Un joven recibe una llamada de emergencia en su teléfono móvil de una mujer mayor. ¿La trampa? La mujer afirma haber sido secuestrada, y los secuestradores tienen como objetivo a su marido y... Leer todoUn joven recibe una llamada de emergencia en su teléfono móvil de una mujer mayor. ¿La trampa? La mujer afirma haber sido secuestrada, y los secuestradores tienen como objetivo a su marido y a su hijo.Un joven recibe una llamada de emergencia en su teléfono móvil de una mujer mayor. ¿La trampa? La mujer afirma haber sido secuestrada, y los secuestradores tienen como objetivo a su marido y a su hijo.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
Chase Ellis Bloch
- Timid Boy
- (as Chase Bloch)
Chelsea Ellis Bloch
- Surf Girl's Friend
- (as Chelsea Bloch)
Reseñas destacadas
This movie whisked me away and entertained me so thoroughly I barely knew what had happened. Look, I've heard say there are plot holes you could drive a truck through, and I do get motivated by tight and clever screenplays, but this movie did something very few movies have ever made me do: it made me happily overlook whatever minor flaws it has in favor of just enjoying it as a mutifaceted, beautifully executed, almost one-of-a-kind movie-going experience. My wife and I both alternately laughed and cried, and we both agreed it was probably the best (fun) movie we've seen in a very long time. Bravo all concerned!
As if to prove my point, this morning I heard a review by some critic writing for Newsday (out of New York). The guy was so pathetically ENVIOUS of this so-not-New York movie that I had to laugh out loud in sheer delight.
As if to prove my point, this morning I heard a review by some critic writing for Newsday (out of New York). The guy was so pathetically ENVIOUS of this so-not-New York movie that I had to laugh out loud in sheer delight.
Rating: *** out of ****
Gimmicky thriller premises are a dime a dozen. Fox's 24 essentially expounds on that idea every episode without any rhythm or consistency. The real trick is executing the idea with the right panache and skill to weave it all into a fun thriller. So is David R. Ellis' Cellular worthy of Phone Booth acclaim, or is it just another Nick of Time? You just might be surprised to see it's every bit as enjoyable as the former, with only occasional hints at the pure cheese of the latter.
Young beach bum Ryan (Chris Evans) is having just another typical day of sun and fun at the beach, but his girlfriend (Jessica Biel) sees his behavior as lazy and irresponsible. To try and patch things up, he promises to run a few errands for her, but on the way, he receives a call on his cell phone from a stranger named Jessica Martin (Kim Basinger), a woman who claims she's been kidnapped and is being held in the attic of an unfamiliar house. Her call to Ryan was completely random, but the catch is, she has to stay on the line or the signal may be lost for good.
Though initially dubious of her outrageous claims, Ryan quickly comes to believe her after he overhears one of the kidnappers on the phone. Deciding to help out in any possible way he can, Ryan tries to locate her family before the kidnappers do. Unfortunately, obstacles to keeping the phone signal going present themselves at every turn, and Ryan finds he must go through some extreme measures to keep Jessica on the line.
It's these obstacles that make up at least half the fun of watching Cellular. Whether it's a dying battery, "typical" close call encounters with the villains, car chases that require driving backwards or on the wrong side of the road, director Ellis keeps the pace lightning fast by presenting every plausible hindrance there is to keeping a cell phone signal alive. That might not be as immediately catchy a premise as keeping a bus above 50 mph, but it's hard to care when the gimmick is delivered with this much fresh skill and energy. Ellis also directed the enjoyable Final Destination 2, proving he has what it takes to deliver straight-faced thrillers in spite of their naturally ridiculous premises.
But as terrific a job as Ellis does, it's the cast that keeps the momentum going even when the story starts to sag. As the everyman caught in this horrifying situation, Chris Evans is wholly convincing and immensely appealing as Ryan, playing out an otherwise simple role for all its worth. Most of the movie rests on his shoulders, so it's to no small amount of praise when I say that we eagerly want to follow him through every move of his day-long adventure. Kim Basinger is surprisingly just as good as the kidnapped woman, proving that much like her physical features, her acting skills are improving with age. The other major standout is Jason Statham as the head kidnapper; he's obviously affecting an American accent that's not all that believable, but he brings an intensity to the role that makes him fiercely menacing.
The plot boasts the expected coincidences and contrivances that are needed to fuel the story, and most of these are easy enough to accept, but there are admittedly a few nagging problems. While I could reasonably believe that the kidnappers wouldn't tie up Jessica and could also accept that she knows just enough about phones to fix one up well enough to make one call, I found it less easy to swallow that the kidnappers wouldn't at least keep a guard posted right outside or inside her room. No biggie, though.
