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IMDbPro

Bobby

  • 2006
  • 13
  • 1h 57min
PUNTUACIÓN EN IMDb
7,0/10
44 mil
TU PUNTUACIÓN
Bobby (2006)
Theatrical Trailer from Weinstein Co.
Reproducir trailer2:22
3 vídeos
99+ imágenes
Political DramaBiographyDramaHistory

Añade un argumento en tu idiomaThe destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.

  • Dirección
    • Emilio Estevez
  • Guión
    • Emilio Estevez
  • Reparto principal
    • Anthony Hopkins
    • Demi Moore
    • Sharon Stone
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    44 mil
    TU PUNTUACIÓN
    • Dirección
      • Emilio Estevez
    • Guión
      • Emilio Estevez
    • Reparto principal
      • Anthony Hopkins
      • Demi Moore
      • Sharon Stone
    • 280Reseñas de usuarios
    • 100Reseñas de críticos
    • 54Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 6 premios y 25 nominaciones en total

    Vídeos3

    Bobby (2006)
    Trailer 2:22
    Bobby (2006)
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones
    Trailer 1:03
    Breaking Bobby Bones

    Imágenes275

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    Reparto principal90

    Editar
    Anthony Hopkins
    Anthony Hopkins
    • John
    Demi Moore
    Demi Moore
    • Virginia
    Sharon Stone
    Sharon Stone
    • Miriam Ebbers
    Harry Belafonte
    Harry Belafonte
    • Nelson
    Joy Bryant
    Joy Bryant
    • Patricia
    Nick Cannon
    Nick Cannon
    • Dwayne
    Emilio Estevez
    Emilio Estevez
    • Tim
    Laurence Fishburne
    Laurence Fishburne
    • Edward
    Brian Geraghty
    Brian Geraghty
    • Jimmy
    Heather Graham
    Heather Graham
    • Angela
    Helen Hunt
    Helen Hunt
    • Samantha
    Joshua Jackson
    Joshua Jackson
    • Wade
    David Krumholtz
    David Krumholtz
    • Agent Phil
    Ashton Kutcher
    Ashton Kutcher
    • Fisher
    Shia LaBeouf
    Shia LaBeouf
    • Cooper
    Lindsay Lohan
    Lindsay Lohan
    • Diane
    William H. Macy
    William H. Macy
    • Paul
    Svetlana Metkina
    Svetlana Metkina
    • Lenka
    • Dirección
      • Emilio Estevez
    • Guión
      • Emilio Estevez
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios280

    7,043.5K
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    Reseñas destacadas

    9AuntieEm03

    Captures the Era and the Man

    I saw the movie "Bobby" as part of the Vienna International Film Festival last week and thought it was an incredibly powerful film. The movie focuses on around 20 people in and around the Ambassador Hotel the day that Robert Kennedy was shot there. The large cast never seems overwhelming. The characters are clear enough that we remember what they were doing the last time we saw them, but we never feel like they are merely one-dimensional. Emilio Estevez really hit the jackpot with his cast - they all are 100% committed to their roles and the audience simply gets lost in the era.

    The cast is phenomenal - the standouts include Sharon Stone (who has a a chance at a Supporting Actress Oscar nomination if the Academy can overlook Basic Instinct 2), Nick Cannon as a young Black-American working on the campaign, and Freddy Rodriguez as a young Latino working in the kitchen. The later two, combined with Lindsey Lohan as a woman marrying to save a man's life, serve as the heart of the movie and bring a well-balanced view of many of the hot issues of the day.

