Rick

To say that "Rick" is a black, bleak, despicable and vile wretch of a film is an understatement of solemnly epic proportions, but this doesn't mean it's not worth seeing.

There are great performances, especially from the always-superb Bill Pullman who - I have to say it - pulls out all the stops here in his portrayal of a man who has rotted from the inside (his wife was murdered for pocket change) and is still forced to go on living. "We can do this," is the motto of the company he works for, and this is but one tiny little irony in a film that is virtually overloaded with them, some subtle and some blatantly in-your-face obvious, but in the end, they all work, because the film is edited properly, with not one frame that doesn't belong. See it with someone you thoroughly despise.

It is surprising that an indie film was able to attract the talent of such talented actors, designers and crew, but over looked a critical element which is the film score. The music composed and arranged for this film was a very amateur work. So much so that it pulled you out of the story each time the poorly done music was played. You have to fight to not listen to it, so that you can keep your head in the story and action of the film. This is not the purpose of film music, it needs to work with the film, not against it.

The art direction was right on, as was the location shots of the film including the offices and the apartment. It is too bad that this wasn't done with a composer of the talents equal to the rest of the level of this film.

"Rick" is loosely based on Rigoletto, the tragic clown of Verdi's opera. Don't look to this film to find any parallel between the tragic court jester and the man at the center of it, Rick O'Lette, as the film is loosely based on the opera.

Curtiss Clayton, an editor who has started to direct his own projects, is an enormously talented man, as he shows with this indie film that we missed when it was released. "Rick" also has the powerful writing of Daniel Handler, who wrote the screen play. The film was a neat discovery, perhaps because we had no expectations of what was coming. Much credit is owed to its director who shows great style in telling the story for the screen.

If you haven't seen the film, perhaps you would like to stop reading here.

Rick, who we meet at the beginning of the film walking to his office, is one of the new breed of heartless executives, occupying important places within a company. As such, he is a man that feels above and beyond people like Michelle, an eager job applicant, who commits the sin of entering Rick's office when she shouldn't, only to interrupt Rick from watching the results of sports on his computer. When he finally calls her, he proceeds to belittle the young woman in a manner that is completely uncalled for. Of course, Michelle doesn't get the job!

We then meet Rick's boss, a ninety day wonder called Duke, who is just as obtuse as his employee, and much younger. A punk in business attire. Duke is just a repulsive individual who loves to visit porno chat rooms to get his kicks. Later that night while drinking, Rick and Duke find out Michelle, the would be employee, is their waitress at the club. Rick is completely offensive toward the woman, who has had it and she proceeds to tell him off, and is fired because of it. Michelle tells Rick, in no uncertain terms, that she hopes he will have to suffer for all what she has put her through. Never were these words more fitting.

Things are not much better at home where we see Eve, Rick's daughter chatting on the computer. Eve is a sad young woman. Evidently her mother has died, although nothing is revealed as to what happened. Rick, as a father shows not much warmth toward Eve.

When a former college friend, mysteriously visits Rick, we are not ready for what is coming next. Buck has a proposition for Rick that, at first, he is reluctant to comply with, but in retrospect, he goes along, but he has no clue of what an ironic fate awaits Rick at the end. It's almost as though the curse Michelle put on Rick had its effect when he least expected it.

Bill Pullman makes Rick a despicable individual without any redeeming qualities. Mr. Pullman does a wonderful job to convey this yuppie with the heart in the wrong place. The beautiful Agnes Bruckner plays Eve, Rick's daughter, who knows much more for her young age than some older, more experienced person. She is one of the best of the new actresses acting in films these days. Aaron Stanford is the reptilian Duke. Sandra Oh is wonderful as Michelle. Dylan Baker, a great character actor of stage and screen has a few excellent moments as Buck.

This is a film that should be seen by a wider audience. It proves that Curtiss Clayton is a director to be reckoned with.

This movie moved in such a quick and informative cycle I felt I couldn't spare 3 minutes to grab a feed bag and a bottle. I can't remember any movie I've seen lately being as captivating and quick.

The cast plays the characters in an alternately despicable and delectable, very off-hand way. Who to loathe... more? Many characters are disastrous self-absorptions.

Especially notable are the performances of Sandra Oh, Bill Pullman and Dylan Baker. I guess the most notable performance award from me goes to the guy who played Bill Pullman's boss (BIGBOSS), because I disliked that character so much I forgot to even look up the actor's name.

Details, details, delicious details are all over this film. The constantly changing phone number on BUCK's business card. The changing wallpaper, the distant behaviour of the friend of Rick's daughter. Rick's office door opening in different directions in different scenes.

This movie is worth every moment. I voted so high because I watched it on cable and I couldn't pause it and I wouldn't go pee.

Frankly, I found it to be a very captivating movie full of captivating characters full of honest hope and blind faith.

"Rick" transposes the plot of "Rigoletto" to the world of New York big business sans the music. It's a nice, if obvious, dark little picture that almost no-one has seen. Bill Pullman is the corporate whizkid whose dirty dealings and total disregard for people's feelings come back to haunt him when he is 'cursed' by Sandra Oh's waitress that he's been particularly nasty to, (he gets her fired from her job for starters). Pullman is fine, (he's an underrated actor at the best of times), as is Aaron Stanford as his slimy younger boss and the movie is just nasty enough to make an impact. No classic then but far from being a dog either.