The more bothersome bits involve a few unlikely coincidences that allow a cop (played by William H. Macy, who delivers another one of his requisite subtly funny performances) to conveniently piece together a number of the clues. Even more troublesome is the climax, which has the unfortunate task of resolving every introduced plot strand, and while the results are still highly entertaining, it comes across a bit messy (though ironically finishing things up on a nice and tidy final note).
Still, the story makes a lot of right choices when a lesser movie would have simply veered off course for good. A plot twist involving the villains' identities and their motives is smart and surprising. The movie also satisfyingly chooses to reveal its surprise villain halfway through rather than saving it for a silly last-minute unveiling.
The film also boasts a good sense of humor, a lot of it coming from Evans, who handles the comic moments with natural ease (no real surprise, he was also very funny in Not Another Teen Movie). His best moment comes in one scene where he's in a private school searching for Jessica's kid, flabbergasted over his name (which is particularly funny) and how identical every student looks in the same brand of clothing. The laughs don't defuse the tension, though, and it's with this fun mixture of suspense and occasional comic ingenuity that makes this a highly recommended thriller.
Gimmicky thriller premises are a dime a dozen. Fox's 24 essentially expounds on that idea every episode without any rhythm or consistency. The real trick is executing the idea with the right panache and skill to weave it all into a fun thriller. So is David R. Ellis' Cellular worthy of Phone Booth acclaim, or is it just another Nick of Time? You just might be surprised to see it's every bit as enjoyable as the former, with only occasional hints at the pure cheese of the latter.
Young beach bum Ryan (Chris Evans) is having just another typical day of sun and fun at the beach, but his girlfriend (Jessica Biel) sees his behavior as lazy and irresponsible. To try and patch things up, he promises to run a few errands for her, but on the way, he receives a call on his cell phone from a stranger named Jessica Martin (Kim Basinger), a woman who claims she's been kidnapped and is being held in the attic of an unfamiliar house. Her call to Ryan was completely random, but the catch is, she has to stay on the line or the signal may be lost for good.
Though initially dubious of her outrageous claims, Ryan quickly comes to believe her after he overhears one of the kidnappers on the phone. Deciding to help out in any possible way he can, Ryan tries to locate her family before the kidnappers do. Unfortunately, obstacles to keeping the phone signal going present themselves at every turn, and Ryan finds he must go through some extreme measures to keep Jessica on the line.
It's these obstacles that make up at least half the fun of watching Cellular. Whether it's a dying battery, "typical" close call encounters with the villains, car chases that require driving backwards or on the wrong side of the road, director Ellis keeps the pace lightning fast by presenting every plausible hindrance there is to keeping a cell phone signal alive. That might not be as immediately catchy a premise as keeping a bus above 50 mph, but it's hard to care when the gimmick is delivered with this much fresh skill and energy. Ellis also directed the enjoyable Final Destination 2, proving he has what it takes to deliver straight-faced thrillers in spite of their naturally ridiculous premises.
But as terrific a job as Ellis does, it's the cast that keeps the momentum going even when the story starts to sag. As the everyman caught in this horrifying situation, Chris Evans is wholly convincing and immensely appealing as Ryan, playing out an otherwise simple role for all its worth. Most of the movie rests on his shoulders, so it's to no small amount of praise when I say that we eagerly want to follow him through every move of his day-long adventure. Kim Basinger is surprisingly just as good as the kidnapped woman, proving that much like her physical features, her acting skills are improving with age. The other major standout is Jason Statham as the head kidnapper; he's obviously affecting an American accent that's not all that believable, but he brings an intensity to the role that makes him fiercely menacing.
The plot boasts the expected coincidences and contrivances that are needed to fuel the story, and most of these are easy enough to accept, but there are admittedly a few nagging problems. While I could reasonably believe that the kidnappers wouldn't tie up Jessica and could also accept that she knows just enough about phones to fix one up well enough to make one call, I found it less easy to swallow that the kidnappers wouldn't at least keep a guard posted right outside or inside her room. No biggie, though.
The more bothersome bits involve a few unlikely coincidences that allow a cop (played by William H. Macy, who delivers another one of his requisite subtly funny performances) to conveniently piece together a number of the clues. Even more troublesome is the climax, which has the unfortunate task of resolving every introduced plot strand, and while the results are still highly entertaining, it comes across a bit messy (though ironically finishing things up on a nice and tidy final note).
Still, the story makes a lot of right choices when a lesser movie would have simply veered off course for good. A plot twist involving the villains' identities and their motives is smart and surprising. The movie also satisfyingly chooses to reveal its surprise villain halfway through rather than saving it for a silly last-minute unveiling.
