Una serie de catastróficas desdichas de Lemony Snicket

In the wake of Harry Potter the popular Lemony Snicket books have been rushed into production and considering the less than promising prospect of Brad Silberling directing and Jim Carrey starring, I didn't really hold out much hope. It turns out that the film is surprisingly good and apart from The Incredibles this was the only big budget Hollywood film I truly enjoyed this year.

Like Harry Potter, the Lemony Snicket books appeal to adults as well as to children but they are darker, funnier and more eccentric, making them more of a cult than the mainstream success of the Harry Potter series.

If you've read the books, you may miss the clever word play and you may feel that the two older children are miscast. Unlike in the books, the boy doesn't come across as particularly brainy and the girl looks just a bit too sexy as Violet, reminiscent of a teenage Anjelina Jolie. Still they are better than some of the child actors in the Harry Potter series.

On a visual level the film is simply stunning. True, some of it is reminiscent of Tim Burton as both Burton and Daniel Handler are strongly influenced by the work of the writer and illustrator Edward Gor ey. The look of the film is a highly stylized mixture of Edwardian times and the 1950's and convincingly brings to life the parallel universe of the books, where death is ever present and where the whole world has conspired to make the Baudelaire children's life a misery.

Folding books two and three into the storyline of the first one, the plot feels episodic but it stays consistently entertaining. Not being a Jim Carrey fan I was worried about his involvement (I still think Richard E. Grant would have been the perfect choice) but he nails and certainly looks the part of evil, failed thespian Count Olaf and thankfully he doesn't end up dominating the film, turning it into the Jim Carrey show.

The section involving Meryl Streep's fearful Aunt Josephine is the best part of the film. Taking place against backdrops reminiscent of Masaki Kobayashi's stylish horror classic Kwaidan, Lake Lachrymose is as beautiful as it is nightmarish.

Make sure to stay for the beautifully animated credit sequence.

Some movies are just plain fun to watch. This is one.

It's funny, it's dramatic and it's a great visual treat with Tim Burton-esquire wild images throughout. This is a superb job of combining great visuals, special effects and an entertaining story.

The two kids, played by Emily Browning and Liam Aiken, should get top billing since they are in every scene while Jim Carrey is in about half.

Everyone in this film is a hoot, especially Carrey who plays "Count Olaf" and then disguises himself by pretending to be other people throughout the story. Whomever he was playing he was hilarious. With his crazy persona, Carrey was good choice for this role. The lines he delivers are so hammy they make me just laugh out loud. I appreciated his work even more on the second viewing.

The kids are likable, good-looking and decent actors and the "baby" is given the funniest "lines" in the movie - all in subtitles.

This film is too dark for the little kids but fun for adolescents on up. There is almost no profanity in here and no sex. The sets are particularly strange and interesting, from the various houses to the clothing to the computer-enhanced scenery, with gorgeous colors. Make no mistake: this is a very pretty film with so many fascinating objects in here to view that even multiple viewings can't possibly pick them all up.

Obviously, there is a lot to like. I hope there is a sequel.

Having read none of the Lemony Snickett books, I was unsure of what to expect from this film.

The film begins with a gentle introduction that quickly turns into a humorous, but noteworthy, disclaimer that the following film has dark underlying themes. The main characters are introduced (the three children) and almost instantly we are subjected to the news of the first in a series, or unfortunate events. The film is fast paced and sends the children from one unfortunate situation to another, with Jude Law doing a splendid job of narrating the story along the way. The children a likable and resourceful characters with good chemistry between the actors. You genuinely feel they care about each other and have a great desire to help each other out of these incredible situations.

The real star of the show of course is Jim Carrey. This film provides the perfect platform for Mr Carrey to do what he does best, goof around and play over the top and outlandish characters. In this role Jim Carrey excels, never goofing off to much to undermine the credibility of the character, but being suitably over the top to convey the eccentric old count.

Visually, the film is stunning, the sets look straight out of a Tim Burton film, the costumes are fantastic, the direction is splendid and does a fine job of progressing the story. The visual effects are tremendous and fit in with the tale perfectly, never distracting nor undermining.

