London After Midnight

So anyway you know that song off what's-her-name Patsy Cline going I keep on walking after midnight so darling hold me tight don't make me cry over you or something that the point is I did cry and it was over this movie was really stupid when and you wouldn't expect the stupid movie to come from the great actor Lon Chaney that you love so much the person you love so much whom you love so much especially for his great scary movie performances and you do expect the best out of such a fellow yes sir you want to be excited to be blown away by by excitement it's incredible that this movie was incredibly stupid and why for God's sake with your try to put together a movie which was Burgers wasn't worth it I don't understand it may be the descendants of Chaney said hey we want this movie to be fine and okay you have a new vampire thing going on at the deception game but it's not clearly don't you know it's a whole big problem because you don't see it the end what really happened because you don't it's not a reason that you said okay and you know I need some paperwork from the internet to understand really what happened to her it was really all stupid and most of it was boring my partner fell asleep and so did I and I would have loved to make love to my partner but I didn't the fortunately I watch this stupid movie it was meant to be scary movie with only scary thing about it was indeed the performance of the guy of Lon Chaney himself but it wasn't so interesting the movie wasn't great only interesting part was the with the teeth and the tooth and the everything of the main character who was also let us be serious here the bad guy yes let us just see it the way it was and that is all that I have to say about this movie I would rather see all the other movies of those brown and then this one I really did not like it and maybe it would have made a difference if you really side before the burning but then again what foreign idiots only keeps all the copies together at the same place to burn it onto your stupid m*********** an idiot so it doesn't make sense

"London After Midnight" is perhaps the most sought after movie, that is presumed lost. The only remaining print of it was destroyed in a fire in the late '60's. I tend to say no. Remaining still existing pictures of Lon Chaney in full make-up effect added to the hype of this movie and also the fact that this Tod Browning movie features vampires, 4 years before he made the horror-classic "Dracula", starring Bela Lugosi. In 2002 a reconstruction, made from still photographs of the 1927 was made and aired on TCM. It's an attempt to retell the story and show how the movie must have been like, also with the help of persons who had actually seen the 1927 movie at the time of its release. It's an interesting experiment and attempt to reconstruct a lost movie, though it of course doesn't work out as good as the moving images would had.

The movie purely consists out of photographs. It makes the sequence feel rather limited in terms of its mood, acting and overall storytelling. It's a flat and far from engaging way of film-making, that is not always easy to watch. I mean, you can just as good read a paper version of this movie with pictures in it and let your own imagination do the work. It perhaps would work out way better than this movie eventually did.

The movie features a whole lot of characters that don't get properly introduced (but then again, how could they). It makes the movie confusing and also from an engaging one to watch.

The story and its plot really don't work out because of the way of storytelling. The movie is more of a murder-mystery than a horror-movie, like you perhaps would expect from persons like director Tod Browning and actor Lon Chaney. I suggest that if you want to understand the story, you watch "Mark of the Vampire". A 1935 sort of remake of this movie, also directed by Tod Browning and starring Lionel Barrymore and Bela Lugosi.

But was the 'real' "London After Midnight" really a great classic movie? I tend to say no. At the rime of its release the movie already got mixed reactions from the critics, though the movie still was the highest grossing Tod Browning/Lon Chaney movie.

The story was too weak and messy to make this a classic must-see. It isn't a very intriguing story and the movie misses tension, a good solid main plot and likable main characters. But of course it's impossible to say this with a 100% certainty, since I haven't seen the 'real' moving full length version of this movie, for the obvious reason.

It really looked like Lon Chaney's presence uplifted the movie though, both with his looks and performance. He looked genuine creepy in his role, with some great make-up effects and mimics from 'the man of a thousand faces'. It's the reason why this movie is still probably better than the average one from the same genre, especially for 1927 standards. Also Edna Tichenor as Luna the Bat Girl looked impressive in her role.

The sets looked good and it must had given the movie a real good and creepy kind of atmosphere, I assume. Like mentioned before, the make-up effects also looked really convincing and are now part of the movie its legacy and status among movie lovers.

This movie forms a good enough alternative to still be able to watch this lost 1927 movie from legendary director Tod Browning and actor Lon Chaney, until the real movie shows up again somewhere, though this isn't very likely to ever happen.

7/10

http://bobafett1138.blogspot.com/

I would like to disagree with the above. I thought that the use of the remaining stills to recompose this movie, was brilliantly done. It was, indeed, obviously a labor of love, but now, we at least have SOME idea of what the audience saw in 1927...here it is, 2006, and I thought that for it's time, it probably WAS frightening. And Chaney's makeup is outstanding. The people of that era weren't used to those kinds of images on the screen, so I imagine that they were probably petrified by Chaney and his ghastly makeup, which, for its day, was superb, as I stated before. I'm clearly a Chaney fan, however, so, more than likely, I am truly biased.

All in all, this was brilliant, I thought.

When I learned that "London after Midnight" was going to be on, I thought it was the actual film, and was very eager to see it. At first I was slightly disappointed when I saw pictures instead of action. However, my disappointment was quickly gone. In essence, the restoration was a "silent film" but had no motion. The "still acting" was masterful, and it was so easy to understand the characters. The script and sets were great, the timing between the "shots" was good, particularly when different angles of a subject were changed rapidly. I am a Lon Chaney fan, and his close-ups are masterpieces. He truly stole the show, although it had a good cast. Chaney was unrecognizeable in his unsettling vampire makeup, and it helped make his performance as the vampire more potent. Coupled with his performance as the highly intelligent, take-charge Inspector Burke, he's truly a winner.

I am curious to see the actual film, but I am greatly impressed with the restoration TCM did. They tried to get the restoration as much like the film as possible, and because of that, it is a godsend.

A 45/47-minute reconstruction using the same still photographs with added camera motion, released by Turner Classic Movies in 2002.

It's such a shame that we had to watch an influential film like this in this format. I'm grateful for TCM for this reconstruction.