The film also boasts a good sense of humor, a lot of it coming from Evans, who handles the comic moments with natural ease (no real surprise, he was also very funny in Not Another Teen Movie). His best moment comes in one scene where he's in a private school searching for Jessica's kid, flabbergasted over his name (which is particularly funny) and how identical every student looks in the same brand of clothing. The laughs don't defuse the tension, though, and it's with this fun mixture of suspense and occasional comic ingenuity that makes this a highly recommended thriller.
My husband and I saw this movie last night, and were extremely pleased by it. The movie starts with a bang immediately and keeps going! We found it well written, well acted and well directed. It's suspenseful and quite thrilling. I thought the actor's characters were right on target - the self centered young man, the distraught and frantic mother, the tired cop waiting for a retirement he's not quite sure he wants, and the baddies - whooo boy! In this movie, the baddies are without any redeemable features - the kind that you yourself would like to beat the tar out of!! Speaking of beating the tar out of someone, wait until you get a dose of the lawyer - egads. The movie is fast paced with nary a dull moment. The action scenes were great, and the building of the tense moments was very well done. Drama, suspense and with a touch of comedy - what more are you looking for in a movie?
Awesome flick! Kept me on the edge of my seat from start to finish. The plot twists were surprisingly convincing and I didn't have to stretch too far to suspend disbelief. It way outshone my expectations and I found myself swept right up in the action. The acting was superb and the direction kept us moving from nail-biting suspense to laughing at the stereotyped ignorant store clerks, nasty lawyers and others that are encountered at various points in the script. What a great balance of believable and amusing! We had the greatest time enjoying this film. The parts that weren't so believable were very satisfying and the parts that were believable were incredibly suspenseful. The point is, the whole thing made for a terrific package. No, you won't go home a better person for having seen this. And you won't carry the images with you or ponder great philosophies because of it. It's not a To Kill a Mockingbird of Of Mice and Men, but it is a wonderful escape from all you problems for a couple hours and you'll feel like you've been on the most exhilarating thrill ride you could find in the park! All thumbs up for this one!
I watched"Cellular" recently in 2015,and I was very satisfied. This film revolves around Jessica(Kim Basinger) she was kidnapped, and she dials a random number which is Ryan's number (Chris Evans) who being coward person , he avoids helping people too .Howeve Ryan will launch in an incredible race against time to save Jessica, as well as he has no idea about what await him.
The film was very amusing,exciting and entertaining. Besides i was well written,well acted and well directed. We as Moroccan people we can watch it with our parents, that's means that this movie does no include scenes which are inappropriate, so "Cellular" can be watched by all age categories.
Personally I think that this film transmit an important message to boys, especially to careless boys.
All in all, I really enjoyed watching this captivating film
The film was very amusing,exciting and entertaining. Besides i was well written,well acted and well directed. We as Moroccan people we can watch it with our parents, that's means that this movie does no include scenes which are inappropriate, so "Cellular" can be watched by all age categories.
Personally I think that this film transmit an important message to boys, especially to careless boys.
All in all, I really enjoyed watching this captivating film
¿Sabías que...?
- CuriosidadesChris Evans did his own car stunts. Before production began, he was trained for five weeks at a Los Angeles stunt school. Most of the stunts are done by the actors themselves.
- PifiasWhen Jessica cuts the goon's arm, she tells him that he will bleed 30 liters per minute. The blood flow through a brachial artery is nowhere near that much. During vigorous exercise the entire heart puts out a total of 30 liters per minute, but that's the sum total flow through every artery of the body. The flow though a single brachial artery is fraction of that. In addition, the goon was not vigorously exercising. At rest, the cardiac output is about 5 liters per minute.
- Citas
[last lines]
Jessica Martin: I don't know if there's anything I could ever do to thank you
Ryan: I do. Don't ever call me again.
- Créditos adicionalesThe first part of the closing credits show cast and crew names on cellular telephone screens, in scenes from the film.
- ConexionesEdited into Cellular: Deleted/Alternate Scenes (2005)
- Banda sonoraLike You Like an Arsonist
Written by Nicholas Zinkgraf, Scott Sherpe, Matthew Tennessen, Samuel Vinz and Nolan Treolo
Performed by Paris Texas
Courtesy of New Line Records, a division of New Line Productions, Inc.
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- How long is Cellular?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Celular: Llamada desesperada
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 32.003.620 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.600.000 US$
- 12 sept 2004
- Recaudación en todo el mundo
- 57.678.321 US$
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What was the official certification given to Cellular (2004) in Japan?
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