Añade un argumento en tu idiomaThe Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Fost... Leer todoThe Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Foster, as well.The Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Foster, as well.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios en total
Imágenes
David A. Burr
- Paul Ford
- (as David Alan Burr)
Jake Torem
- D.J. Voice
- (voz)
Corinna Jones
- Melissa Curtis
- (as Corinna Harney-Jones)
Emerald Rachael Godfrey
- Rachel
- (as Emerald Godfrey)
Reseñas destacadas
The difficulties of making a first film were apparently wiped away as Drew Johnson helmed this great story of a college baseball player and his quest for love. Watching this film was shocking as I thought about the fact that this was Johnson's first feature film. Johnson claims that he was blessed all the way during the process, and one couldn't agree more; blessed with a great story, an amazingly talented Director of Photography, darn good acting, and a soundtrack that slips under your skin and makes you teary-eyed more than once.
However, the film is difficult to enjoy due to poor writing. Although the characters are fleshed out well, exposition is done poorly. The key to this comes from the tiring narration and pointless flashbacks that should often be avoided by first timers. This becomes a crutch and an easy way out of dealing with backstory problems. And the constant clues as to time and place were redundant and forced. This is a timeless story that works too hard to be a period film, specifically placed in the late 70s to 90s. Dialogue was chock full of clichés that provoked pathetic, unwarranted laughter from audience members.
As hard as it becomes to watch, I couldn't help but still marvel at how well the final outcome was, especially for a first film. Cinematographer Doug Glover did an amazing job, creating some beautiful scenes with his long lenses and short depths of field. He has come out of film school with all the skills of a fine DP, one that I shall keep my eye on. And Johnson managed to tackle a difficult task of directing and staring in this film. The small flaws in the film might have been avoided had Johnson focused his talent. Yet you can't ding these newcomers for doing a sub-perfect job. The final product was done right, and I can't help but appreciate the fact that these guys did it. They wrestled with themselves and the odds, and got a very nice film made. I have no doubt that Drew Johnson will make another film, one where he can polish what he accomplished here. As close as this subject was to Johnson, it might prove difficult to find other subjects. However, I for one am looking forward to what the future holds for these talented young filmmakers.
A fine baseball film, a fine love story, and a great film for those who are interested in charting the rise of new talent in Hollywood. If you strive for a love story, watch this film for two reasons. Enjoy the onscreen love story, and relish in the off-screen love that Johnson clearly has for his film.
However, the film is difficult to enjoy due to poor writing. Although the characters are fleshed out well, exposition is done poorly. The key to this comes from the tiring narration and pointless flashbacks that should often be avoided by first timers. This becomes a crutch and an easy way out of dealing with backstory problems. And the constant clues as to time and place were redundant and forced. This is a timeless story that works too hard to be a period film, specifically placed in the late 70s to 90s. Dialogue was chock full of clichés that provoked pathetic, unwarranted laughter from audience members.
As hard as it becomes to watch, I couldn't help but still marvel at how well the final outcome was, especially for a first film. Cinematographer Doug Glover did an amazing job, creating some beautiful scenes with his long lenses and short depths of field. He has come out of film school with all the skills of a fine DP, one that I shall keep my eye on. And Johnson managed to tackle a difficult task of directing and staring in this film. The small flaws in the film might have been avoided had Johnson focused his talent. Yet you can't ding these newcomers for doing a sub-perfect job. The final product was done right, and I can't help but appreciate the fact that these guys did it. They wrestled with themselves and the odds, and got a very nice film made. I have no doubt that Drew Johnson will make another film, one where he can polish what he accomplished here. As close as this subject was to Johnson, it might prove difficult to find other subjects. However, I for one am looking forward to what the future holds for these talented young filmmakers.
A fine baseball film, a fine love story, and a great film for those who are interested in charting the rise of new talent in Hollywood. If you strive for a love story, watch this film for two reasons. Enjoy the onscreen love story, and relish in the off-screen love that Johnson clearly has for his film.
