[go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesExplorar películas por géneroTaquilla superiorHorarios y ticketsNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la TV y en streamingLas 250 mejores seriesProgramas de televisión más popularesExplorar series por géneroNoticias de TV
    ¿Qué verÚltimos tráileresOriginales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPremios STARmeterCentral de premiosCentral de festivalesTodos los eventos
    Personas nacidas hoyCelebridades más popularesNoticias de famosos
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de seguimiento
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar la aplicación
  • Reparto y equipo
  • Reseñas de usuarios
  • Curiosidades
  • Preguntas frecuentes
IMDbPro

The Fever

  • 2004
  • Not Rated
  • 1h 23min
PUNTUACIÓN EN IMDb
5,6/10
1,4 mil
TU PUNTUACIÓN
The Fever (2004)
Drama

Añade un argumento en tu idiomaTells the story of a woman who gets involved in politics with no previous contact with world events.Tells the story of a woman who gets involved in politics with no previous contact with world events.Tells the story of a woman who gets involved in politics with no previous contact with world events.

  • Dirección
    • Carlo Gabriel Nero
  • Guión
    • Carlo Gabriel Nero
    • Wallace Shawn
  • Reparto principal
    • Vanessa Redgrave
    • Maxim Vengerov
    • Vag Papian
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    1,4 mil
    TU PUNTUACIÓN
    • Dirección
      • Carlo Gabriel Nero
    • Guión
      • Carlo Gabriel Nero
      • Wallace Shawn
    • Reparto principal
      • Vanessa Redgrave
      • Maxim Vengerov
      • Vag Papian
    • 17Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Imágenes16

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 10
    Ver cartel

    Reparto principal39

    Editar
    Vanessa Redgrave
    Vanessa Redgrave
    • Woman
    Maxim Vengerov
    • Violinist
    Vag Papian
    • Piano Player
    Joely Richardson
    Joely Richardson
    • Woman at 30
    Marinko Prga
    Marinko Prga
    • Woman's Husband-30 Years Ago
    Lea Spisic
    • The children
    Raphael Sparanero
    • The children
    Tonka Simurina
    • The children
    Georg Stanciu
    • Ballet Dancer
    Jelena Helena Knezevic
    • Ballet Dancer
    • (as Helena Knezevic)
    Nicola Redmond
    Nicola Redmond
    • Woman at Art Gallery
    Franjo Dijak
    • Thin Young Man
    Mia Begovic
    • Woman's Friend
    Malcolm Tierney
    Malcolm Tierney
    • The Bitter Man
    Souad Faress
    Souad Faress
    • The Seamstress
    Roberta Evans
    • The Woman in the Metro
    Jennifer Wiltsie
    • The Young Woman at the Bus Stop
    Rade Serbedzija
    Rade Serbedzija
    • The Diplomat
    • Dirección
      • Carlo Gabriel Nero
    • Guión
      • Carlo Gabriel Nero
      • Wallace Shawn
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios17

    5,61.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Reseñas destacadas

    10dojballchamp

    Wonderful Movie

    I categorically disagree with the comment left by the last person. I believe that individual missed the point of the movie entirely. This was an observation of first world Capitalism through the eyes of someone who was exposed to the concept of Marxism. Through the eyes of Marxism, the statements made, (not only with regard to the reasons for poverty conditions in third world countries, but the self-realizations of "place in the world" delivered by Vanessa Redgrave), are entirely accurate. The movie acknowledges that some of the concepts of Marxism are impenetrable and even dead, if not antiquated. It does, however,take an artistic view of how, through that belief system, a woman who is fully immersed in Western commerce is given the opportunity to look at how things are in this world through another belief system. A belief system which, by the end of the movie, is given somewhat of a revival because of the truth about what Capitalism (and prior to that Imperialism) does to third world countries. Poor governmental structures are not the cause of third world poverty, rather the result of societies that have no importance to first world governments. Vanessa Redgrave's performance is truly outstanding. The movie is not to be missed, with which to either agree or disagree.
    10lee_eisenberg

    there is no such thing as a revolution

    When I read a description of "The Fever" and saw that it stars Vanessa Redgrave and Michael Moore, I knew that I was in for something politically charged. But I didn't realize how politically charged. Redgrave plays an anonymous rich woman who takes a trip to an economically depressed country with no identified name or geographic location (although it looks kind of like they combined Latin America with Eastern Europe). Coming down with a fever there, she now has to reassess how and why she lives a privileged life, and whether or not she even deserves it.

