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Craig Lines Oct 5, 2016

Hiroshi Inagaki's Samurai trilogy is a feast best enjoyed in one go. We revisit the groundbreaking films right here...

The 1950s are widely regarded as a golden age of Japanese Cinema. To enormously simplify a complex period in history (so we can get talking about swords and duels and all that badass stuff), a lot changed between the end of WWII in 1945 and the end of the Allied Occupation of Japan in 1952. Censorship was simultaneously lifted and imposed. The Occupation restrained Japan in terms of what it could say in films being produced (for example, anything that 'promoted feudal values' was not allowed), yet at the same time, exposed it to all kinds of western material that had been forbidden in the pre-war years. When the Americans left, the restrictions were lifted but the new influences survived, unleashing a tsunami of innovative, passionate cinema, much of...

It was released almost two months ago, but I finally got around to savoring Criterion's Blu-ray restoration of Hiroshi Inagaki's The Samurai Trilogy over the last couple of weeks. I've made mention of it in a few posts here and there, but i wanted to make a special point to give it it's own space considering the massive upgrade we are talking about here over the previously released 2004 DVD editions. I can't remember how long ago it was that I bought the DVD editions, but I bought them blind without having seen any of the three films -- Musashi Miyamoto (winner of the 1955 Best Foreign Language Oscar), Duel at Ichijoji Temple and Duel at Ganryu Island -- but watching them those years ago I remember enjoying the films, but not at all moved by the imagery. The DVD presentations were hardly impressive and Criterion's packaging doesn't suggest they were remastered in any way.