El llanero solitario

When I read the promotional statements about the new proposed Lone Ranger series on the WB, I was immediately set to wondering how in the world they'd do the teen-aged version of someone whose entire identity was based upon the idea of having none, subjugating his own individuality for a grander idea of becoming the embodiment of western justice and lawfulness. Quite obviously the answer was to screw the entirety of the original and go with a repulsive hybrid which retained virtually nothing but the name.

In principle, remakes of classic characters can be accomplished without totally trashing everything that was good about the original and necessary for those who remember the original (the single reason I can imagine it makes any sense to do it in the first place) to accept the revision. The WB execs, however, wouldn't know about this, and have shown in every case that they (or their hired contractors) know more than the characters' originators. Thus, we get a semi-powerless, uncostumed Clark Kent who may never become Superman at all (the acceptance of which by the TV public resulting in all the awful reworkings of other characters to follow), we get Birds of Prey who bear only superficial resemblance to the comic book they came from (with disastrous results), and we get a Tarzan set in New York played by a blond underwear model. Thus it is no surprise that they attempted to update the Lone Ranger a la "Young Guns," applying wildly inappropriate casting, characterization, costuming, dialogue, music, and approach to something that needed alteration only in tone and the storyline sophistication to elevate it from its juvenile entertainment roots. Luckily, I've already forgotten everything about it that I can, though I fear some aspects will haunt my nightmares for years to come.

About the only aspect of the basic concept of the Lone Ranger that had any need to be altered was the reason for wearing the mask, which was glossed over by the TV series, and seemed only to serve as a plot complication in which someone would have to be convinced that he was not an outlaw despite the costume. The revisions here were complete, and inane, and the mask only served here to make the poor actor look like a complete idiot. The less said about everything else, the better.

The single reason I write this is to clear up the mistaken assertion of another reviewer here. The Lone Ranger's costume and likeness are owned by Golden Books Inc., who were responsible for this production as copyright holder; they could have used whatever aspects of the original they wanted, including the costume, civilian name, story elements, et al. Clayton Moore owned NOTHING involved with the Lone Ranger, and in fact was enjoined by the copyright owners of the time (Mattel, I believe, circa 1981) of the release of the prior travesty of the character ("Legend of the Lone Ranger" starring the "immortal" Klinton Spilsbury, redubbed by James Keach) from wearing either the tunic or mask of the Lone Ranger in the public appearances he'd been making for decades, because they would "confuse the public." They later relented, but Moore never owned any of it and has nothing to do with anything apart from surely rolling in his grave. Similarly, Rossini's "William Tell Overture" is public domain, and free for anyone to use. So each of the awful choices made by the producers were freely made and totally their fault.

There are no excuses except the hubris possessed by virtually every producer who has ever come near a camera in the history of film, combined with the presumption that the original idea they've been charged with retelling is either hopelessly out of date, misconceived, or somehow flawed--because it would "obviously" still be in production if none of these were true. What makes me saddest of all is that I cannot think of a single instance in the dozens of recent examples where the revived result was superior in any way to the original, except in terms of the amount of money thrown at it. Perhaps, someday, there will be one. It would be a happy, and very welcome, surprise.

Chad Michael Murray just didn't have the screen presence to really pull this off. He just isn't very believable in the role and frankly, the Lone Ranger is a man to be feared and respected... Chad Michael Murray might be a teen heart throb but is not somebody that is the least bit intimidating. I thought that Nathaniel Arcand's rendition of Tonto was interesting, he does have more screen presence than Chad Michael Murray although he was a little heavy on the angst to be a very likeable character. If this ever becomes a series then hopefully he will tone it down a few notches. The brief romance angle between Tonto's sister and Luke Hartman was okay, the bath scene and explicit sexual overtones may have been a little over the top though as younger kids should be able to watch a show like this. I did like the mystical elements introduced, it adds an interesting angle to the character although the silly power-jumping stuff reminded me of an old show called Manimal for some odd reason.

