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No tengo miedo

Título original: Io non ho paura
  • 2003
  • 13
  • 1h 48min
PUNTUACIÓN EN IMDb
7,4/10
17 mil
TU PUNTUACIÓN
Giuseppe Cristiano in No tengo miedo (2003)
CrimeDramaMysteryThriller

Un niño descubre accidentalmente un agujero profundo en el suelo, donde otro niño está prisioneroUn niño descubre accidentalmente un agujero profundo en el suelo, donde otro niño está prisioneroUn niño descubre accidentalmente un agujero profundo en el suelo, donde otro niño está prisionero

  • Dirección
    • Gabriele Salvatores
  • Guión
    • Niccolò Ammaniti
    • Francesca Marciano
  • Reparto principal
    • Aitana Sánchez-Gijón
    • Dino Abbrescia
    • Giorgio Careccia
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,4/10
    17 mil
    TU PUNTUACIÓN
    • Dirección
      • Gabriele Salvatores
    • Guión
      • Niccolò Ammaniti
      • Francesca Marciano
    • Reparto principal
      • Aitana Sánchez-Gijón
      • Dino Abbrescia
      • Giorgio Careccia
    • 98Reseñas de usuarios
    • 91Reseñas de críticos
    • 73Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 14 premios y 18 nominaciones en total

    Imágenes21

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    Reparto principal16

    Editar
    Aitana Sánchez-Gijón
    Aitana Sánchez-Gijón
    • Anna
    Dino Abbrescia
    • Pino
    Giorgio Careccia
    • Felice
    Riccardo Zinna
    • Pietro
    Michele Vasca
    • Candela
    Susi Sánchez
    Susi Sánchez
    • Madre Filippo
    • (as Susy Sánchez)
    Antonella Stefanucci
    Antonella Stefanucci
    • Assunta
    Diego Abatantuono
    Diego Abatantuono
    • Sergio
    Giuseppe Cristiano
    • Michele
    Mattia Di Pierro
    • Filippo
    Adriana Conserva
    • Barbara
    Fabio Tetta
    • Teschio
    Giulia Matturro
    • María
    Stefano Biase
    • Salvatore
    Fabio Antonacci
    • Remo
    Emilio Fede
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • Dirección
      • Gabriele Salvatores
    • Guión
      • Niccolò Ammaniti
      • Francesca Marciano
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios98

    7,417.3K
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    Reseñas destacadas

    10chicitysue

    A summer surprising and suspenseful

    I personally really like movies that portray childhood the way I remember it--kids doing kid-like activities and adventures, summers with free time to wander and explore, and seeing the way kids think. They don't quite see things as adults do. The kids in the movie were quite realistic.

    I think that Michele, the main character has more awareness and sympathy for people than most kids as evidenced by the stories he writes and reads to his sister. After he finds a child in a hole in the ground he writes a story about a child hidden away. Yet he reacts like a child in that he doesn't realize that there is something illegal going on, at least at first. The story unfolds slowly but steadily.

    Because this movie is about kids and some suspicious people (Michele's father and friends)and the story is not written with a formula, there is an added dimension to the element of unpredictability.

    I truly was inspired by the cinematography showing the idyllic scenes of the summer and wheat fields of Italy, including the insects and wildlife. I really liked the scene with the three threshers approaching Michele as he was crossing the fields. This scene also made us aware of the passing of time and probably summer soon ending. Also, there is, as there in many neighborhoods, a grumpy scary person (the hog farmer) who adds to the atmosphere of unpredictability.

    The music is absolutely wonderful. And it is not just the music, but also listen to the skill of the musicians. Just because it is a string quartet playing, don't think it's boring.

    In summary, this is a suspenseful, beautiful movie.
    8davidtraversa-1

    Salvatores, a great movie director.

    To me this is one of the best movies I've ever seen. A sort of a thriller, miles away from a Hollywood thriller and yet the suspense builds up every other scene, relentlessly, but peacefully.

    Sunny (we are amid miles of golden wheat, where these children run with their bicycles unknowingly towards their destiny . There is no rush or heart pounding mystery, but it gets your interest fully from the very beginning with the title presentation.

    The beautiful photography shows us at its best the enormous extensions of ripe wheat, ready to be collected, and the patterns the wind creates by playing with it. This field plays a fundamental role in the development of the story.

    I don't see the close ups of different field little animals as negatively as Ralph Michael Stein says in his previous review. To me not only they are very interesting to see --at least one of them was totally unknown to me, city dweller that I am-- but they add a certain naivetè, like a certain magic, part of a child's view of the most common things.

    Besides they establish the location, a rural one, where little animals are usual things, so much so that our 10 year old boy never looks at them. He saw them too many times to be surprised by them, as we could be. All the children are spectacular actors, the two main characters specially, and maybe because of that, they take much of the screen time. The rest of the cast as perfect as real people. The movie develops into a more and more complex crucible due to the human intervention, always unpredictable and usually determining catastrophic decisions.

    The extreme close ups --one eye only, etc.-- are very effective to emphasize whatever is going on in the brain of that character. The script is superb, the direction also. The music fantastic --some of it Vivaldi, no less!--.

    Extremely watchable and entertaining.
    9howard.schumann

    Powerfully moving

    I have been critical of films that sidestep issues of conscience for broader appeal, so when a film comes along that tackles the issue head on, it is important to take notice. Set in Southern Italy in 1978, I'm Not Scared by Gabriele Salvatores (Mediterraneo) is about a child who discovers a small lad hidden in a cavernous hole near an abandoned farmhouse and acts with courage and compassion to "do the right thing". The film is partly a standard commercial product with a predictable plot, sentimental music, and pseudo-lyrical slow motion shots but it also embodies an artistic sensibility that expressively captures the world of a child in its wonder, innocence, and beauty. Similar to the 1996 film La Promesse by the Dardenne Brothers, it is a film about a young boy's awakening of conscience.

