Fat Pizza

I have visited OZ twice, and was shown the TV series by Aussie friends. As a real sitcom buff, and a taste for anarchy on screen, I took to the show immediately, no that's an understatement, I bloody loved it!

On my return to OZ I looked out for it again, and SBS began to show it and it was as good as I remembered.

I discovered the film, and was very excited to sit and watch it. Unfortunately it just didn't live up to my expectations, and I didn't find it particularly funny. I enjoyed the characters as I always would, but I would have bought a copy to bring home even if I had thought it to be just OK, but the fact that it wasn't worth it says a lot. I am desperate to obtain copies of the series on DVD, but as far as I know they hadn't/haven't made them. This is a great shame as I would love to introduce friends here to the show.

TV Show 10/10 Film 5/10

I don't know why, but it seems like the makers of the film had a 3-week deadline to get the film done. Many of the shots are poor, and a few reshoots could have done it well in the long run.

But, overall, I did enjoy the movie. I admit that the starting was not great, but towards the end there was so much going on, you just couldn't stop watching!

Many cameos make this a worthwile watch, with Jabba from Channel V even making a star appearance as the new Fat Pizza employee, who is hell bent on whatever drugs he can find.

The story is not great, but it ensures many events to happen along the way. There's Bobo's wedding and his (extreme) bachelor party, Sleek being stalked by fat women, Pauly looking after Bobo's wedding ring, and Habib growing even more afraid of police activity, whilst trying to get any chick he can (and if you've seen the movie, ou'll know what I mean!).

But, even these many events cannot overpower the production values. Much of the acting is poor, and nesarly every culture or group is attacked in one form or another. What I mean is, some people may get offended.

Overall, I give it 4 out of 10.

There's a plot of sorts about a guy who works at a pizza shop holding a ring for his boss who bought a mail-order bride or something. The plot is just an excuse to string some skits together. Some hilarious, some funny, some awful (the Ronald McDonalds, the baby),. Offending pretty much everyone along the way. VERY un-P.C. which is a good thing. This is based on a TV show I guess (I don't know, I'm not an Aussie, I've never even been in prison). Sure it's juvenile, sophomoric, and obsessed with ass humor, but I'd rather with this than any Ali G. However,it could also have been cut by a good 10 or so minutes and would have been better

My Grade: C+

Fat Pizza is an extreme big-screen version of the Australian television series of the same name. Regular narration by writer/producer/director/star Paul Fenech's character "Pauly" provides a feasible link for a range of events surrounding pizza-chef Bobo's impending mail-order marriage.

Rap music, ethnic rivalry, anglo-ignorance, street gangs, illegal immigrants, sex, drugs, religion and sexuality: Fat Pizza handles all these topics with absolute irreverence.

There's a "cast of thousands" of Australian sport and TV icons playing small parts (with the late gay television identity Bernard King appearing several times as a leather daddy tempting Fat Pizza's delivery boys). Delivery boy/rapper Sleek also finds himself irresistibly responding to gay men, even though he thinks he's a chick magnet.

Fat Pizza is unapologetically Australian, with a huge thumping soundtrack, and fast pace. Paul Fenech has created a major work of contemporary Australian piss-taking.

In this world where we must be politically correct a hundred percent of the time or face court, Fat Pizza is like a breath of fresh air simply because it doesn't go out of its way to not offend anyone. We've all grown tired of films that go out of their way to please everyone and wind up pleasing noone as a result, so here's one that goes out of its way to please noone.

And it winds up pleasing most anyone who has ever lived in a city where there are a lot of people who represent an ethnic minority. Even people from California or New York might relate to it on some level. If you have never been outside of an exclusively Anglo-Saxon community, on the other hand, don't bother.

It has been stated that the film is little more than an extended episode of the television series, and this is true to some extent. However, the cinema format removes a lot of the restraints inherent in television, and as a result, the humour is more unapologetically ethnic, disgusting, and just plain revolting. The Farrelly brothers are complete tryhards in comparison to Paul Fenech and his cohorts. And the refreshing thing is that they truly don't care who they offend, offering absolutely no apologies whatsoever.

Another fun element of Fat Pizza is spotting all of the cameos from minor, or even major, Australian celebrities. Angry Anderson, Red Symons, Kamahl, Elliot Goblet, even Jeff Fenech himself - anyone who has ever been anyone on Australian television is packed in here, and you'll need to watch the film twice just to identify them all. The best part is that they're not taking themselves even remotely seriously.

When Red Symons happily tells the illegal immigrants that "We take bribes", or Kamahl asks us for the zillionth time why people are so unkind, one cannot help but laugh because it is all so utterly irreverent in a time when it should be. Forget about political correctness here - if you want to see Lebanese men acting like utter imbeciles while bikies, Italian gangsters, and bad Ronald McDonald clones give them hell, this is the film you've been waiting for. You will not find a scene where a stoned Anglo pizza delivery boy runs over cyclists and thinking he's scoring points for it in any American film before this one was made, I can garantee that. If you see it in one that was made after mid-2003, I can guarantee that it won't be nearly as funny.

Normally, I would never have considered this film because of its shameless appeal to the lowest common denominator, but it scores big because it represents a much-needed loosening of the collar in this day and age where minor mischief on the part of people who are treated like slaves in our society is treated like a spree of murders. Well done, Paul Fenech - people like you may well be the salvation of this blinkered, speak-no-evil society that none of us who were born in the 1970s or 1980s actually want. Ten out of ten for laughs, but minus two for going just a tiny bit too far at times (and even they were pretty funny because of the loosening up that the rest of the film offers).