PUNTUACIÓN EN IMDb
8,0/10
151 mil
TU PUNTUACIÓN
El cineasta Michael Moore explora las raíces del romance entre los estadounidenses y las armas de fuego.El cineasta Michael Moore explora las raíces del romance entre los estadounidenses y las armas de fuego.El cineasta Michael Moore explora las raíces del romance entre los estadounidenses y las armas de fuego.
- Ganó 1 premio Óscar
- 39 premios y 13 nominaciones en total
Salvador Allende
- Self - President of Chile
- (metraje de archivo)
Arthur A. Busch
- Self - County Prosecutor: Flint, Michigan
- (as Arthur Busch)
George Bush
- Self
- (metraje de archivo)
George W. Bush
- Self
- (metraje de archivo)
Bill Clinton
- Self
- (metraje de archivo)
Steve Davis
- Self - Deputy Sheriff
- (metraje de archivo)
Ngo Dinh Diem
- Self - President of South Vietnam
- (metraje de archivo)
Joe Farmer
- Self - Superintendent of Schools
- (metraje de archivo)
Barry Glassner
- Self - Author of 'The Culture of Fear'
- (as Prof. Barry Glassner)
Reseñas destacadas
The scenes shot in Sarnia, Windsor and Toronto, Canada have provoked much conversation in Canada. These scenes epitomize both the problem and the strength of BFC, that is, the sense is correct but the details often exaggerated. While the received notion that Canada is less violent than the US is accurate, we are catching up in a hurry. And people do lock their doors, at night anyway. In Toronto's current (Nov. 2003) mayoralty election, increasing street violence and crime is a major issue. When Moore asks Heston, "Why do other countries have so much less gun violence than the US?" Did you catch his brief answer? He says, "They will". Whatever is causing the problem, the U.S. is on the leading edge of the curve, but other countries are catching up.
That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. I can find my own balance, thank goodness for dissent and free speech. I also think that Moore is restrained in drawing conclusions in the film, which is a great strength of the film, in provoking discussion, and allowing people to express their own opinions.
Finally, Moore is way off on Marilyn Manson. Moore is careful to say that there is no direct causal relationship between Lockheed and the Columbine assassins - it's a mentality thing. Isn't the connection between Manson and teenage suicide/ violence much more palpable than Moore's connection of Lockheed & Columbine.
** UPDATE in Nov. 2005 - regarding Toronto, the score is Heston 1 Moore 0.
That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. I can find my own balance, thank goodness for dissent and free speech. I also think that Moore is restrained in drawing conclusions in the film, which is a great strength of the film, in provoking discussion, and allowing people to express their own opinions.
Finally, Moore is way off on Marilyn Manson. Moore is careful to say that there is no direct causal relationship between Lockheed and the Columbine assassins - it's a mentality thing. Isn't the connection between Manson and teenage suicide/ violence much more palpable than Moore's connection of Lockheed & Columbine.
** UPDATE in Nov. 2005 - regarding Toronto, the score is Heston 1 Moore 0.
What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.
On April 20, 1999 two students opened fire on their classmates at Columbine High School in Littleton, Colorado. It left 13 people dead and many more injured, gravely affecting the lives of those involved and stirring up a very loud gun control debate. In 2001, Michael Moore released Bowling for Columbine, a documentary that takes a look at gun violence in America and the things that make us the nation with, by far, the most gun related deaths per year. Moore examines the culture of America and just how we got this way through fear, paranoia, and vast over compensation to protect ourselves from something that isn't even there.
Michael Moore is obviously very liberal, and this comes through in almost everything he says or does. There is a lot of politics that go into his filmmaking, especially in this film that was released amidst the Bush administration. A lot of personal opinion goes into his filmmaking and he presents a very left wing point of view. Moore also employs plenty of theatrics and some overly dramatic moments in his film to get a point across. However, said point is incredibly important and it is laid out very clearly and very concisely throughout Bowling for Columbine.
Politics play a part in Moore's arguments, but they don't overshadow the basis of what he is trying to prove. In this film, he clearly outlines America's gun crazy culture fueled by paranoia, and if you just take a look around you will know that he has a point. Sure he finds the most ridiculous stories and the greatest examples to push his point, but in the broad generalization of what he is examining you can't say that he's wrong.
Interestingly enough, things haven't changed much in our culture in the eleven years this film has been out. America still thrives on fear, and we still fear the same things we did when this movie was made. It was incredibly interesting watching this film after the recent events in Aurora, Colorado because anything Moore says about Columbine can easily be related to our most recent tragedy. It proves that Moore has, rather unfortunately, made a timeless film that looks at an issue that seems to never go away, instead only getting worse. Moore tackles some disturbingly true topics about gun violence and fear, and he puts it all into his perspective very well in a very high quality documentary. Bowling for Columbine is an excellent film that people in America truly have to watch. Moore points out some sad but very prevalent truths in this film, and there is a lot to be learned from it.
Michael Moore is obviously very liberal, and this comes through in almost everything he says or does. There is a lot of politics that go into his filmmaking, especially in this film that was released amidst the Bush administration. A lot of personal opinion goes into his filmmaking and he presents a very left wing point of view. Moore also employs plenty of theatrics and some overly dramatic moments in his film to get a point across. However, said point is incredibly important and it is laid out very clearly and very concisely throughout Bowling for Columbine.
