PUNTUACIÓN EN IMDb
5,4/10
8,4 mil
TU PUNTUACIÓN
Jess tiene la desgracia de ver cómo su marido y el hermano de éste caen en coma tras un accidente de coche. Cuando su cuñado despierta, le dice a ella que él es realmente su marido. Ella deb... Leer todoJess tiene la desgracia de ver cómo su marido y el hermano de éste caen en coma tras un accidente de coche. Cuando su cuñado despierta, le dice a ella que él es realmente su marido. Ella deberá entender qué es lo que realmente sucede.Jess tiene la desgracia de ver cómo su marido y el hermano de éste caen en coma tras un accidente de coche. Cuando su cuñado despierta, le dice a ella que él es realmente su marido. Ella deberá entender qué es lo que realmente sucede.
- Dirección
- Guión
- Reparto principal
Michael Jonsson
- Paramedic #2
- (as a different name)
Reseñas destacadas
American remakes of South Asian films have often produced disastrous results. 'Possession' faces a similar fate. It's not as bad as most remakes of South Asian movies but as a stand alone it's not very good either. The execution is passable. There are some eye-candy photographic visuals but the background score is annoying. The forced 'jump' moments are unnecessary and out of place.
The movie hardly works as a thriller but to an extent it does work as a human drama. Jess's hope of her husband's recovery conflicted with her confusion in seeing her brother-in-law act familiar is well displayed. Sarah Michelle Gellar is brilliantly restrained. How I hope she would move out of the horror thriller genre and attempt different kinds of roles. Lee Pace's performance suffers due to poor characterization.
'Possession' is easily forgettable. Other than Michelle Gellar's performance, there isn't much to look forward to.
The movie hardly works as a thriller but to an extent it does work as a human drama. Jess's hope of her husband's recovery conflicted with her confusion in seeing her brother-in-law act familiar is well displayed. Sarah Michelle Gellar is brilliantly restrained. How I hope she would move out of the horror thriller genre and attempt different kinds of roles. Lee Pace's performance suffers due to poor characterization.
'Possession' is easily forgettable. Other than Michelle Gellar's performance, there isn't much to look forward to.
Sorry, Sarah, but, since your 'Buffy days,' your film career has hardly been glittering. What we have here is a short - and pretty empty - horror/thriller. If you believe the marketing on the poster, the people who made it have something to do with both The Grudge and The Ring. I can assure you... it's not even nearly as good as either of them.
In my opinion, it has two major problems: the first is that it's rushed. It's only eighty minutes long and everything has to happen really quickly to fit it all in. Buffy is now married to 'nice brother,' but 'nasty brother' is generally hanging around with them. Then, one fateful day, nice brother and nasty brother accidentally crash their cars into each other (yeah, seriously), leaving them both fighting for life side by side in their hospital beds.
Then, nasty brother wakes up, only he claims to be nice brother. And now we have our film. Only we don't. Seeing as it's nice brother in nasty brother, he behaves very well and doesn't do anything nasty. So... who's really in there? Nice brother, or nasty brother? Um, do we care? He's nice, so there's absolutely no real sense of danger or dramatic tension (my second fault with the film).
If you're a Buffy/Sarah fan like me, you'll probably agree that she's the best bit. She does her best, but the script is lame and she could do with either having to fight someone, or be chased by something (ala The Grudge).
Sadly, Possession offers nothing you haven't seen before, only better. Stick to the Grudge or the Ring. Like I say... sorry, Sarah.
http://thewrongtreemoviereviews.blogspot.co.uk/
In my opinion, it has two major problems: the first is that it's rushed. It's only eighty minutes long and everything has to happen really quickly to fit it all in. Buffy is now married to 'nice brother,' but 'nasty brother' is generally hanging around with them. Then, one fateful day, nice brother and nasty brother accidentally crash their cars into each other (yeah, seriously), leaving them both fighting for life side by side in their hospital beds.
Then, nasty brother wakes up, only he claims to be nice brother. And now we have our film. Only we don't. Seeing as it's nice brother in nasty brother, he behaves very well and doesn't do anything nasty. So... who's really in there? Nice brother, or nasty brother? Um, do we care? He's nice, so there's absolutely no real sense of danger or dramatic tension (my second fault with the film).
