Espías de Cambridge

I had heard and read about Kim Philby, of course, but not of the other ones, plus I was not aware of their past and story of formation. Realistic atmosphere, motives well explained and logical, vices and virtues of the protagonists, etc. - everything depicted in a skilful manner. And, of course, the performances, particularly Tom Hollander as Guy Burgess, but also the others - convincing, stylish, but also showing dangers of "elite" and closed communities where depravities are so easy to emerge and develop.

In retrospect, one may ponder on and over how the British authorities were so naive, but, on the other hand, it was an era without much technology and funding to deal with "the own"...

Well made and acted but I'm afraid it didn't have the guts to show the reality of the result of their treason. Why did we not see the suffering and death of the agents whom the Cambridge spies betrayed? Why did they never confront the hypocrisy of helping a regime which sides with Hitler, imprisons its' population and regularly executes their KGB contact agents? It tries to be sympathetic to men who put their loyalty to their friends above their loyalty to their country, their colleagues and those they're supposed to be protecting. What's more even that is incredibly flawed, Blunt abandons the rest of the group to their fate, Philby sleeps with McClean's wife and sends Burgess to accompany him into exile behind the Iron Curtain unaware that he's never coming back to the UK (and will quickly drink himself to death in Moscow).

What's more it only seems to tell half the story, concentrating disproportionately on the recruitment process and the influence of the Spanish civil war on the group. We get none of the fallout from the defection which was a revelation in Britain at the time or Philby's infamous press conference which is still cited today as a classic example of how to lie, we never get Philby's flight from Beruit or McClean and Caincross' plea bargain. Perhaps the most sympathetic character in the whole story is James Jesus Angleton who appears to be the lone voice in the wilderness.

So all told a great series but do some research first.

High production values and a great story drive this excellent show along at just the right pace. Never rushed or drawn-out. A few oddities with the script - some things don't seem to flow right but minor. Perhaps the editor put a few bits of film in the wrong place! David Higgs' photography is a joy to watch - it would almost be worth watching without any sound! Aspiring DPs (directors of photography)should look at his lighting, framing and camera movement. Lovely use of long lenses to separate the characters from the background. Older DPs should start to worry!

Cambridge Spies is glamorous, intelligent and exciting - a winning formula! The acting is brilliant and the editing very stylish. The plot is slightly hard to catch at times, but it doesn't matter as the locations are stunning and performances touching. Great TV!

A very highly fictionalised account - but why did it need to be? The story of the Cambridge Five really did deserve better than this.

As drama it can't be faulted, but as a depiction of historical events it left much to be desired. We British are prone to look down upon the American TV movie, and for all the same reasons that were evident in the Cambridge Spies.

The story of the Five is well known enough for me not to have to point out the inaccuracies involved in this production, but beyond that I had no real sense of time and place, and certainly no sense of the evil these men did and the horrors and tragedies that came about as a result of their activities. In four hours there was room enough to get it right.

Some events were tick-boxed in glib exchanges, others rendered risible - the horror of Guernica reduced to one aged aeroplane with German markings, a mother, her son, the rattle of gunfire, the inevitable priest who rushes to the aid of the dead boy.

Philby lost his stammer, MacLean's bisexuality was never hinted at, Burgess became almost a paragon of virtue compared with the reality of the man, and Blunt...

The appeal of this series was, whatever the BBC might say, that it was based around real events. In that case I feel the viewer has a right to expect factual accuracy, otherwise the fictionalisation may as well have extended to the substitution of fictional names for the characters, and the excising of the "what happened next" text before the end-credits.

As BBC drama this was well up to standard, as BBC factual drama it took a long step in the wrong direction.