I was going to give this a 4 but it gets a 10. Its hilarious! I got a feeling Drew Johnson (who starred, wrote and directed this film) is a big baseball fan. Assuming this is true, he should know better than this. I understand this is a chick-flick but to appeal to the male audience there needs to be some accuracy here. This movie is definitely not BULL DURHAM. PITCHER AND THE PINUP falls flat. Everything with baseball in this movie made me laugh. The sports clichés, stadium inaccuracies, and actors who don't look like ball-players make thishilarious. Among the the absurd highlights: -- "But coach, (I can't play third) I've pitched EVERY GAME this year!" -- The gypsy/scout who foretells the future with his deck of cards. -- The can't miss Major Leaguer who can't hit balls thrown at a speed meant for a 4-yr-old with a giant plastic red bat until he learns a poem to help him with his hitting. -- The star going AWOL for two weeks and being allowed back by a sympathetic manager because of a "woman." -- The best friend being offered a contract and a spot on the team after the manager sees him playing catch. No hitting, No workout, No interview. Just catch. -- "Congratulations on your 15 strikeouts and your 4 for 4 with a home run."
Basically, this movie is absurd, yet hilarious. You will only like this movie of you are female. If you are a real guy you will fine this funny.
My other gripes: -- Borrowed love story of Forrest Gump -- Why in the world was she always saying "I love this country?" Was she an immigrant? I guess so because she grew up in Vegas. -- Flashback overload. Enough of the Star Wars and Farrah Fawcett Tshirts. Also, if you use historical events to timeframe, use something astronomical, not the obscure highjacking of a cruise ship. My favorite timeframe placing was when one character goes, "Man, it is 1988!"
In the end, this movie HILARIOUS. Cheesy lines, bad casting, horrible acting, and inaccuracies ... Great for a laugh, I'm buying the DVD!
Basically, this movie is absurd, yet hilarious. You will only like this movie of you are female. If you are a real guy you will fine this funny.
My other gripes: -- Borrowed love story of Forrest Gump -- Why in the world was she always saying "I love this country?" Was she an immigrant? I guess so because she grew up in Vegas. -- Flashback overload. Enough of the Star Wars and Farrah Fawcett Tshirts. Also, if you use historical events to timeframe, use something astronomical, not the obscure highjacking of a cruise ship. My favorite timeframe placing was when one character goes, "Man, it is 1988!"
In the end, this movie HILARIOUS. Cheesy lines, bad casting, horrible acting, and inaccuracies ... Great for a laugh, I'm buying the DVD!
Well...Nice to know some people appreciate it, in that case it doesn't matter what someone says, it was worth it for them. I was so-so. It is a decent and cute idea, I didn't find it too cliché like some supposedly said, and I don't mind too much if it was, if done right...I don't know much about baseball to keep this movie in check on facts so I can't/won't discuss that. I just didn't feel that much chemistry between the lead actors. The progression of the story to me spent little time in the childhood and connection of the characters to really understand why he loved her so much, besides that he just never tried to find anyone else. At it's core it is a humble story which makes it nice and not trying too hard, but then I feel they could've done just a bit more. It's reminiscent of Forrest Gump if no one minds that comparison, but not by any means as good. I say if it's good to you,just ignore other people and if you hated it, go ahead. I never see a problem with people who can appreciate something for what it is. But I guess my tastes just didn't match....
This is a film with heart, and the whole audience really liked it. It's an enjoyable story set in Las Vegas which talks about baseball and love. Good interracial casting, and some fun performances. Beautiful cinematography too!
A universal story based on so many peoples lives, their first love, life experiences, growing up and most importantly discovering who loves them the most. It's about being young and feeling all those wonderful undiscovered feeling that we all humans feel for the first time. It's joyous to watch and reminisent about your own life as well as experiencing those moments one more time. After all we only live once.
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Detalles
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was The Road Home (2003) officially released in Canada in English?
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