If you're a Buffy/Sarah fan like me, you'll probably agree that she's the best bit. She does her best, but the script is lame and she could do with either having to fight someone, or be chased by something (ala The Grudge).
Sadly, Possession offers nothing you haven't seen before, only better. Stick to the Grudge or the Ring. Like I say... sorry, Sarah.
http://thewrongtreemoviereviews.blogspot.co.uk/
This is middle-tier SMG film, but I must say, it has really grown on me over the years. It's gorgeously shot, the story is pretty twisted which keeps you guessing, and Sarah has total command over the emotion of the film. She's pretty fantastic; she's always been one of the best criers in Hollywood, and here she manages a certain emotional state consistently as Jess collects these experiences and weighs the possibilities. Lee Pace is rather good, too.
The directors have a strong sense and a compelling approach to the material that is not stylish and clicks with the audience. The script is the most flawed aspect but serves the basis for a solid thriller. It's quite impressive that they filmed an entire alternative third act. I do prefer the alternative ending to the more Hollywood-ized final version. However, the producers made the right call. American audiences wouldn't have gone along with Jess's final motivations and conclusion in the alternative ending. I find the psychology so interesting.
I wish it would have had a proper wide theatrical release. It would've made $bank$ had it been released early February or mid-April.
The directors have a strong sense and a compelling approach to the material that is not stylish and clicks with the audience. The script is the most flawed aspect but serves the basis for a solid thriller. It's quite impressive that they filmed an entire alternative third act. I do prefer the alternative ending to the more Hollywood-ized final version. However, the producers made the right call. American audiences wouldn't have gone along with Jess's final motivations and conclusion in the alternative ending. I find the psychology so interesting.
I wish it would have had a proper wide theatrical release. It would've made $bank$ had it been released early February or mid-April.
This film is about a woman whose husband and her brother in law were injured in a serious car crash. After her brother in law regains consciousness, he believes that he is his brother.
"Possession" has an interesting plot which keeps you interested and guessing throughout. The mystery is preserved to the very end. Though the acting is not outstanding, the plot makes up for it. The ending is a little weird, as there are scenes which seems to contradict the ending that is suggested.
If the ending is clearer and more focused, then "Possession" would have been even better.
"Possession" has an interesting plot which keeps you interested and guessing throughout. The mystery is preserved to the very end. Though the acting is not outstanding, the plot makes up for it. The ending is a little weird, as there are scenes which seems to contradict the ending that is suggested.
If the ending is clearer and more focused, then "Possession" would have been even better.
Based on the trailer and the tags for the movie I expected a little bit of a horror/thriller from the movie, instead I got a slow moving tense love story. The movie lacked a wow factor, while being watchable and being a remake I would have wanted more out of the second release. Acting in it was good, nothing outstanding as it only was composed of three actors for the majority and of those two that showed any depth.Regardless of what I expected though, the movie was very slow in a lot of areas and then the theatrical version (and from what I read the alternate version is much better) provides an ending that was jumbled and developed poorly for the viewer. They seemed to just toss out this ending without thought to turn it into a somewhat creepy idea of "possession" that I found to be quite bland.
Overall if you watch a lot of movies and need something to watch, check it out, its not horrendous. Otherwise, there are plenty of other flicks worth pouring an hour half into.
Overall if you watch a lot of movies and need something to watch, check it out, its not horrendous. Otherwise, there are plenty of other flicks worth pouring an hour half into.
¿Sabías que...?
- CuriosidadesThis film was completed in 2007 and was set for a Febuary 2008 wide release in theaters. But due to Yari Film Group (the film's distributor) filing a Chapter 11 protection (Bankruptcy Code), its release was pushed back close to a dozen times, and was then finally given a straight-to-DVD March 2010 release in the United States.
- ConexionesRemake of Addicted (2002)
- Banda sonoraIf This Is Love
Written by Andreas Alfredsson (as Andreas Alfredsson Grube) and Christian Sandquist (as Cristian Sandquist)
Performed by Urban Tribe Stockholm
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Entre la vida y la muerte
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 694.193 US$
- Duración1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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