    Ten-year old Michele, exquisitely performed by first-time actor Giuseppe Cristiano, is outgoing, intelligent, and strong-willed and there is a great deal of warmth and knowing in his face that makes us instinctively care about him. Michele and his friends play in the vast golden wheat fields during summer and all seems idyllic. When Michele looks for a pair of glasses lost by his sister Maria (Giulia Matturo), however, he makes an unexpected discovery. Beneath a straw-covered plank in the ground he finds Filippo (Mattia Di Pierro), a scared, dirty, and almost blind boy of his own age. The child, chained to a stake and barely alive, is subject to hallucinations and believes that he is dead and that Michele is his guardian angel. We don't know if the boy is a "wild child" or the victim of an unspeakable crime. Instead of reporting his finding to his overburdened mother (Aitana Sanchez-Gijon), or his moody working class father (Dino Abbrescia), he keeps the secret to himself, bringing bread and water to the starving boy and the two develop a mystical bond of friendship.

    When Michele finds out the shocking reason that Filippo is in the cave, he discovers the strength within himself to stand up for what he thinks is right even though it leaves him open to potentially damaging consequences. I'm Not Scared does not idealize children and paint all adults as evil. The children can be ruthless in cruelly teasing the weakest members of their group and in selling out to the wrongdoers for trifles, for example, just to sit at the wheel of a car. The adults commit a heinous crime out of the desperation of poverty or for unstated political reasons but their love for their own children is clear. Based on a novel by Niccoló Amminiti, I'm Not Scared is part suspense drama and part coming-of-age story but cannot be neatly categorized. It is has a strange otherworldly and mythical quality to it, like a cinematic dream and the result is not vacuously uplifting but powerfully moving. In discovering the cave where Filippo is hidden, Michele truly discovers a cave "filled with gems and gold".
    10onewhoseesme

    Unpretensious yet magical . . .

    The real mastery in this film lies in the beautiful simplicity of it's childlikeness. There are few movies in Cinema that portray the innocence and unfeigned nature of children - before the loss of their transparency on the way to adulthood. I know the French film Ponette might come to mind for some lovers of cinema, but that was shot entirely from the perspective of little children almost to the exclusion of grown ups. This film shows the stark contrast of the two worlds by interweaving them, with childhood itself being one of the main characters, as landscapes were for John Ford in so many of his Westerns. Toward the end, it reaches for the sublime in moments of Michelangelo.

    For me, the emotional interaction of these very young non actors made the movie spiritual to some degree by way of it's sheer honesty, without compromising the true spirituality in the principles and very adult themes of good vs. evil, betrayal, forgiveness, reaping what you sow, the coming Judgment, and finally - true friendship born of selflessness. Something we adults could learn more from by becoming more like little children ourselves, myself included. I believe this to be one of the best expressions of the young mind in realism, without crossing over into the fantasy that is so common in film today. How refreshing.

    Of course all of this speaks for the excellence of the Director and the Writer, who gave us such a beautiful picture. Something that could only be pulled off by adults, albeit with at least the fond memory of a child, if not the heart of one. The cinematography, the very intentional and gorgeous classical score, along with much subtle but deep contrast, make this a modern classic that I will enjoy again and again. I hope you do too.

    http://fullgrownministry.wordpress.com/2013/05/26/peace/
    noralee

    Boys Will Be Men, and Men Will Be Boys

    "I'm Not Scared (Io non ho paura)" has a lot in common with the recent Russian film "The Return (Vozvrashcheniye)."

    Both start off with poor pre-teen boys' bullying games that then intersect with their returning fathers' parallel adult realities. The contrasting conclusions reflect different national temperaments and the possible political messages in the films.

    A major difference is the look that surrounds the contrasts between childhood innocence and male brutishness (abetted by cowed female complicity), where the Russian film is practically in a frigid black and white, the Italian film has the lush, sentimental cinematography of Italo Petriccione, who also worked with director Gabriele Salvatores on the dreamily beautiful "Mediterraneo."

    The suspenseful thriller aspects roped me in, though the tension was undercut a bit by the Lavender Hill Mob antics of the conspirators, but the bumbling added to an uneasy feeling of unpredictability, aided by the suspenseful music by Ezio Bosso and Pepo Scherman.

    We literally see the happenings through the eyes of the children, which is helped enormously by the unusually expressive and naturalistic child actors Giuseppe Cristiano and Mattia Di Pierro.

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    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      As the film is mainly told from a child's point of view, director Gabriele Salvatores instructed his director of photography Italo Petriccione to shoot most of the film at a child's height.
    • Pifias
      When Michele's mother cleans blood from between his nose and lips, more blood is visible from his lips down onto his chin, but with the next shot, the blood on his chin is gone.
    • Conexiones
      Featured in At the Movies: Episodio #1.8 (2004)
    • Banda sonora
      Che gelida manina
      from La Boheme

      Written by Giacomo Puccini, Luigi Illica and Giuseppe Giacosa

      BMG Music

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    Preguntas frecuentes18

    • How long is I'm Not Scared?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de mayo de 2003 (España)
    • Países de origen
      • Italia
      • España
      • Reino Unido
    • Sitio oficial
      • Official site (United States)
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • I'm Not Scared
    • Localizaciones del rodaje
      • Candela, Foggia, Puglia, Italia
    • Empresas productoras
      • Colorado Film Production
      • Cattleya
      • Alquimia Cinema
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 1.615.328 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 48.292 US$
      • 11 abr 2004
    • Recaudación en todo el mundo
      • 7.354.418 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 48 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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