The Book of Mormon Movie, Volume 1: The Journey

The problem with the Book of Mormon Movie is that it isn't cinema. It's either a really expensive roadshow or a really bad made-for-TV movie. This film has no business being shown in theaters. It is, in fact, the kind of film that in the evangelical Christian market would have gone straight to video, available for purchase by catalog. The only reason this film is on the big screen is because the geographical concentration of Latter-day Saints makes that feasible. But just because it's feasible doesn't mean it should have been done.

As hoaky as I think Cecil B. DeMille's "The Ten Commandments" is, I have to give DeMille credit--he knew how to make a movie. He knew that you can't just put scenes from the Bible on screen. You have to play with the material, working biblical scenes into a unified narrative of your own creation, with a single dramatic trajectory carrying the audience through from start to finish. The makers of the Book of Mormon Movie didn't know to do that, or they were afraid to take the necessary liberties. They just put scenes from the Book of Mormon on screen. The result is a series of vignettes, not a unified narrative. There's no plot, no climax, no denouement. We just...well...plow through selected highlights of 1 Nephi and the opening chapters of 2 Nephi.

Why did Gary Rogers even bother making this film? I'm not a fan of turning the Book of Mormon into cinema in the first place. But if you're going to do it, do it right. Get ample funding. Get good writers. Do the research necessary to approximate the historical period. Take the liberties necessary to transform scripture into a cinematically interesting story. Don't just "put the Book of Mormon on the big screen."

I endured the Book of Mormon film at the Englewood last night. To paraphrase Mark Twain's assessment of the book as "choloroform in print," I'd rate this work as chloroform on celluloid.

Despite an opening title disclaimer from the LDS church, there were plenty of telltale embellishments of a Mormon production -- pretty, clean, crisp costumes, straight white teeth, Eurocentric looking actors, God as booming bass male voice, etc. I wasn't familiar with any of the actors, but movie lead Nephi was portrayed by a buff looking Greg Brady guy, an amalgam of Barry Williams and Lou Ferrigno. Laman was delightfully sinister. Lemuel had the voice of Chris Elliott which distracted me. Lehi was disgraceful and looked to be an understudy from the Olive Branch players. I was secretly relieved when the old patriarch died, but his deathbed scene was of predictable unpleasant duration.

Considerable Jerusalem intrigue as prelude to the Nephites blowing town, much not depicted in the opening of First Nephi, but I suppose it helped set the scene. Over an hour into the film and we'd yet to depart the book of First Nephi so I was getting pretty apprehensive about the epic running length. But this film, the first in a projected series, only deals with the first two books in the Book of Mormon.

Suitable for the kinderlach. Violent apex is some blood spattering on Nephi. Sexual situations limited to some provocative dancing by the Nephite women. Some pretty fetching halter tops on the sea voyage over.

The darkness of the bad brothers at this film's conclusion portrayed more tastefully than what I'd feared might be coming. They hadn't morphed into African-Americans, but rather had just taken on a browner hue, replete with savage makeup and behavior wailing around the campfire. A refreshing Joseph Smith portrayal to bookend the film, not the beautiful blonde boy we're often treated to in LDS depictions, but a more homely and believable farm boy. Angel Moroni in sore need of recasting. I know who the South Park producers used as their template now when they depicted this angel as a white Native-American.

I attended at the recommendation of an aged church Seventy who beamed about Hollywood production values. I questioned this initially upon watching the film, but then reminded myself that Saturday morning live-action series of my youth like Shazam, Mighty Isis, and the Banana Splits feature Danger Island were likely conceived in Hollywood. So sure, Hollywood production values. Actually there was one unique shot of Laman escaping the clutches of Laban in a long, uninterrupted run down stairs. Flying too fast for a Steadicam. So speedy it had to be mounted on a vehicle of some sort, but quite smooth.

Likely the best Book of Mormon film out there, but the competition's not too stiff. I wish someone with Mel Gibson money, although not his zest for sadism, would turn their film-making efforts to Joseph Smith's literary masterpiece. It might enhance understanding between mainstream Christians and the latter-day Saint tradition churches that sprung up in the 19th century. This film struck me as too boring an initiation ritual into the Book of Mormon, so leave your Goyim buddies at home.

Dirk Ellingson Independence, MO

This project is something that many members of the LDS faith have wanted to see in motion picture form. Gary Rogers had the guts to step up and actually do it. Was this a good idea? Should a 'golden book' be made into a movie with a 'copper budget?'