    The movie has an incredible, emotional climax that is enhanced by an actual speech of Bobby Kennedy. The audio and visual clips of Kennedy serve as snapshots into his life and the work he did during his short time in the public eye. You can read whatever you want to into the political agenda of the movie, but in the end this movie is a tribute to Robert F. Kennedy and his time.
    8BCCDiva

    Good Snapshot of history

    I recently had a pre-screening for "Bobby" at my college and I have to say this was a good film. I didn't know what to expect with Emilo Estevez directing, writing and acting. But he pulled it off. To me he wrote a very real movie. He had everyday people with everyday problems. The characters even talked like "real" people, profanity and all. The movie didn't feel like a docudrama and that I think that made it even better. All the stories were complete and made you care about the characters. Most importantly you could tell how important Bobby Kennedy was to all these characters and America as a whole. This movie will be a great movie for high schoolers to see so they can know how life was during that time.(it was like a snapshot of history) I hope this movie does well at the box office. I gave it an eight but I almost gave it a seven. I gave it an eight because the next day my friends were still quoting the movie. That is a very good sign. Esp. if college students are doing it. If you like any of the actors in the movie it is worth a shot.
    7tccandler

    An interesting, if somewhat cluttered, Altman-esquire film...

    This movie suffers from Attention Deficit Disorder... I feel like I missed out on the details of each character.

    You may not have suspected that this film is one of the biggest mysteries of 2006. I mean, how on earth did Emilio "Might Duck" Estevez command enough clout to assemble this stunning cast??? I am stumped. Nevertheless...

    "Bobby" feels very much like a stylistic copy of Robert Altman's work -- perhaps a lighter version of Paul Thomas Anderson's operatic ensembles. You know the types of films I am referring to -- "Nashville", "Magnolia", "Short Cuts", Boogie Nights" -- the huge casts, varying story lines, interconnectivity, etc.

    The events in this film all take place at Los Angeles' famed Ambassador Hotel in the moments leading up to the assassination of Robert Kennedy in 1968. There is the story of the nostalgic doorman who plays chess in the lobby. There is the story of the wasted night club singer. There is the story of a young girl who agrees to marry her friend so he doesn't have to go to Vietnam. There is the story of the racist food and beverage manager. There is the story of the bored married couple. There is the story of the political aides tripping on LSD. There is the story of the hairdresser... the cook.. the thief... his wife... and her lover -- Okay, fine... that's another film. There may even be a partridge in a pear tree somewhere along the way. "Bobby" is a sprawling film that may have jammed a little too much in between the credits.

    That being said, the film is a model of professionalism. There are some fine performances. The costuming and make-up is so colorful and vivid as to become a character in and of itself. The editing is the film's highlight, cleverly blending original footage with fictional scenes.

    The best performances come from William H. Macy, Anthony Hopkins, Lindsay Lohan & Svetlana Metkina. Hopkins plays wistful better than anyone ever has. Lohan has been called the "heart of the film" by Estevez himself. She gives the film an emotional connection and displays a level of acting talent that will surprise many audiences. Metkina has a few moments that will amuse you.

    A few performances stray a little over the top -- Demi Moore is a prime example of that. She breaks the understated tone of the film. Also, the entire trippy scene with Ashton Kutcher struck me as entirely wasted.

    The film winds down to the fateful event in the kitchen when Sirhan Sirhan ends the dream of many Americans. The film hints that this particular event may have been even more significant than the assassinations of either JFK or MLK. It hints that the course of the country shifted drastically that night. It hints, somewhat overtly, at the present situation we find ourselves in with world politics. And the words of Robert Kennedy echo sadly in the final chapter of the film.

    There is so much crammed into this movie that it almost demands a second viewing. It is not that one can't keep up, but that each character gets so little screen time that it feels necessary to visit them again in order to get their full effect. I think that Estevez shows great promise here, but he may have overloaded his buffet plate -- and who can blame him with so much talent at his disposal.

