Freeze frame

Firstly, I have to say Lee Evans is without doubt stunning in this film. We can only hope that he gets further meaty roles on the back of this performance.

A triple murder suspect has his case thrown out of court due to police incompetence. Vowing his innocence, he becomes a paranoid who tapes himself "24/7/52" and keeps the tapes in a special vault. Just before the 10th anniversary of the murders, he is again arrested on suspicion of murder, and when he tries to produce the relevant tapes they are missing.

The only downside to this superbly edited, visually stunning film is the lack of suspects as there are only half a dozen characters throughout. Other than that, it's well worth watching. Unlike most people here, I even enjoyed the ending (especially Evans last words!)

Ten years ago, after being accused of a hideous murder of a mother and her twin daughters, Sean Veil (Lee Evans) became paranoid, filming himself along twenty-four hours a day to have an alibi if necessary. The small time psychologist Saul Seger (Ian McNeice) became a famous forensic profiler and writer with the case and every now and then he accuses Sean Veil of the crime. The reporter Katie Carter (Rachel Stirling) believes in Sean's innocence. When the body of the missing Mary Shaw is found, Sean has to prove where he was five years ago. However, the tapes that can prove that he is not guilty have mysteriously disappeared from the storage shelf and Sean suspects that Saul has stolen them to incriminate him.

The dark, intriguing and original "Freeze Frame" is a great surprise. This low-budget movie has a very weird and confused beginning, with a bizarre character and an eerie but stylish cinematography, but it is worthwhile watching it if the viewer likes independent movies. The interpretation of Lee Evans is great with his paranoid character following his own rules of behavior. There are many twists and a surprising end. My vote is eight.

Title (Brazil): "A Cena do Crime" ("The Crime Scene")

The film follows the life of Sean Veil who has been accused of the brutal murder of twin six year old girls, their mother and the brutal assault of their father. Sean knows that he is an innocent man, and although the court can't prove he is guilty, Detective Mountjoy (Colin Salmon) and criminal psychologist Saul Seger (Ian McNeice) are determined that he is and will do anything to put him behind bars. Determined to make sure he is never accused of anything again Sean sets up video cameras throughout his entire home and won't leave the house unless he is being videotaped on his "self-cam". When the police storm his home accusing him of another murder he can prove his innocence - or can he? As the specific tapes that are needed have gone missing.

The film is an incredibly dark, chilling and suspense filled thriller that uses many shots from the CCTV that follows Sean around his life. There is a distinct lack of colour throughout the entire film which adds to the eerie nature. The film uses many images of entrapment throughout by the use of camera shots and tricks and really shows the paranoia that runs constantly in Sean's head - even though the first thing he "must remember" is that 'Paranoia is a malfunction of the ability to reason'.

This Irish movie is my surprise hit of the weekend so far. I've never heard of this movie, and had no idea what to expect except what is on the DVD box, which looked pretty good. The story is about a guy that was accused of a brutal triple homicide ten years ago, and was let go because of technicalities. Since he believed he was being set up the police, he started videotaping every single thing he has done since then, 24/7/52, believing the cops were trying to hang other murders on him, he's turned into a real paranoid. And for good reason, because a dying sick detective is trying to get him for anything he can, before he dies himself. Bring into this a forensic crime writer who keeps giving lectures and writing books about guilty criminals that get off because of technicalities. So, our guy even has a camera mounted on his torso pointing towards his face whenever he leaves his bunker like home, which has cameras everywhere possible. Along come the cops who accuse him again, of a murder five years ago, and when he goes to find that particular tape, it is missing. YEEKS!!!! Then things get really complicated for him, and we get into a bunch of twists and turns towards the climax of the story, that made this a great Saturday night flick that's a little off center, and somewhat disturbing. Great movie, and I hope some of the rest of you have a chance to see it. Very very original, and quite creative, with excellent performances. This is my pick of the week for something out of the blue.

This is a pretty cool movie. Very stylish with all the handy-cam shots and the unsaturated colour.

A great performance from Lee Evans.

The plot was great but I found the ending a little too convenient and clichéd. I think it would have been better to spread some of the revelations around a bit, or at least give some stronger hints - or did I just miss them? Or was a different ending initially planned?

While watching I was distracted by wondering how such a guy could finance himself for so long? Would have been nice to have been given a simple reason.

Coincidentally I'd watched The Final Cut the evening before and couldn't help noticing the similarity and opposites of the two films. In The Final Cut the main character is tormented by guilt for something he remembers doing, whereas in Freezeframe Veil is tormented by accusations of doing something that he believes he didn't do. Both characters use av-recording technology to help themselves cope.

Anyway, well worth seeing.