Los niños de San Judas

I watched this movie with tears in my eyes. No other movie until know was able to make me feel such pain – almost physical just from watching the story that unfolds on the screen. With risk to repeat myself I must note that this was probably the hardest movie to watch from all I have seen until the moment.

I made few notes when it started – there were about the interesting characters, the song of Libera I noticed – but now I can not really write about that. Shocking, painful, cruel, realistic to the core – I can go on like this for a long time. The fact that "Song for a raggy boy" is based on a true story contributes to the powerful effect this movie has on its viewers.

The acting is quite good as well – so good that I felt like I knew some of the characters in person. The young actors were really convincing and I felt Delaney and Mercier almost like my friends. But let me tell you a bit more about the movie – it is set in a reformatory school run by the catholic church – as it often happens the boys who are send there find anything , but help and support – instead they are beaten and abused mentally and physically ( some even sexually ) from the priests. One of them Brother John is in charge of discipline – here is the line with which he tells the new teacher for the kind of job he is expected to do: "The creatures you are going to teach are not to be confused with intelligent human beings." Only this line itself was enough for me to imagine the horrible manner in which the boys are treated. The new teacher however tried to change all that – and as the story unfolds I began to really like him – he was strict, but at the same time caring with the boys he taught. Brother John becomes his enemy almost from the very beginning and after failing to persuade the superior at the institution to dismiss the new teacher he directs his anger to the school pupils. You will have to watch the movie to find out how it all ends … This movie gets 10 out of 10 for me – since it is sure one of the best ones I have ever watched.

Similar movies: Sleepers, Dead Poets Society

I'd been skirting past this one in the video shop for ages wondering whether it was gonna be too depressing and harrowingly sad to sit through.

And before continuing I have to say I love the Irish characters that Aidan Quinn has created from Playboys, thru This is My father and Harry Boland in Michael Collins - all characters you can empathize with and truly feel their pain, largely, it must be said, because of the projection of Quinns acting.

The only Irish "reform school" I've ever visited is the building that used to house Letterfrack Industrial School in Co Galway, now (somewhat ironically considering some of the scenes in SFaRB) a fine arts furniture college. But to say that the building is still haunted by the ghosts of the boys and the pain and abuse inflicted there is an understatement. It literally oozes and sweats from the very walls of the former institution, defying every admirable attempt by the current education guardians to drag it into the present and positively project its glorious current use.

And so, whilst what is effectively a "year in the life" of this particular unidentified industrial school, does manage to capture in a nutshell much of this pain, and instill in the audience a huge anger at what was perpetuated in these places in both the name of reform and religion, somewhere in the back of ones mind there is a discomfort that it's all being just a bit too neatly packaged, summarized and concluded for the benefit of Hollywood and the happy ending with a massive nod to Dead Poets Society when in reality, as still continues to be daily documented in the Irish courts and tribunals of Inquiry and media reports into such abuse, this was not and sadly never would be something that one brave and progressive teacher might have hope to take on and buck the system - As the tragic caption at the end points out, this system of education and authority with all it's abuses persisted in Ireland right up to 1984 and along it way produced such brilliant and brave people Don Baker, Paddy Doyle (The God Squad), Colm O'Gorman and Mannix Flynn but equally claimed as victims such brilliant and capable people as Noel Browne, and probably most tragically, the graveyard and unmarked graves behind Letterfrack college bears testament to the many many young boys that shed their very lives to these institutions - So to try to imply (for whatever feel good factor and positive connotations it gains) that one man may have successfully stood up to this system during the first year of the "Emergency" in 1939/40 and everything was hunky Dorey after that and the authorities and the church sat up and took notice, is just too syrupy of a picture and a quick fix solution when one is sadly aware that the tragic reality is far removed and some 50 odd years away from that - and whilst it was admittedly a very good picture, this simplistic portrayal of a huge and continuing Irish problem, served to tarnish rather than endow the film as a whole.

I cannot believe some of the negative comments about this film. The acting is strong from the whole cast, including the children and that is a rarity these days. It touches on the awful side of Irish Catholic reform schools and the brutality and abuse depicted here is authentic and true, based on accounts and evidence which has come to light in recent years. It is emotional at times and hard to take but this is a superb film and its comparisons with films such as Dead Poet's are justified. 9 out of 10, not quite perfect but very close. The acting is brilliant and Iain Glenn and Aidann Quinn stand out as do the two main boys in the story. You may be shocked and appalled by some of the scenes but it is worth watching and was one of the best films of 2003.

An outstanding film from Ireland that is playing to strongly moved and even angry audiences in many parts of Europe as well as competing at the box office in its own territory favourably with such more obviously commercial movies as Intermission and Veronica Guerin. It has won either jury or audience awards at Ghent, Copenhagen, Cherbourg and Slovenia festivals. It tackles the tough and difficult-to-film subject of child abuse and manages to uplift your emotions before devestating and dashing them. All the performances, particularly those from Iain Glen as the sadist priest Brother John and from John Travers as the lead boy Mercier are outstanding and achieving widespread recognition, and many people think this is Aidan Quinn's best role ever. Skillfully and humanely handled by director Aisling Walsh, the film has more conviction than others in its family of films such as The Magdalene Sisters or Conspiracy of Silence and deserves to be seen anywhere it hasn't yet received a distribution. Anyone still interested in honest, highly moving drama or anyone whose youth was not a bed of roses will appreciate this film. An unusual film in that, just possibly, men may cry at it.

Saw this at Tribeca Film Festival and was genuinely moved by the power and passion of the story, the acting and above all the directing. The filmmakers took care to show each person as a combination of good and bad.The casting of the kids was outright fabulous. Aidan Quinn was born to play this part and brings to his acting a deepfelt conviction of righting certain wrongs with tremendous power and feeling.