out. It contains many satisfying answers to questions that have lingered after the first two installments. I've seen the question is it unnecessary? It depends on how much you like the story and characters, I don't think this film was wanted, but it was needed and it's because of the story and how much depth it has. The questions you might have, are answered here. The first film ended perfectly and the second installment was a great prequel that gave more context and just more, this film struggles but ends up being a fine addition. Also a satisfying conclusion to the trilogy, I think the pacing could have been better and some of the writing too. Yet, it's solid, tying up loose ends and brings the character arcs to a satisfying conclusion. Especially Lau's character arc. I think the ending was fitting. The trilogy could have worked as one film, but how the writers and directors expanded the story and characters, into something memorable. This was a terrific trilogy. Internal Affairs III was a good crime drama, perhaps a bit unnecessary, but good.

Infernal Affairs 3 builds cleverly on the plotline of the first movie, but with its complex story and frequent switches between past and present, is likely to seriously confuse anyone who comes to it without having seen Part 1 first to understand the two main characters. For those who have, this film brings out further details of the relationship between the two, superbly played again by Tony Leung and Andy Lau. With frequent flashbacks, the film focuses on extending the story of Triad mole Ming (Andy Lau), warping up the tension as the stresses of his double life become intolerable. Leon Lai's usual expressionless performance, which mars his other films, works well here as it leaves you few clues about his character's motivation until the climax.

If you enjoyed Part 1, you will enjoy this. (I haven't seen Part 2 yet.)

While this is a great film with an incomparable score and outstanding cinematography, it leaves a lot to be desired.

It is really not necessary as the first two films really give us all we need. It is light on action and heavy on psychological trauma. Andy Lau as Inspector Lau has taken care of all the moles - or he thinks he has. he is not sure and wants to be clear there is nothing tying him to Sam so he can be the good cop he wants to be. SP Leung is a creepy fellow and we are never sure just what he is. Is he a mole, or just a crooked cop. It is never clear.

I was glad that Kelly Chen got a much bigger role as Dr. lee, but it would have been even better if we saw a relationship with Yan. It was obvious that she had love for him, but it never blossomed on screen. Yes, I know that would be a violation of the doctor-patient relationship, but it was there under the surface. Why didn't it come out.

We got to see quite a bit of Tony Leung in this film, and that is always a good thing.

It was very distracting the way the film jumped back and forth through time. It was trying to tie up the loose ends, but it was disconcerting.

It could have been an outstanding film, but it'll just have to be great to see the actors and enjoy their performance.

While in the U.S. the 3rd movie of anything is suppose to be the large-scale, big-budget, battle-destruction-galore ending to a series, Infernal Affairs 3 shamelessly does the opposite and delivers an introspective look devoid of any "battle" scene at all. Now that IA has become somewhat of a cult following (ironically the story is not meant to go any further) it seems fitting that we are delivered a film as if the cutting-room floor pieces were placed together from the previous two movies and sequenced for the conclusion.

The story attempts to elaborate the most important details of the series and not presenting them in sequence, only a handful of present scenes exist which each are periodically given a large delve into the past. IA 3 explores what happened leading up to many scenes in the first Infernal Affairs which is really pretty neat for anyone who watches movies and seen the first. As a result its a jumble and mix of scenes giving you dates of when they occur (sometimes eliciting humor) and glimpsing every single character in the series as if they were the past but really filmed new for the movie. And in this way follows Yan and Ming's characters as they progress to their fates.

But it seems perhaps that by doing so, the movie is simply what was left out in the first film and anyone new to the series will obviously not understand the significance of what is going on other than the artsy cinematography of white-washed cool hues, steady camera work, and continual sponsorship of devices and products. This also includes the chaotic, dizzy feeling of progressing back and forth sometimes not knowing when you are (as with scenes that occur in Ming's mind only). Perhaps only the avid movie goer will realize Mo Gan Do 3 is a representation of hell in a high-tech world, the redemption of Yan and Ming's fall into insanity. But most will be confused about why until they see it all.