    I wholeheartedly recommend this movie, not least as a study of the class system dominating the world. Not only do they look at that, but also at the oft failed aim of revolutions (the leaders quickly become as corrupt as they thugs whom they overthrew). But it certainly sides with the pro-democracy movement over the oligarchy; after all, democracy is the worst form of government except all the others.

    Anyway, this is one that you have to see. It's no surprise that Wallace Shawn wrote this, given the great work that he's done in the past. Also starring Angelina Jolie, and directed by Carlo Nero (Vanessa Redgrave's son whom she had with "Camelot" co-star Franco Nero).
    9FedRev

    A film about the true nature of capitalism

    Adapted from Wallace Shawn's play, The Fever is a rather obscure film. It was made as an HBO film, but it never received much support from the network and subsequently was aired years after it was completed with little fanfare. It's the story of an upper-middle class woman's political awakening as she learns why there is such a massive gap between the rich and the poor, while coming to a realization about her own place in society. It utilizes long monologues and animated sequences to illustrate certain points, and it powerfully describes the exploitative and imperialistic relationship the first world has with the third. While some reviewers say it's about "white guilt," more accurately it's about understanding the true nature of capitalism, as well as what is necessary to bring a new and better world into being: revolution. Hollywood legend Vanessa Redgrave stars and lends considerable gravitas to the controversial material.
    1jvpertz

    Perplexingly bad

    I wont go into a commentary about the structure of the film.However, I do find great trouble in the movies implication that many of us in the West are responsible for the misery of the people in the 3rd world. There is an insurmountable amount of evidence in the fields of economics and political science which clearly shows that much of the 3rd worlds suffering comes from poor political institutions. I guess the one area where it is appropriate to find fault with the West is there use of farm subsidies, which ultimately negatively affects the lives of millions of farmers in the 3rd world and consumers in the first world. However, arguing that the purchase of goods and services on the global market somehow creates poor people is a psychotically inaccurate message to promote, which this film does to a large degree. China, India, Ireland, and many emerging East Asian countries have grown much wealthier and in the process lifted hundreds of millions of people out of poverty precisely because we in the West buy goods and services from around the world. I sympathize with the film's intent to draw light on the plight of the poor, however, they have found precisely the wrong reasons for the 3rd world's poverty and an even worse remedy for the problem. Commerce amongst free people is something that should be championed and regarded in the same esteemed light as the freedom of speech.
    8awall

    Food for Thought

    This movie completely took me by surprise. I was a bit taken aback by a commenter here who found it odd that the main character had not been out in the "world". Until recently when the US government made it mandatory for citizens who carry a passport when visiting our neighbors Canada and Mexico, only 20% of Americans had passports. I.e, only 20% of Americans have a clue as to how hated we are in the world. But, I digress.

    For every issue one can imagine, there are always two sides of the proverbial coin.

    The character that Vanessa Redgrave plays is one who becomes aware that there are people in the world that work just as hard as she had in her lifetime who have less. Far less. And this is a message that for Americans (I cannot speak for anyone else in the world and do not presume to speak for all Americans) this is a difficult concept. For here anyone born into any circumstance has the possibility of making anything out of oneself with hard work and dedication. It is hard to conceive of countries where that is not a possibility.

    In a foreign country and in the midst of a fever, a woman examines her upbringing, her circumstances, and her shock that not everyone who works hard attains prosperity. Her torment is merely what each and everyone of us should examine in our own lives, especially at a time when immigration is such an issue in the US, a country born to welcome the downtrodden from other countries. When her fever ends, she longs for her soft cotton sheets and other comforts of her home and that with which she is familiar. Yet she is changed. For she is awakened.