This film is quite dark for a children's film, but not dark in a sinister way, but dark in a spooky hallowe'en sort of way that kids love. Watching the film reminded me of reading Rhoal Dahl books as a child, with the over the top characters and out of this world situations.

The plot of the film is fast paced, but contains good character development and plenty of action and adventure. I would recommend this film to children and adults alike.

If your childhood was anything like mine, at some point you whined to your parents or another adult, "That's not fair!"--at which point the adult blithely retorted, "Life's not fair." A hard lesson, sure, but one we all learn eventually--life isn't fair; people die, bad things happen to good people, and justice isn't always served. Lemony Snicket's "A Series of Unfortunate Events" books, in which siblings Violet, Klaus, and Sunny Baudelaire start off being orphaned by a fire and then having things go downhill from there, embraces that philosophy with a dark, sly humor that is irresistible. Fortunately, Brad Silberling has kept the spirit of the series mostly intact with this film translation.

The movie encompasses Snicket's first three books, in which Violet (Emily Browing), Klaus (Liam Aiken), and Sunny are foisted off on several guardians by the dimwitted executor of their parents' estate (Timothy Spall). The first and worst of these is Count Olaf (Jim Carrey), a thorough scoundrel who's after the kids' immense inheritance. The children manage to escape, and over the course of the film encounter a kindly snake enthusiast (Billy Connolly) and an ultra-hypochondriac (Meryl Streep), each of whom try to look after the children in their own way. But mostly the Baudelaires look after themselves, each resourceful in their own way--Violet invents contraptions with whatever is at hand, Klaus is a reference desk unto himself, and baby Sunny practices her teething on whatever (or whoever) is convenient. The trio share the sort of unique bond that can only come from having survived a long string of misadventures. Olaf pursues them throughout, aided by disguises which he considers brilliant and which fool everyone except, of course, the ever-observant Baudelaires.

Most of the elements which make Snicket's books so appealing are present here: the entertaining characters, the cleverness of the children, Snicket's delightful black humor (given voice by Jude Law), and even the cunning reverse-psychology promotional scheme of the series (in which the reader/viewer is told, no really, you DON'T want to hear this story, go find something more cheerful, etc.). Carrey gleefully gnaws the scenery as Olaf, and indeed with such a character he can do no less. Browning and Aiken are quite appealing, but the real scene stealer is Sunny (played by twins Kara and Shelby Hoffman). Sunny does not actually speak, but her coos and gurgles are translated via subtitle in a dry and witty manner (another inspiration taken from the series). The production design (combining the best parts of Tim Burton and Edward Gory) creates a fanciful but accessible world which modern inventions like remote car-keys are wielded by characters who dress like they just stepped out of a Victorian melodrama.

It is perhaps too much to ask that the film could have avoided a Hollywood-style attempt to soften its delightfully dreary outlook, or that Carrey could have gone the entire movie without having at least one sequence in which he's just required to be Jim Carrey. But this is kept to a minimum--as Violet herself says, there really is more good than bad here.

The end credits is a ten minute long cartoon of such incredible beauty that it is a great shame that most people will never watch it. Simply its some of the best animation to come out all year.

While I can give the end credits a 10 out of 10 I can only give the rest of the film a begrudging 7 out of 10, although it should probably be a 6.5. Certainly this is a fantastically well made movie, that is for the most part very well acted but something is amiss in the tone of the film and so it never really is what it should be.

The story of three children who's parents are killed and who are forced from guardian to guardian by the murderous acts of Count Oloff is pretty bleak. And with a title like "A Series of Unfortunate Events" you really can't expect dancing elves, but the film makers have chosen to add a vein of madcap silliness to the proceedings that works against the rest of the film. It seems as if they were afraid that the material was going to be seen as too dark, which is a shame since its clear from the sequences where they left well enough alone that the film could have stood on its own.

Its a good movie, instead of the great one it wants to be.

Definitely worth seeing.