Rezervni deli

A lot of people commenting this film complain about its storyline. The way I see it, you're not supposed to feel sorry for the man who's a cold, heartless prick, but to understand that even the coldest pricks may feel guilt on the verge of death. I think it's very many-sided description of human mind. Both of the characters are having a sort of a personality crisis.

The older man is having conflicted feelings about himself and his past, he has been an asshole, and still is an asshole, and he knows that, but know that he knows he doesn't have much time left, he starts feeling regret, or at least something close to regret. The way that he shows it, is done brilliantly. The man is obviously socially inefficient and not familiar with showing his emotions to other people, and now that it's now or never for him, he desperately tries to do so. It comes clear that he never was too much of a father figure to his own children, and he is trying to take the harm back with his young apprentice, as an absolution.

So if you are the kind of person who wants a main character to symphatize with and to hold thumbs up for in a movie, this isn't the right one for you. But if you are the kind of person who's looking for a shaking movie experience which makes you feel revolted and touched and the same time, i recommend you to watch this.

Spare Parts is a thoughtful, dramatic and very watchable movie about the smuggling of refugees, some of whom may be sold for their organs, hence the title. The main characters are the embittered smuggler and his young sidekick, who has moral objections to how they run the business. The conflict between them produces some of the best scenes of the film.

I thought the film had good production values, the kind of dialog I would expect from modern Slovenians, and a comic moment or two that kept it from being too serious. It's certainly better than most of the predictably weepy dramas coming out of Hollywood, and it has an aspect of social commentary that's welcome in a serious film.

Damjan Kozole is the veteran Slovenian punk rocker whose recent film career seemed quite hectic. `Rezervni deli` is his first full success. It covers the sad fate of two immigrant smugglers who operate in Slovenia and transfer immigrants into Italy. These characters live in Krsko, home of the only nuclear plant in Former Yugoslavia. Their world is plagued by impotence, cancer, guilt, dirt and absence of love. Some vaguely developed angles of the story tend to seem more interesting than the main plot Kozole opted for but in the end we end up wit a well-made, very gritty drama that kicks most of the Former Yugoslav competition out of sight.

"Spare Parts" is the story of billions of people on our lonely planet.

They may be Slovenian here, but like Rudi and Ludvik, people in most of the world face grim, utilitarian existence and react in much the same ways.

For Ludvik, whose wife has died young, cigarettes and beer are his staples. Furtive runs to the border with Italy transporting refugees in the back of a locked van and an occasional night at the Speedway are all that life has to offer.

At first he disgusts young Rudi who has signed on as a driver. Ludvik farts, he takes advantage of his transports, he charges them 50 Euros for a pizza and more when it comes to young girls who might be coerced into sex. And he coldly remarks that most of the refugees are killed for their organs. The refugees are the spare parts.

But Ludvik has his own humanity beneath the surface. He too is ill. He can't get over his luck that years ago a cigarette company used him as a tester, giving him three boxes of cigarettes free each month. Yet he is dying of cancer and can't quit.

Rudi slowly begins to meet him halfway, hardening a bit of himself to the mistreatment of their cargo and seeing Ludvik for the sad, pathetic soul he really is.

The camera-work is top notch. The film explodes with night shadows and piercing spotlights. Both men are played well by Peter Musewski and Aljosa Kovacic. Not Hollywood names, but believable throughout.

Somewhere just over the border are the bright lights of Trieste, beckoning, colorful.

Rudi and Luvik are real lives, often desperate, often despairing. Set against the backdrop of a nuclear power plant and a nightclub that has all the warmth of a sweat-sock fouled gym, the film breathes slowly, as if life had only so much to offer and couldn't withstand eager gulps.

Rudi and Ludvik reach out to us, without crying out, for compassion. That is their gift to each other and that is the true gift of this gritty film.

First I would like to apologize for my possible bad English... I was reading some reviews of this movie, and I must say I was disappointed. There are some very good critics from London, and I don't know from wherever, but people in Slovenia don't like it? Why not? I think this is one of the best new Slovenian movies. Because if i'm honest almost all new Slovenian movies are crap. Old movies (from 60. or so) were ten times better, and still are, they could easily compete with all the Hollywood and other films. Offcourse, we were not independent yet at that time, we were part of Yugoslavia, so those aren't technically even Slovenian movies... So almost all Slovenian movies are crap... But not this one. This is just perfect example what a movie should look like. It has a really sad story, but not the mail plot, what is interesting in this movie, is that it shows what live in Slovenia looks like (especially in small towns). This is a film that I think more people should see, and it doesn't mather from where you are. The story is about 2 characters who make illegal transports of people from foreign countries to Italy-Europe through Slovenia. I wont tell you the rest of what story is about, cause I don't want to ruin it for you. But you really should see it!