    © Written by TC Candler IndependentCritics.com
    9nlw820

    Admirable, moving effort

    It's easy to get caught up in the "too many characters" argument or that there are too many stories left unfinished or incomplete. IMO, it's important to remember this is a snapshot of just ONE day. How much are we expected to know about any of the characters in that time period? How much do you learn about the guy sitting next to you on the plane with whom you visit during a three hour flight? I admit that at first I was thinking, "Okay Emilio, where are you going with this and why do I care about all these people?" It seemed a little disjointed to me. But then I found myself going with it and appreciating the idea that we were getting a glimpse into the lives of a few of the people at the Ambassador hotel that day. I thought the performances by all were very strong, although I'll admit it was next to impossible to get beyond the all-star cast, simply because the plot isn't structured to bring you close enough to the characters to lose sight of who is playing the role. But again, in the end it didn't matter because the artistry of it all--the music, the camera shots, the inclusion of film and audio footage of Bobby Kennedy, the significance of these characters we've been following throughout... it just worked for me. It is also hard to ignore how much RFK's message resonates in our political climate today. As the credits rolled, at least half of the audience remained in their seats, from those sitting in stunned silence to others almost sobbing. Complete strangers were gathered outside the theater, talking about the movie or their own memories of Kennedy. It is clearly a labor of love for Emilio but I think he did a fabulous job.
    8gradyharp

    Stories of racism, infidelity, aging, the effects of the Vietnam War, drugs: Why RFK's death was so impactful

    BOBBY as written and directed (and starring) Emilio Estevez is not simply a recreation of the fateful night June 6, 1968 when Bobby Kennedy was shot, though that event is meticulously dissected as the sun dawns on Los Angeles' Ambassador Hotel on that day. This film is a series of vignettes of the lives of many people (22 examples shine) whose hope for a better future than that of a country undergoing disintegration on many levels were shattered. It is about 'little people', people with choices whose responses to the death of a hero is devastating.

    Racism (Christian Slater vs Laurence Fishburne vs interaction with Freddy Rodríguez and Jacob Vargas); hippie/white collar drug abuse (Ashton Kutcher dealing LSD to Brian Geraghty and Shia LaBeouf, Demi Moore's alcoholism defeating her marriage to Emilio Estevez and career as a lounge singer); aging and the problems of 'useless old people' (Harry Belafonte and Anthony Hopkins); adultery (hotel manager William Macy married to beautician Sharon Stone yet having an affair with switchboard operator Heather Graham); marriages teetering on commercialism (Martin Sheen and Helen Hunt); young political aspirants basing futures on RFK (Joshua Jackson and Nick Cannon); and the extremes to which young men will go to avoid being sent to Vietnam (Elijah Wood and Lindsay Lohan) - these are the main characters we get to know as they prepare for the evening's party for RFK and then suffer the explosive effect of the shooting by Sirhan Sirhan (David Kobzantsev). The power of the film lies in the impact Bobby Kennedy had on all of these people who represent the rest of a nation.

    Estevez wisely uses film footage from life to project the speech and presence of RFK: using an actor to depict him would have made the effect less sharp. But in the end, as it seems apparent from Estevez' script, the power comes from the messages in the voice-over of Kennedy's own speeches, words to offer hope and a chance for resolution of the many conflicts that threatened to destroy the US. Would that there were minds with such thoughts speaking today when a leader is so desperately needed! The film has flaws (it would be difficult for a two hour enactment of a well known yet partially fictionalized incident not to). But the message is pungent and clear: we MUST care for each other as a country and forgo the alienation that is so rampant. A very fine film for thought. Grady Harp

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    Argumento

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    • Curiosidades
      At one point during the script development, after developing a case of what writer and director Emilio Estevez called "paralyzing writer's block," Estevez set the script aside. Later, he checked into a remote hotel on the Central California Coast, near Pismo Beach, to work on the script. When he checked in, the woman at the desk recognized him, and asked what he was doing there. "I'm writing a script about the night Bobby Kennedy was killed," he told her. Tears instantly welled in her eyes. "I was there," she replied. Estevez interviewed the woman, who had been a volunteer for Robert F. Kennedy in 1968. He turned her personal story, which included marrying a young man to keep him out of Vietnam, into the Diane Howser character. Estevez said, "She really helped me crack the spine of the story and give it a beating heart. After that, it just started to flow."
    • Pifias
      The credits include the closing speech detailing the speech as "Robert F. Kennedy's speech, 'On The Mindless Menace of Violence.' The credits say it was delivered in Indianapolis, Indiana on April 5, 1968. This is incorrect; Robert Kennedy gave a speech on Martin Luther King, Jr.'s death in Indianapolis on the previous day but gave the speech presented on the recording at the City Club of Cleveland in Cleveland, Ohio.
    • Citas