Politics play a part in Moore's arguments, but they don't overshadow the basis of what he is trying to prove. In this film, he clearly outlines America's gun crazy culture fueled by paranoia, and if you just take a look around you will know that he has a point. Sure he finds the most ridiculous stories and the greatest examples to push his point, but in the broad generalization of what he is examining you can't say that he's wrong.
Interestingly enough, things haven't changed much in our culture in the eleven years this film has been out. America still thrives on fear, and we still fear the same things we did when this movie was made. It was incredibly interesting watching this film after the recent events in Aurora, Colorado because anything Moore says about Columbine can easily be related to our most recent tragedy. It proves that Moore has, rather unfortunately, made a timeless film that looks at an issue that seems to never go away, instead only getting worse. Moore tackles some disturbingly true topics about gun violence and fear, and he puts it all into his perspective very well in a very high quality documentary. Bowling for Columbine is an excellent film that people in America truly have to watch. Moore points out some sad but very prevalent truths in this film, and there is a lot to be learned from it.
Yes Mr. Moore may lean left, and yes he may not be the most objective documentarian.
However the facts stand: America has many, many more deaths attributed to guns than any other nation. It's a sad truth.
Unfortunately Mr. Moore has been vilified for asking why. And typical of the "head-stuck-in- the-sand" mentality of the far right, they are angry for his work, not at the facts.
This movie is well done and if you're left, right, in-between, gun nut, or responsible gun owner it is definitely worth viewing.
I suspect most of the negative comments posted about this movie at IMDB and similar sites are by people who haven't seen the movie. They're just angry at what they perceive the movie to be.
It isn't a movie about gun control. It's a movie that merely ask why so many deaths.
Enjoy.
However the facts stand: America has many, many more deaths attributed to guns than any other nation. It's a sad truth.
Unfortunately Mr. Moore has been vilified for asking why. And typical of the "head-stuck-in- the-sand" mentality of the far right, they are angry for his work, not at the facts.
This movie is well done and if you're left, right, in-between, gun nut, or responsible gun owner it is definitely worth viewing.
I suspect most of the negative comments posted about this movie at IMDB and similar sites are by people who haven't seen the movie. They're just angry at what they perceive the movie to be.
It isn't a movie about gun control. It's a movie that merely ask why so many deaths.
Enjoy.
Michael Moore's incendiary film about America and its gun culture.
Moore uses the Columbine school massacre as an opportunity to discourse upon the subject of why tragedies like that one are so much more prevalent in America than anywhere else. His thesis, that America promotes a culture of fear and violence, is hard to refute, even if you disagree with his methods. Like all of Moore's films, "Bowling for Columbine" is fantastically entertaining, and also enraging. His version of America is one that I'm ashamed to live in.
Moore won the 2002 Oscar for Best Documentary Feature, and then eliminated the chance that he'll ever win again by ranting against then President Bush in his acceptance speech in one of the Academy's most infamous moments.
Grade: A
Moore uses the Columbine school massacre as an opportunity to discourse upon the subject of why tragedies like that one are so much more prevalent in America than anywhere else. His thesis, that America promotes a culture of fear and violence, is hard to refute, even if you disagree with his methods. Like all of Moore's films, "Bowling for Columbine" is fantastically entertaining, and also enraging. His version of America is one that I'm ashamed to live in.
Moore won the 2002 Oscar for Best Documentary Feature, and then eliminated the chance that he'll ever win again by ranting against then President Bush in his acceptance speech in one of the Academy's most infamous moments.
Grade: A
¿Sabías que...?
- CuriosidadesBecause the film didn't fit neatly into any established categories at Cannes, the Jury created a special 55th Anniversary Award just for the film.
- PifiasThe film claims that that Eric Harris and Dylan Klebold attended a bowling class on the morning of the massacre. This is incorrect as testified in a judicial review.
- Citas
Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?
Marilyn Manson: I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did.
- Créditos adicionalesIn the credits, there is a thank-you to Mike's Militia--Athens Branch. This does not exist; during his speaking engagement at Ohio University to promote his book "Stupid White Men", Michael Moore screened two versions of the "History of gun control" animated segment, which featured the same animation but different narration. The audience was asked to vote on which of the two versions should be included. After choosing a version, Moore claimed he would include Athens, Ohio and the audience in the credits, but wasn't sure what name to give credit to. Several suggestions were shouted out and Mike Michigan Militia, Athens, Ohio branch was finally chosen.
- Versiones alternativasIn the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad.
- ConexionesEdited from Peasants' Paradise (1931)
- Banda sonoraTake the Skinheads Bowling
(1985)
Written by Victor Krummenacher, David Lowery, Christopher Molla, and
Jonathan Segel
Performed by Teenage Fanclub
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- How long is Bowling for Columbine?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Masacre en Columbine
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 21.576.018 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 209.148 US$
- 13 oct 2002
- Recaudación en todo el mundo
- 58.015.923 US$
- Duración2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Bowling for Columbine (2002) in Mexico?
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