Lymelife

I can't wait for my next three-Martini film! If Lymelife can be done in less than a month, let's have at least two more before year's end––the last positioned for awards season. Yes, I worry this remarkable film will be unheralded and forgotten in eight months. I can visualize every member of this excellent cast reading the script and beginning to drool. All this tight, little character-driven story needed was a cast that knew whereof it spoke and a director who could give that cast's instincts and improvisational abilities free rein. Obviously, the Martini brothers with a cathartic, autobiographical exercise in familial dysfunction said, "Hey, the Culkins will know where we're coming from!" And do they ever! The scenes between the brothers are heartbreaking in their awareness of fraternal love and filial disillusionment.

The sexual initiation scenes are tender, funny and soooo real. The floundering, faulty adults, right on the nose! This is Timothy Hutton's best work since Ordinary People.

The 1979 setting is subtly established by the scrupulously selected music and the vehicles of the time. The only effort to tie in current events in this post-Viet Nam war-weary era is an almost subliminal reference to the takeover of the American embassy in Tehran. And this is all so right, because the characters and relationships, which is what we're here for, are timeless.

The symbolism––right up to the real estate baron bearing the cross of a For Sale sign––hits just the right note. if you have a chance to see this film, go.

I attended the World Premiere of "Lymelife" at the 2008 Toronto International Film Festival. This touching but occasionally disturbing coming-of-age story was, literally, a labor of brotherly love. Director Derick Martini and his brother Steven not only wrote the screenplay together but they also co-edited it. Adding to those responsibilities, Steven composed the music and was one of the producers.

Based on events in their own lives, the brothers Martini have crafted a story of love and denial, mystery and tragedy.

The film focuses on two families, the Bartletts and the Braggs. The adults here -- Alec Baldwin and Jill Hennessy as Micky and Brenda Bartlett, Timothy Hutton and Cynthia Nixon as Charlie and Melissa Bragg -- are woefully flawed and ill-equipped role models for their children -- Rory and Kieran Culkin as Scott and Jimmy Bartlett, Emma Roberts as Adrianna Bragg. When Scott and Adrianna begin to discover the joys of young love, the road down which they travel is as full of promise as the Long Island Rail Road tracks that carry the ever-present trains past their houses.

"Lymelife" has the classic, bona fide look and feel of a true American indie. The 70s soundtrack is a real crowd pleaser. Long Island's bucolic setting betrays the tension and deception that lies just beneath the surface of these dysfunctional families.

Photography is topnotch, and cinematographer Frank Godwin fills the film with long takes and tracking shots (Gus Van Sant fans will be pleased) which help build tension and allow the audience to stay in tune with the film's ebbs and flows. Many scenes without dialogue are among the most powerful as Martini allows Rory's face and eyes to say more than any script could (think "Mean Creek").

The entire ensemble cast turn in standout performances. Timothy Hutton and Cynthia Nixon are particularly impressive. But, most of all, Rory Culkin carries this film. His relationship with his brother offscreen translates onto the screen so well that it's hard to tell where the acting ends and the Culkins begin. In fact, Martini said he often left the camera rolling and didn't yell "cut," in order to capture their playfulness. If the interaction between the brothers felt authentic, it may be because much of what is seen on screen was improvised. That's why it seemed so real and painful, because it was.

Despite some dark themes, "Lymelife" has quite a bit of humor in it. Imagine a slightly lighter "American Beauty" or "Snow Angels." In fact, Culkin's relationship with Emma Roberts is, along with that of Michael Angarano and Olivia Thirlby in "Snow Angels," one of the the best depictions of first love and awkward sexual encounters I've ever seen.

Ironically, Martini's style is also quite similar to that of David Gordon Green, who directed "Snow Angels." He allows much of the action to come from the actors themselves as opposed to his own direction.

Despite the film's many twists and turns, "Lymelife" is ultimately a story of the wonders of discovery. More than anything, what we discover are the possibilities presented by youth.