      Robert F. Kennedy: [voiceover] This is a time of shame and sorrow. It is not a day for politics. I have saved this one opportunity, my only event of today, to speak briefly to you about the mindless menace of violence in America which again stains our land and every one of our lives. It is not the concern of any one race. The victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed. No one - no matter where he lives or what he does - can be certain who will suffer from some senseless act of bloodshed. And yet it goes on and on and on in this country of ours. Why? What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled, uncontrollable mob is only the voice of madness, not the voice of reason. Whenever any American's life is taken by another American unnecessarily - whether it is done in the name of the law or in the defiance of the law, by one man or a gang, in cold blood or in passion, in an attack of violence or in response to violence - whenever we tear at the fabric of the life which another man has painfully and clumsily woven for himself and his children, the whole nation is degraded. "Among free men," said Abraham Lincoln, "there can be no successful appeal from the ballot to the bullet; and those who take such appeal are sure to lose their cause and pay the costs." Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire. Too often we honor swagger and bluster and wielders of force; too often we excuse those who are willing to build their own lives on the shattered dreams of others. Some Americans who preach non-violence abroad fail to practice it here at home. Some who accuse others of inciting riots have by their own conduct invited them. Some look for scapegoats, others look for conspiracies, but this much is clear: violence breeds violence, repression brings retaliation, and only a cleansing of our whole society can remove this sickness from our soul. For there is another kind of violence, slower but just as deadly destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter. This is the breaking of a man's spirit by denying him the chance to stand as a father and as a man among other men. And this too afflicts us all. I have not come here to propose a set of specific remedies nor is there a single set. For a broad and adequate outline we know what must be done. When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force. For all this, there are no final answers. Yet we know what we must do. It is to achieve true justice among our fellow citizens. The question is not what programs we should seek to enact. The question is whether we can find in our own midst and in our own hearts that leadership of humane purpose that will recognize the terrible truths of our existence. We must admit the vanity of our false distinctions among men and learn to find our own advancement in the search for the advancement of others. We must admit in ourselves that our own children's future cannot be built on the misfortunes of others. We must recognize that this short life can neither be ennobled or enriched by hatred or revenge. Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land. Of course we cannot vanquish it with a program, nor with a resolution. But we can perhaps remember, if only for a time, that those who live with us are our brothers, that they share with us the same short moment of life; that they seek, as do we, nothing but the chance to live out their lives in purpose and in happiness, winning what satisfaction and fulfillment they can. Surely, this bond of common faith, this bond of common goal, can begin to teach us something. Surely, we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our own hearts brothers and countrymen once again.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Casino Royale/Happy Feet/Bobby/Fast Food Nation/Candy/Come Early Morning (2006)
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    Preguntas frecuentes21

    • How long is Bobby?Con tecnología de Alexa
    • Who shot Bobby Kennedy and why?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de enero de 2007 (España)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • El día que mataron a Kennedy
    • Localizaciones del rodaje
      • Ambassador Hotel - 3400 Wilshire Boulevard, Los Ángeles, California, Estados Unidos
    • Empresas productoras
      • The Weinstein Company
      • Bold Films
      • Bobby
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 14.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 11.242.801 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 69.039 US$
      • 19 nov 2006
    • Recaudación en todo el mundo
      • 20.718.608 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 57 minutos
    • Color
      • Color
    • Mezcla de sonido
      • SDDS
      • Dolby Digital
      • DTS
    • Relación de aspecto
      • 2.35 : 1

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