Confidence

Hmmm... I watched it and it sounded a lot like the Sting. And then I watched the documentary that came with the DVD and the screenwriter said that he watched "The Sting" and then wrote this movie.

He basically copied "The Sting." Just that he took out the characters and the ambiance. He added a wasted voice-over.

I think I can imagine the thought process behind this movie: Let's take "the Sting" and give it a noir edge to it. Then we'll update it to modern day LA (even though the screenwriter wanted a cliché-ridden NYC) and we'll include a whole lot of quick cuts and fancy colours because that's what the MTV generation likes these days.

Watch "The Sting" instead. It's much better.

Definitely one of the best con-artist movies ever. Throughout the movie, I kept thinking of the many possible twists possible, but I never really saw the final big twist - and thought it could all come together so nicely and believable. The movie is paced smoothly (there are no tedious scenes or moments you feel you've missed something), the acting is excellent (Hoffman's character seems overdone at first, but the creepy-weird character he plays is believable and, therefore, all the more serious and scary), the cons they play are very smart (and convincing), and the way it all comes together at the end is just beautiful (although the overall scheme is complex and plays many twists on the audience, it is not at all difficult to follow what 'really' happens). All in all, a very enjoyable movie, with genuine suspense, characters we get to like (and even care about - to the amount possible for grifters), excellent acting and a worthy end. 7/10 (good movie - not great, but above the average)

Foley's 'Confidence' is very much a formulaic gangster con-thriller with the usual gang, the villain, the feminine touch, the weapons and money and the twists. But it still manages to remain engaging and entertaining. It's a small film but the resources have been adequately used and it is very well executed with style and substance. The cinematography and visuals are wild and the score is energetic.

The story's pretty tight and moves at a steady pace. The characters are richly defined. The dialogues are sharp, witty and funny. Edward Burns's voice-over adds to the humour. Doug Jung does a splendid job indeed in the writing department.

Performances by all the actors is great. Edward Burns is brilliant as the superstitious con artist Jake. His fellow team-members Brian Van Holt and Paul Giamatti are equally good. Rachel Weisz oozes sensuality (but thankfully doesn't go overboard with it) and acts very well. Andy Garcia is adequate and Dustin Hoffman is a natural (this guy will make one laugh out loud).

'Confidence' is a slick stylish thriller that doesn't pretend to be anything else, when compared to other weaker movies like 'The Heist', 'Ocean's 11' or 'The Score'. It follows the formula of the genre but it's a smart film and has its twists that are enough to grip your attention.

'Confidence' is an empty exercise in style. Based on a crooks scheme story filmed with some skill, and acted pretty decently by a good cast, it soon falls in routine and looks like a useless effort. The film is too technical and never succeeds to make us care about the characters or to entangle us in the grip of the plot. Even the final twist in the story comes too late - they lost us already, and good chances are that the spectator went out of the theater, or took the DVD out of the player already. 6/10 on my personal scale. Can be avoided.

Dustin Hoffman isn't charming or caring or understanding in "Confidence." Here he's not just evil, he teeters on the brink of uncontrollable madness - but with a dollop of humor that makes his violent nature more interesting (but not appealing). He is a creep!

"Confidence" is the latest in the unending string of films about men and women scam artists always scheming for that truly earthshaking big score. (There must always be an enticing, enigmatic woman for a film of this kind to keep viewers engrossed, e.g., "The Thomas Crown Affair".) And the crooks usually have soft spots in their hearts and a propensity to make silly - even deadly - errors. And at least one member of the group, usually the leader, has to look good in a well-tailored suit.

That's the situation here as Edward Burns plays the honcho of a small band of swindlers who really seem to have bonded together. They trust each other - but no one else. But, of course, they must deal with new "co-workers" whose motivations and alliances are suspect but hardly clear. And we also have a pair of the LAPD's Not Finest adding a humorous dimension not often found in tough rogue cops on the take.

And then there's Rachel Weisz - I've been a fan of her acting since "About a Boy" and "Enemy at the Gates." Certainly she's an emerging star and it's her acting ability plus her beauty that's taking her to leading roles. An English actress, she joins Cate Blanchett and Nicole Kidman - Down Under natives - in flawlessly speaking like a Yank (or a SOCAL denizen, not quite the same thing).

Don't look for a true mystery here. This isn't David Mamet's "The Spanish Prisoner." But it is a four-star show by a fine ensemble cast.

7/10.