The Toronto experience is unlike any other. First, Martini introduced the film. In fact, they delayed the screening as long as they could and he tried to vamp onstage for awhile since Kieran and Rory were held up in traffic. He eventually decided to roll the film, and just as he was about to turn over the mike and walk offstage "his boys" walked in. He didn't want to start it without them. So right from the start there was a bond between the filmmaker, cast, and audience. It was one of the festival's small venues so it was packed.

The exciting Q&A after the screening was truly a family affair with both the brothers Martini and Culkin in attendance. Very few people left as the credits rolled since the film leaves many points open to interpretation. Martini was exceptional. It was one of the best Q&As I've attended (and that numbers in the hundreds). He was upbeat, friendly, and willing to discuss a lot of the "behind the scenes" aspects. Many filmmakers are a bit shy onstage and reluctant to open up. He was not.

I chose "Lymelife" as one of my 5 Top Picks from this year's festival (out of 30 films). It also won the prize of the International Critics (FIPRESCI Prize) for Discovery and is now making the rounds of the festival circuit. Screen Media picked up the film for distribution and it hits theaters on April 8, 2009.

This is an extremely high caliber movie whose only flaw is improperly dated and unhistorical references to the Falkland War. The performances are superb by each and every cast member and by the ensemble as a whole. It is astonishing that such a film could be made in less than a month and for $ 1 1/2 million dollars. That being said, the quick production time and low budget should not keep anyone from seeing this very important film. It is not just about the 70's but about basic human relationships and characters and truths. The director and cast should all be proud of this fine accomplishment. I urge everyone who loves movies to see this one.

LYMELIFE kinda intrigued me for years because of the cast and the subject but was afraid that I would have hated it because it's considered a bit obscure. Yet when I saw it last September I found it ok, nothing more.

When it begins we see Scott Bartlett (Rory Culkin) walking in the woods and risks to be shot by Charlie Bragg (Timothy Hutton) that was about to shoot a deer, and after a while Scott becomes involved with Charlie's daughter Adrianna (Emma Roberts). In the meanwhile there is an outbreak of the lyme disease that scares the town and when Charlie is diagnosed with the disease is unable to work and has to spend days doing nothing while his wife thinks he is at work and becomes more friendly towards Scott. In the meanwhile Mickey Bartlett (Alec Baldwin) will start to have something for Charlie's wife, but he will discover his mistake a bit too late...

I liked the performances. Rory Culkin and Emma Roberts gave very believable performances, and Timothy Hutton was good as the husband who has to avenge his wife's betrayal while dealing with his illness, and in the end he succedds. Alec Baldwin was good as always, even tho I disliked what he did towards Hutton's wife.

If there weren't too much embarassing situations the movie would have earned a higher score but, as it is, it's ok but nothing more.

Lymelife is a low budget independent film that has come through the Sundance Lab. Although it was quickly shot with a very low budget you would not think it with its cast that includes Oscar winner, Timothy Hutton.

The film is set in Long Island of the late 1970s although the year is not specified. It focuses on Scott (Rory Culkin) a teenage dork, into Star Wars and gets bullied. He is attracted to Adrianna (Emma Roberts) who is maturing into womanhood and attracting male attention.

His older brother (Kieran Culkin) who has beefed up in the army takes care of the bullies but his arrival brings into open some family strain. Dad (Alec Baldwin) wants to hit the big time with real estate, he is a womaniser while their mom does not share the dream.

Adrianna's dad (Timothy Hutton) is struck down by Lyme's disease and life takes a downward spiral as he realises his wife is cheating and of course he is the one who goes with a shotgun to hunt for deer. Oh dear, this might not end well.

This is a coming of age drama from first time writer/directors. Some of the time setting is a bit shaky, The Falklands Conflict took place in 1982 and there was no danger of the USA being involved. Rory gives a warm performance of teenage angst and confusion ably supported by Emma Roberts and the older actors.

I suppose the ending is slightly signposted but its a good slice of life drama.