Yossi & Jagger

There is a big problem with this film--its two main subjects are alone together less than five of the 110 minutes. We know nothing of their history, how they met, and we learn very little about them during the movie. The script is over ambitious, covering at least three love stories at one time, introducing too many interesting characters, but way too thin in development. Since the film is called Yossi & Jagger, it might have been appropriate for the story about them to be the main focal point. The opening scene on the snow, while sexy, could have been a lot more developed.

BUT, there are very tender moments, especially after the explosion of the land mine, when Yossi finally admits his love and concern, ironically too late for it to do any good. The excellent theme here--when you have feelings for someone, don't run from them or hide from them as you may never have a chance to express them.

The final scene in Jagger's home is extremely tender and ironic and left this viewer with tears in his eyes.

I just wish the film could have devoted much more time to its main characters.

Do not be deceived - I'll start with the low points and rise to apotheosis. Do not miss this flick!

Surprisingly enough, gay men and women have been allowed to serve in the Israeli army for over 2 decades now (for very pragmatic reasons, I'm sure). The army actually authorized the making of this film, based on a true story. Eytan Fox follows up with his favorite theme of sexual identity within the ranks of the army: here we see a gay couple, two officers, whose love shares its space with an ever-escalating Israelo-Arab conflict. The movie is filmed in this army outpost in the mountains bordering Lebanon, in the middle of Winter (thus the snow, that one seldom relates to the Middle East).

The theme is ambitious. Yet, it turns out that, for commercial reasons, the movie's 65 minutes elapse too fast. There is no time to develop the story. Not the story of the conflict, not the story of the different characters - so many deeply interesting -, and especially not the story of Yossi and Jagger. And boy, would we like to know more about them! These 65 minutes may have been OK for the theatre play that staged in Tel Aviv before the movie opened, but on screen it just leaves your mouth watering for more. I wished some scenes would have been deeper and more intense (the get-together at the end, or that last key-scene at night).

Despite all this, if you can forgive small formal nuisances, and get over that irritating camera-in-hand that works for Dogma but not for Fox, this film is a must-see! For the first 30 minutes of it, I had a disbelieving smile on my lips, and really wanted to joint the Israeli army - mind you, I'm neither Jewish, nor Israeli, and they would never take me! Yet life in the barracks seems so laid-back and so easy-going , so much in contrast with the madness of the conflict, with crazy girls and sexy boys, cheesy music in Hebrew and techno parties in the mountain clusters, white snow and great landscape, wild rabbits and sushi at dinner... Provided my officers looked as cute and handsome and so-damn-sexy-and-hugable-Yehudi-Levi (Jagger), of course I would enlist.

Mild as it may seem at times, it's perhaps the most consequent movie on a gay theme that I have ever seen. No tragic queens, no dramatic depressions and people who threaten to slid their wrists open. Yossi & Jagger's love is real and palpable, even if semi-secret (I think everyone new, anyway). The actors are superb, natural-born to the task, and that shows. One can easily relate with many of the characters - people whom we forget are people, just because they are in the army, just because they are in a war. The scene where Yossi and Jagger kiss in the snow is surprising, and by far the most sensuous thing I've seen in cinema in years! Absolutely delicious, playful, teasing, masterful. A classic in the future, I'm sure! Maybe because of that particular scene, one can survive as a viewer to the end of the movie, and still feel light as a feather. It all seems to end up in a good note, in spite of the circumstances.

The film as is, is not brilliant, but is at times a strike of genius! It's also a splash in the pond, showing you the dichotomies of a society we grew to relate with war and nothing else. Yossi & Jagger is a tender, sweet, sensuous, pure, honest, scrumptious, beautiful, sexy and consequent movie. I am a fan of Eytan Fox as of tonight, no doubt about that! Watch it, watch it, watch it!!! (the extras on the DVD give you even greater insight into his work). The storyline won't leave you that soon, and the main theme-song will replay on your head for weeks to come... cheesy and queenly as it may be ('Come', by Rita)!

Watching a film like this oddly makes you feel as good as when you watched 'Amelie'! I don't say this often, but I'd be ready to watch it all over again.

YOSSI & JAGGER (Yossi VeJager)

Aspect ratio: 1.37:1

Sound format: Stereo

Originally produced for Israeli television but screened theatrically in Tel Aviv to great success before opening nationally to even greater commercial and critical acclaim, this engaging drama from director Eytan Fox has been hailed in some quarters as one of the best gay movies ever made. Running a mere 65 minutes, the film divides its time equally between a platoon of soldiers operating on the Israeli-Lebanese border, and the two men at the center of a clandestine relationship.

Yossi (Ohad Knoller) is a brooding commander who feels constrained by his role as a macho authority figure to conceal his sexuality from the conscripts under his command, while Jagger (Yehuda Levi, a popular Israeli heartthrob whose career was kickstarted by an appearance in the TV soap opera "Cheers for Love" in 2001) is one of his subordinates, a carefree guy who wants them to declare their love publicly by retiring from the Army and setting up house together. There's a now-famous scene, early in the movie, when Yossi and Jagger make love in the snow (don't get excited - all you see are some lingering kisses and the aftermath, in which the two characters are entirely at ease with one another, free from the restraints imposed by Army discipline), but their romance takes up a surprisingly small amount of the movie's running time, which appears to have been curtailed for reasons of length (there's a number of images doing the rounds from scenes which were apparently shot but didn't make it to the final print). Based on a true story, the film is warm-hearted but inconsequential, with some annoyingly jerky hand-held camera movements, and the climactic scenes are a little too restrained to be entirely successful (though Knoller, in particular, gives a truly remarkable performance in the aftermath of a devastating plot development). There's still much to admire, and any reservations are dispelled by the central romance, depicted with disarming frankness and performed with relish by Knoller and Levi. Highly recommended.

(Hebrew dialogue)

I'd never expect such a film from Israel.

I found the movie with a mixed style is somewhat inconsistent at some spots, and some of the music used is kind of tacky, and overall feeling of the movie is very low budget. But within a running time less than an animated film, this movie delivers a complete story with genuine feelings, touches many grounds, and manages to be moving and leaves your heart ache by the time when end credit rolls.

Maybe it's true that the running time of the movie is a stretch for a theatrical release, and the same story in a heterosexual content would not have been much an impact. But still, it's the most wholesome gay film I have ever seen. I'm disappointed that it was not received better at the Cinema21. There were like 5 people for the Sunday night show. Americans are notorious for shun away any movies with sub titles, straight or not.

There are so many things right with Yossi & Yagger and so many things wrong. The right things: a great idea for a film, some very good acting, totally un-Hollywood production values, engaging characters and an emotionally charged plot. The wrong things:it is far too short to fulfill all of its promise, handed-held camera techniques(Dogma style) are too intrusive and too jarring, and complex characters are introduced and left dangling.As it is, this rough sketch of love in the military is worth the watch (I was strongly affected by the relationship between these two men) but it seems as if this is the director's experimental cut: I wish I could see the finished product.