What Alice Found

Going into "What Alice Found" started me off with two feelings. I expected absolutely nothing, but I was happy to be at Sundance (I only saw the film's poster until after I saw it). Now, I'm not a big fan of Indie-type music and it actually made my head spin for most of the film, but it perfectly shaped the film into a true indie, as well as a film about trashy trailer/RV life. So, it was redeemed on that level. The second point I immediately noted that became redeemed as well was the film quality. From just leaving box-office type movies, I had forgotten the other world of film. So seeing the first 20 minutes of "What Alice Found" looked like my dad's home videos. But the filming (especially towards the end) had a real sort of style to it that made the film seem more real, and that made you forget about how it was filmed, but just about what the story was about. I will not spoil the story in any way, but Judith Ivey's acting was superb from the second she walked on screen, and Emily Grace entered the film industry in a nice sort of way. There was nothing that hit me in this film as unbelievable, but from all of the recent films I have seen, "What Alice Found" was certainly the best film of trashy people, told in the best possible way. You feel like you are there with the actors, due to its 'real' feel, and seeing the plot unfold made this film really shine. I would like to say that it was a very nice film that blossoms in its small little way, but nothing could please me more than films like this one day reaching massive audiences. Creators of the film, your film really had a purpose, one that should be told, exposing Southern RV life in no way ever shown before, and I commend you for your efforts, so I wish you the best of luck in the future.

My roommate and I watched this movie on TV last night just out of sheer boredom. Besides the fact that the New England accents were AWFUL the movie was good. I live ten minutes from Milford NH, born and raised there and still attend school in the New Englan area. So we were cringing every time a New Englander spoke. But we found ourselves drawn into the movie. It was surprisingly sweet for being so trashy at the same time. Definitely not for kids, but if you like good indie films, this would be something good to watch. Give yourself some time to really get into the plot. You almost find yourself with a case of Stockholm Syndrome for the couple that takes Alice in.

While I can understand some of the points made regarding the cinematography (I thought a more purposeful approach would have better supported the low-fi, home movie feel) I must say that I thought the script and acting of WHAT ALICE FOUND were excellent! Dean Bell has crafted a real gem that Judith Ivey charms with character-driven delight. Her performance of Sandra is a pleasure -- unfolding, alternately, as diabolical and romantic. We are at once intrigued and repulsed by her actions... and never given more information than is necessary. Her's and the supporting cast's efforts meet Bell's post-modern fairy tale with arms wide open. Emily Grace's Alice is infused with a doey-eyed magic. She seems to mold like clay before us, morphing into some sort of beautiful, lost beast. By the end, we are at odds with words, as she is, saying goodbye to her mother. Kudos also should be doled out to Jane Lincoln Taylor -- whose Mother provides the right amount of tragic historic weight -- and Justin Parkinson -- whose shy first-time John, Sam, provides one of the sweetest, if not most awkward, sex scenes in film. Bell has created a first rate story and assembled a plethora of talent to make it.

It's a sad state in corporate Hollywood when a movie surprises you by not taking routes you've been seeing in the movie house since day one. I had literally no idea how this film was going to end, because it went left when I expected it to go right, zigged when I expected a zag, etc. This could have easily unraveled into generic suspense thriller, or depressing white trash drama, but it stayed a course all its own till the end. It is a sad story, though. Not because of what happens to Alice, but because of the sad world that surrounds her and leads her down this path.

The plot has a quiet dignity of form that's usually reserved for theater, but the pacing could use some tightening up. Either way, it's a very good film, and for some reason I suspect sour grapes from those who have scored this one low.

Until I did a Web search on "What Alice Found", I didn't realize that the name of the film is embedded in the title of one of Lewis Carroll's books. The book's complete title is "Through the Looking-Glass (And What Alice Found There)".

The Alice of the film comes from a background quite different from that of Lewis Carroll's Alice. Her fresh and assertive character, however, is similar. The movie Alice begins as a young woman in New Hampshire who steals money from her ass-patting boss and takes off for Miami, vaguely planning to study marine biology and play with dolphins. She encounters a middle-aged couple in a motor home (the husband's retired from the military) who rescue her from a strange man at a roadside stop and from her car's breakdown (perhaps caused by their mechanizations).

As it turns out, the couple is heavily involved in truck stop prostitution and see sweet, young Alice as a promising recruit. The wife (played by Judith Ivey in a performance worthy of some big award) buys Alice sexy clothing and shows her how to apply hot makeup. Initially, Alice passively accepts her ministrations and, with the couple's instructions, does several tricks. The encounter shown in the most detail is quite different from most cinematic sex but may be typical of what most often happens in real life. The man is shy and deferential and apologizes for "finishing" too fast.

What's wonderful about Alice (and different from her prototypes from Clarissa to Sister Carrie) is that she learns from her experiences and asserts herself. This is how things really are. Prostitution is everywhere. People are neither all good or all bad. Alice leaves the motor home with her well-earned money and a feeling of mutual respect.