El gran rescate

This word today about the JAPS sounds very cruel and offensive to the Japanese people, but during the War Years during WW II in the Pacific this word was used in most American Newspapers and spoken about during this horrible war with a nation that killed and raped many people in Nanking, China. In this film many of U.S. Service Men are trapped in a Japanese Concentration Camp who inflicted horrible tortures and slaughter hundreds of American Soldiers and women who are treated worse than animals. America makes every effort to find these lost prisoners of war and is horrified how the Japanese soldiers treated our people and make a great effort to free all these prisoners. However, it took many men and women lives in order to accomplish this mission. This is a great picture which still remembers all the men and women who gave their lives to fight back at the mistreatment of American soldiers. GREAT FILM.

THE GREAT RAID does everything right, on all levels, especially by framing itself with real footage from those times which, in some cases, features the actual events and participants. The acting is uniformly excellent, the pacing is flawless, and the historical context does not short-change any aspect of the story, be it cruelty and horror in war or bravery and nobility in suffering or even dignity and honor in combat. This is in many ways a movie made the way they used to make movies, but without the rah-rah patriotism or sneering social commentary. What it brings home simply by presenting the story in a straightforward manner is what we used to be capable of, what we once were and stood for, and what we fought against, and why. To be reminded of this is sobering, if not harrowing. Definitely one of the best movies my family and I have seen in a long time, it's recommended whole- heartedly for everyone. And Benjamin Bratt turns in a mature, restrained performance that marks him for great things on the big screen.

After the American evacuation of the Philippines following the Japanese attack on Pearl Harbour, thousands of American servicemen were abandoned to the Japanese enemy, finding themselves facing brutal conditions in Japanese POW camps, and feeling forgotten by their country. "The Great Raid" is the portrayal of a rescue mission to save five hundred of those POWs at the Cabanatuan camp before they're killed by their captors, as the Americans begin to close in during the closing days of the war.

As far as I can recall there haven't been very many movies depicting conditions in Japanese POW camps. "Bridge On The River Kwai" springs to mind, but this is the only other one I think I've come across. It's always hard to judge the accuracy of how the enemy is portrayed in a movie like this. In this case, though, we do know that the Japanese were in fact brutal captors. Surrender was the ultimate dishonour, and prisoners, therefore, were seen as deserving of neither honour nor respect. The conditions portrayed in the camp, therefore, were believable and probably historically accurate.

The portrayal of camp conditions is one of the highlights of the movie. The other is the actual raid carried out. It was portrayed in great detail and, again, in a very believable way. The basic problem with this movie, though, is that it repeatedly seems to get bogged down. Frankly, when the movie strays from those two subjects it just isn't that interesting, and all the various sidebars end up making this longer than it needed to be. The character of Margaret Utinski (played by Connie Nielsen) was especially problematic. Utinski was a real person - and a winner of the Medal of Honour - but there are historical questions about her life, and there was certainly no romance involved in her actions, as is suggested throughout the movie.

Aside from Nielsen, the cast were fine, but in all honesty no one stood out to me as outstanding. As I've suggested, there are certainly aspects of this movie that make it worthwhile viewing, but it certainly can't be mistaken for a masterpiece. (6/10)

In terms of lasting value, I believe The Great Raid is one of the best films to have graced the screen this year. It's a straightforward war movie about unsung heroes. The story involves the basic facts of a Japanese POW camp which was liberated near the end of the Japanese occupation of the Phillipines. American soldiers and Phillipino resistance fighters teamed up to chance a daring raid on the heavily guarded camp. Fictional elements are added to the story, such as a surprisingly compelling love story, and believable explorations of friendships among both prisoners and fighters.

The script is good, the acting and editing superb, and the photography is very good. The film is violent, but does not wallow in flying guts and body parts as has been the recent fashion. Nothing flashy, nothing overwhelming, just solid craftsmanship. This is a film which is less concerned with making an impression than it is with telling a story, and I found that very refreshing. In my opinion, the film succeeds completely in telling its simple story and will likely be recognized for years to come as one of the better war films of recent times. All of the acting in this film is excellent, but watch for the standout performances from Marton Csokas, Joseph Fiennes, James Franco and Connie Nielsen.

My name is Cecilia and being from Manila this film is very personal to me because my grandfather sacrificed his life during WWII. According to eyewitness accounts, he was tied to a post, doused with kerosene and set on fire. I am watching this film to somehow pay tribute to him and those who selflessly gave up their lives to ensure a free and humane future for all of us. I felt though that the film underestimated what we Filipinos really went through during the war. It would have been just to include the other atrocities perpetuated by the Japanese: babies thrown in the air and caught with bayonets, women brutally raped and breasts carved out, or the massacre of approximately 100,000 unarmed and innocent civilians during the battle for the liberation of Manila on the first days of February 1945. Nevertheless, I am grateful for director John Dahl for shedding light on a chapter in our history that many people hardly know about , specially the present generation, The Bataan Death March.