De incompetente a presidente

I knew not to see this one in the theater, but I am pretty surprised at how bad it is. It seems forced and disjointed, and the only thing that kept me from shutting it off is that you never know when Rock or Mac will be funny for a scene. If Rock doesn't start taking better roles,if you have seen Down to Earth or that horrible flick with Hopkins you know what I mean, he is never going to be able to really get to the next level, which would be a shame. He reminds me of Eddie Murphy in the early eighties, getting off to a great start and then fizzling out(The Distinguished Gentelman? Talk about jumping the shark.) His character is bland and predictable, and it is hard to watch someone as funny as him play such a role. All of the supporting cast except for Mac is terrible, and the credits have more plot than the movie. The funniest parts,like him imagining himself getting shot after being elected, are just watered down parts from his standup,which is generally terrific. Bottom line, instead of catching this one, stare at the wall for an hour and forty. You'll be a better person for it.

Back in the late 70's and through the early 80's, Richard Pryor made a string of formulaic type movies, the formula being a street-wise black man is unexpectedly placed in a position of great responsibility or privilege for which he is totally unprepared: (Silver Streak, Brewster's Millions, Critical Condition, Bustin Loose). Inevitably, the hero not only succeeds in his newfound role, but excels, all thanks to his streetwise background, which allowed him to confound the numerous white people in these movies who were either thick-headed or cruel mercenaries. This formula, not surprisingly, ran out of gas before Pryor's health started to go downhill, just like the Elvis movie formula did. It was all very unfortunate, because it repackaged Pryor, a true hardcore radical comedian into a middle of the road movie star palatable to a broad based audience. He never reclaimed what he had lost, and neither did Elvis. "Head of State" recycles the same Richard Pryor formula, only updating it to a hip-hop fed generation. Chris Rock plays the Richard Pryor -type character, a Washington DC alderman who catches the attention of Democratic party headquarters as an innovative replacement candidate for the nominee who dies in a plane crash only weeks before the general election. The overall effect is the same watered-down comedy that the RP movies left me with. The backroom cunning and maneuvering is all supposed to look very devious, and Chris Rock turns it all to his advantage, outsmarting the professional politicians at every turn.

The attempted humor in this movie left me cold and annoyed. There were joking references to the assassination of Malcolm X and JonBenet Ramsey that I guess were supposed to make me laugh. They didn't, and nothing, absolutely nothing, in this movie did. The slapping, punching, and assault & battery incidents are continuous and an assault on the senses. Someone has been watching a lot of 3 Stooges. Robin Givens plays a disgruntled ex-girlfriend of the candidate who is repeatedly victimized. In light of her experiences with Mike Tyson, this seems to hit a new low in bad taste. Rock speechifies in his presidential debate scene on the benefits of knocking children in the head when they misbehave, and receives a standing ovation. Not funny.

The problem with a watered-down movie is that it always hedges its bets, flip-flopping between earthy comedy and the serious tones. This movie, which actually has an interesting premise, would have been a lot better if it had gone way over the top, and not pandered to any sense of reality or decorum, like say for example, "Animal House." Put Chris Tucker or Ice-T in the candidate role, with no attempt to be loved by the audience. Bring the 'hood to the White House, and rename it the Black House. Load it with sex, drugs, rock & roll, and FUN!

I couldn't help but feel cynical about the Hollywood establishment's political vendetta associated with this movie. Chris Rock's opponent has an identifiable Texas twang, is personally venemous and slow-witted. Sound familiar? This same establishment will also back liberal governors and senators with expensive haircuts, but has never seriously gotten behind a black presidential candidate. I guess if you produce a movie about it instead of making it happen, that excuses you.

An angry commentary on American politics and the current state of the Republican Party today is made quite clear in "Head of State". Chris Rock stars as a relatively normal man who is having a string of bad luck in one of the roughest areas of Washington, D.C. A heroic rescue of one of his elderly friends leads to Rock getting in the spotlight. Meanwhile the Democratic presidential nominee for 2004 has tragically died in a plane crash. The party feels they have no chance in the election so they come up with an idea to sway minority voters so the Democrats (namely candidate James Rebhorn) can re-claim the presidency in 2008. Get the picture? Dylan Baker and Lynn Whitfield are the two campaign managers assigned to Rock's cause, but soon Rock starts running his own show. Throughout, the Republican nominee (goof-ball Nick Searcy, a character that is an unsympathetic carbon-copy of President George W. Bush) continues to lead the polls mainly because he has been vice president for eight years, is a war hero and is also Sharon Stone's cousin. However, Rock's antics quickly make him the darkest of dark horses in a tight race. Along for the ride also is love interest Tamala Jones, ex-girlfriend Robin Givens (in a psychotic role), personal assistant Stephanie March and the priceless Bernie Mac (in a part that is way too limited). Mac eventually becomes the running mate for Rock. The fact that he is Rock's older brother makes him the most trust-worthy person in a twisted circle. "Head of State" has shades of Warren Beatty's "Bulworth" all over it. Rock, however would rather shy away with sometimes silly comedy than tackling the issues like the aforementioned film did. The Republican Party has already boycotted this film due to the way they are portrayed and that fact has made the production go into a minor financial tail-spin at the box office (overall "Head of State" has been a disappointment economically speaking). Politics aside, the film ultimately fails due to Rock's shortcomings as a director and screenwriter. He definitely has some things to say, but the way he conveys his thoughts are such a jumble on the big screen that the film almost becomes tedious. Rock has a likeable cast and yet he tries to carry the show by himself. This is not a very good thing in the end. Overall I do respect Rock's views and I do think he made a movie that pushes the envelope on some issues in the U.S. today, but in the end "Head of State" is just another potentially good production that never does rise to expectations. 2.5 out of 5 stars.

I can't believe I never knew Chris Rock wrote, directed and starred in this movie. When I watched years ago I wasn't as huge of a movie buff like I am nowadays although I was 11 when this released. Might not be appreciated much but I love it, quite enjoyable political comedy that is refreshing enlightenment!

The real, angry Chris Rock doesn't put in an appearance until the final moments of this political satire (directed and co-written by Rock) but it's not enough to rescue what has come before. Rock's fantasy of being the first African-American to achieve the White House (although he's initially set up to fail by spin doctors Dylan Baker and a surprisingly funny Lynn Whitfield) is somewhat toothless by Rock's own standards. The problem is his altered perception of himself as a film star (as opposed to the established HBO black equivalent of Dennis Miller): he phonily positions himself from the onset as cuddly, concerned for the constituents of the ward he's an alderman for and reasonably ignorant of national issues; he's finally allowed to become self-aware only when his older brother (the always welcome Bernie Mac) intercedes. You keep waiting for Rock to change but when he does, it's first into a playa that comes up with glib quips in response to standard questions. (With barely a mention of foreign policy, they seem a bit stale). Only in the final debate against his opponent (Nick Searcy) does he let loose with some honesty and only then do the jokes carry some weight. Rock, making his directorial debut, opts for the equivalent of a made-for-TV movie with a flat look, very mild gags (there are not nearly enough white fright jokes but there is a fundraiser that turns into a dance party with elderly WASPs doing the electric slide, and opening credits that state Jesse Jackson, Al Sharpton, George Bush and Hillary Clinton, among others, `are not in this movie') and very little interest in being taken seriously. Warren Beatty covered this turf far more handily in `Bulworth'. With Tamala Jones as his love interest, Robin Givens (cleverly cast as a gold digger) and, unfortunately, only a couple of bits from Tracy Morgan.