Well it was done. The result is something extremely controversial. The Book of Mormon Movie, Volume 1 the Journey has pros and cons. What is good about the movie is Noah Danby (Nephi). That man can act! He can cry on the queue and make a stunt move that looks painful. Mark Gollaher (Lemuel) isn't so bad either! The rest of the cast have their moments but are weak or sappy most of the time.

The miniatures by Clark Shaffer, who has work for I.L.M. for years, are well done. The models are large (the great and spacious building was about 5 five feet tall!) and highly detailed. The shots with Jerusalem and the boat are forced perspective shots (bringing the model close to the camera, then the people further away, and using a special lens to focus it correctly). And some of them worked while others did not. The compositing was done well most of the time, with the exception of a close up of Nephi and the blurred figures in the background have a sharp edge against the ocean.

The music is good at parts but needed to conform to a Middle East feel rather than the Russian feel I believe it had. This could be done by being in a different key and using different instruments.

My favorite scene was when Nephi collapses in the desert and there is a rush of images and powerful sound in a 'Gladiator' type of moment. It catches the film up to that point in an interesting well done editing moment.

The biggest problems were:

Too much voice over!!! The reason that some people feel that the movie is 'slow paced' is not because it is slow paced at all. It actually covers a lot at the end with a fast pace. It drags, and the reason it drags is because Nephi narrates half the time while you see a slide-show of events.

The Automatic Dialog Replacement (ADR) did not match up. In other words you can tell when it was dubbed. And the sound quality was poor. This project was done on 24p High Definition cameras, the same cameras Lucas used for Episode 2, and the print job to 35mm film was not good. It lacked a full range of values and color. It was grainy at parts and doesn't look as clean as the HD source.

Some of the things important to the story were skipped; how did Nephi convince Ishmael and his family to leave into the wilderness? How did the boat get to sea and how did they land?

The costumes where lacking in quality and for some reason there are more fat people in Jerusalem than actual middle-eastern people. Most of all the camera angles lacked in creativity and greatness (I admit that I did like a couple of shots and the helicopter shots were cool). There are a lot of jump cuts because of lack of any other angle to cut to, mostly a big lack of coverage. This is due to many factors including: a low budget, a limited 30 day production shoot, and an underpaid crew.

The worst scene was probably the one between Sariah and Ishmael's wife. It was over dramatic and the dialog is feeding back story information to the audience. That isn't the best way to establish their closeness.

What's amazing that the budget was stretched beyond it's limits and that this thing actually got through production and post production and into theaters, unlike Richard Dutcher's Joseph Smith project. After seeing this one I have faith that Gary will make the next one better. And don't think that you'll see a big budget 'Mormon Movie' not put out by the LDS church, if The Book of Mormon Movie was made for $40 million, or anything else considered big budget, it would never make the money back. It's just too small of an audience. The reason the LDS church can put out movies like 'The Testements' is because they can fund the production and the people working on it well.

Personally I am not a fan of these 'Mormon Movies.' But this is what a lot of people asked for so this is what they get.

Please, please, please, please, PLEEAAASE DO NOT MAKE ANY MORE OF THESE MOVIES!!!!

Your hearts are in the right place, I don't doubt that at all, but you are in way over your head with this!

If I had never read the Book of Mormon before, after watching this movie, I wouldn't want to!

You're costumes looked like they were borrowed from the Manti Pageant. The make-up looked ridiculous. The acting was amateurish, not to mention the directing. And the writing just plain SUCKED! And what the hell was up with that wedding dance scene?

You are doing a major disservice to the Book of Mormon and the LDS faith by making these movies.

Come on, to take on something as epic as the Book of Mormon on such a miniscule budget is at best, laughable, at worst sacrilegious. Even John Huston knew to only take on the first part of Genesis when he made "The Bible."

Have you seen the movie "And God Spoke... The Making of."???

Your movie is essentially that. A biblical epic made on a B-movie budget and you guys are taking yourselves waaaaay too seriously!

I only hope you haven't done any permanent damage to Jacque Gray's career.

-Nate

I really wanted to like this movie; I love The Book of Mormon: Another Testament of Jesus Christ. But the movie was like watching a low-budget play. The musical score, which I heard prior to seeing the movie, seemed moving, dramatic and even beautiful. But the movie missed the mark.

ON THE OTHER HAND: those interested in celebrating (or even investigating) Mormonism would be FAR BETTER SERVED watching "The Work and the Glory" - which, while not as doctrinally "heavy" as the Book of Mormon Movie intended to be (and failed), is at least beautifully filmed, well-acted and is simply not painful to watch.

BTW I enjoy the Genesis Project effort to put OT & NT stories on film, sticking to the text. I'm not just against putting scriptural stories on film per se. But this "project" needs more work, and especially more thought.