The background elements of the plot were loosely based on the established story... you know the one that has been established from the books, comics, TV show, and movies for 60 or so years. The writers apparently thought they could do better and decided to make changes that really didn't need to be made. I am not sure why they changed his name to Luke Hartman from Dan Reid.. again, a fact that has been established for over 60 years. I wonder if the copyright holder insisted that these name changes be made so that this is some type of "parallel-universe" version of the Lone Ranger and not the real thing. The overall design of the sets were good, whoever did the technical advising for the movie did a pretty good job. The hip hop music was P*A*I*N*F*U*L... in fact, most of the music was extremely inappropriate and instead of making the scenes hip, they made them awkward and confused. They did give a half-hearted nod to the real Lone Ranger by playing the William Tell Overture at the end and although the rendition was pretty good, the cinematics should have been better... it just looked silly, this skinny guy riding along with this giant Indian guy riding next to him... just who is the sidekick here anyway?

The Lone Ranger's costume was pretty lousy, bearing zero continuity to the actual character and much more like a reject from the Village people. I know they are trying to make him look hip and cool but in doing so have made the character very undistinctive, average, and boring. Gone were all the trademarks elements that are part of the character. It seems to me that when you take a character as well known as the Lone Ranger, you should at least get people to make the film that have some granual of respect for the character itself and include at least some of the elements that make the character as enduring as it has been. When you change as much as these people have then you have a totally different product... this was not the Lone Ranger but rather a cheap knockoff masquerading as the Lone Ranger.

Overall, the movie reminded me of Sony's Godzilla remake.. and is once again proof positive that completely re-inventing a classic icon is foolish and stupid because you automatically alienate any real fan base out there. Most males over the age of 30 probably grew up watching the real Lone Ranger on TV or listening to Radio shows when they were kids. I was hoping for a semi-mature effort from WB but instead we ended up with their usual, predictable attempt to lure in the young, hip crowd with a product that is cliche' and an insult to anybody that knows anything about the character. If this is going to be a series (ugh) , the only hope will be to grow this lame character into more of what it is traditionally suppose to be and introduce those elements that make the Lone Ranger special, but then again it seems some people feel that anything that rebels against tradition is the right thing to do.. how sad. The only redeeming value of this movie is that it made the 1981 flop "The Legend of the Lone Ranger" movie look much better. It was universally disliked because most people felt it strayed too far from the original but after watching it again and comparing it to this lame duck, it is about 100 times better than I remember it. If this ever becomes a series could it be saved? yes, but will it be saved? Probably not and that's a shame.

This is a very light, made for TV movie. Much better than the campy original TV show. But fans of the original TV show will obviously not enjoy this particular. movie.

If you were born in the 1980s or above, you'll enjoy this up to date take on the Lone Ranger.

Personally I quite liked the relationship shown between Lone Ranger and Tonto (it seemed much more even than the original show) in this movie. It could have been easily called "Tonto and the Lone Ranger".

Of course it doesn't hurt that both the Lone Ranger and Tonto are extremely hot guys, so they're not exactly hard on the eyes. It's unfortunate that this show didn't get turned into a TV series, but if you want a light hearted movie that's going to be a-okay for the whole family, you can't go wrong with this movie.

I watched this expecting the worst, and was actually mildly pleased. This movie is certainly an improvement over the 1981 disaster Legend of The Lone Ranger. My biggest disappointment was that the lead, though competent, is just too young to carry the role. On the other hand, he's perfect for WB's target audience, the young adult crowd. And of course, this film has "Pilot" written all over it.

That said, there were some changes I didn't quite get. Like, why did they change the Lone Ranger's name? "John Reed" becomes "Luke Hartman"? And where are the silver bullets? I mean, come on!

Oh - and who knew that 19th century Apache women were so skilled in the use of eyebrow pencils, eyeshadow, foundation and lip liner? History lessons can be fun, I guess.

This is a wonderful movie. We watch it every Thanksgiving. It is a great prequel. This feels so much more accurate than any other version I have seen. The characters are well written and although the main actors are a bit young and green, they are playing iconic characters who are at this point still young and green. There is a lot of emotional and cultural reality to the script. If you want your preteens to be inspired, this will do the trick! But us oldsters can really enjoy it too! I find the story moving every time I watch it. And when William Telk's Overture plays at the end I get goose bumps.