    I think this film is one that everyone should see. And now that HBO has begun to air it, there is no excuse not to see it. It is not black and white. There are no clear cut villains or heroes. There are issues of entitlement but entitlement is an ongoing issue to any thinking person. It is something men take for granted that women will never know. It is something whites takes for granted that people of color will never know. Entitlement is often so subtle that it takes intense examination to truly understand what it is. And this is something "The Fever" undertakes. Everyone works hard. Why does it have pay offs for some and not for all? Don't disregard this film as just another "liberal" film. Let it seep into your soul and give it some real thought. For it is truly food for thought. It is food for the soul.

    The scene with Micheal Moore and the conversation about the delicious ice cream is a powerful scene. It is one that can be applied daily here in the US (obviously not as milk). One can use the milk to make ice cream to increase tourism to a country and thus prosper the country. Or, it can be used to feed all the children (and thus prosper the country in a different manner).

    Metaphysically this movie pits the concept of limitation against the concept of limitlessness. Methaphorically speaking, is there really only enough milk for one or the other? Does this movie perpetuate the illusion of the responsibility of fairness in the world when not only is that concept subjective but obviously (if only noted of birth circumstances) to be a falsehood? Or does this movie inspire us to strive to make the world a better place for all? Should one feel guilt when one realizes that ones hard work does not justify ones comfort, when in reality all work hard but are not all comfortable? And what steps should we take when that realization is made?

    See this movie, if for no other reason than . . . to think. It deserves your thought.

    What I thought of was that song, "he ain't heavy. He's my brother."

    Más del estilo

    Joe's Palace
    6,8
    Joe's Palace
    George Wallace
    7,1
    George Wallace
    Al caer la noche
    7,0
    Al caer la noche
    Si las paredes hablasen
    6,9
    Si las paredes hablasen
    Un corazón invencible
    6,6
    Un corazón invencible
    Sledge: The Untold Story
    3,8
    Sledge: The Untold Story
    Sin pruebas
    3,9
    Sin pruebas
    Amar peligrosamente
    6,4
    Amar peligrosamente
    Capturing Mary
    6,7
    Capturing Mary
    La luna del desierto
    5,2
    La luna del desierto
    Mon Guerlain: Notes of a Woman
    6,1
    Mon Guerlain: Notes of a Woman
    La cocina del infierno
    4,6
    La cocina del infierno

    Intereses relacionados

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The director Carlo Gabriel Nero is the son of Vanessa Redgrave (Woman) and the half-brother of Joely Richardson (Woman at 30).
    • Citas

      Woman: Where do all these objects come from?... How does it happen that these things are made and not others? Of course, there are only a limited number of workers in the world. And each day they do a limited number of things: some things and not other things. Who tells them what they ought to do? The holders of money. They bid their money for the things they want and each bit of money determines some fraction of the day's activities. So the people who have a little determine a little and the people who have a *lot* determine a *lot*, and the people who have nothing determine... nothing.

    • Conexiones
      Featured in 14th Annual Screen Actors Guild Awards (2008)

    Selecciones populares

    Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
    Iniciar sesión

    Preguntas frecuentes15

    • How long is The Fever?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de septiembre de 2004 (España)
    • Países de origen
      • Estados Unidos
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • 熾烈心靈
    • Localizaciones del rodaje
      • Londres, Inglaterra, Reino Unido
    • Empresas productoras
      • HBO Films
      • Home Box Office (HBO)
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 23min(83 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.78 : 1

    Contribuir a esta página

    Sugerir un cambio o añadir el contenido que falta
    • Más información acerca de cómo contribuir
    Editar página

    Más por descubrir

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación IMDb
    Inicia sesión para tener más accesoInicia sesión para tener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación IMDb
    Para Android e iOS
    Obtener la aplicación IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Anuncios
    • Empleos
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una empresa de Amazon

    © 1990-2025 by IMDb.com, Inc.