Añade un argumento en tu idiomaA single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ell... Leer todoA single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.
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No word could describe this show better than "trite".
It's little more than oversimplified stereotypes, sophomoric clichés and predictable, stupid situations that EVERYONE has seen in dozens of shows before.
This show exudes stupidity but not in a clever or parodied way. The characters are 2-D, plastic, petty and predictable.
Sometimes I can recommend a show to SOMEONE or SOME demographic. However I can recommend this show to NO ONE. There's nothing new here.
What you can get in this show you can get, and better, nearly everywhere else.
It's little more than oversimplified stereotypes, sophomoric clichés and predictable, stupid situations that EVERYONE has seen in dozens of shows before.
This show exudes stupidity but not in a clever or parodied way. The characters are 2-D, plastic, petty and predictable.
Sometimes I can recommend a show to SOMEONE or SOME demographic. However I can recommend this show to NO ONE. There's nothing new here.
What you can get in this show you can get, and better, nearly everywhere else.
Will there ever be a successful "Seinfeld" spin-off? Maybe. But I'm still waiting. Julia Lous-Dreyfuss has talent, which she wonderfully demonstrated on the hit sitcom. This show is just as lame as most sitcoms. But I guess the creators felt it had "hit" written all over it, because it's new and innovative: no laugh track and shot in real time. I gotta admit, that is original. But where's the laughs? Added to the cast are the talents of Don Lake and Peter Stormare, but they're also given thankless roles. The show is good-natured and never depends on cheap sex gags, but it's also incredibly dull. I'd rather watch paint try than watch Ellie.
My score: 3 (out of 10)
My score: 3 (out of 10)
Really not a bad idea, but Julia Louis-Dreyfus is no Lucille Ball. I didn't buy it when she accidentally closed the grand piano. She's an okay singer, I guess, but I find it odd that they would name her charactar "Ellie". I know it's supposed to be "Eleanor" but it sounds too close to "Elaine". This show really wasn't that funny, but that's not to discredit Louis-Dreyfus as an actress. With the right script and a better time slot, she could make it work! I would also like to see her in movies again.
JL-D is the sexiest comedienne to come along in a blue moon, and her timing is extraordinary. Her new sitcom does some amazing things with real-time narrative, and features an affable bunch of oddball neighbors and cohorts. I really think this show has the potential to become the righteous heir to SEINFELD which, as we all know, is a hell of an act to follow. Very urbane and witty, with astute character comedy juggling well with absurd physical schtick. And I LOVE those freeze frames which showcase Julia's gorgeous mouth! Ouch! More please!
I was not expecting too much with this show - seeing the success of most spin-offs from Seinfeld failed, I was hoping Watching Ellie wouldn't suffer the same fate...but the show was just plain terrible. While the real-time format was somewhat original (sorry, "24" made it first), there was absolutely no structure whatsoever to the show. There were random events after random events, and the show literally became...well, a show about nothing - and not in the good way. The jokes failed regularly; while I applaud their decision to avoid a laugh track, there's something else they should have done away with: sitcom jokes. While the show is not all sitcom jokes, there were enough in there to realize just how bad such styled jokes are without a laugh track to encourage your humor. There was no Sex and the City humor in here, or even Malcolm in the Middle humor. Frankly, there was no humor. The little clock was no longer a means to orient yourself in Ellie's world - instead, it became more of a dragging clock. It is kind of like being in school, watching the clock and waiting for the 12:00 lunch bell...and the clock just drags sooooo slowly. Watching Ellie crashed and burned pretty damn badly.
¿Sabías que...?
- CuriosidadesThe original concept of the series was that each episode took place in real time. A timer on the corner of the screen counted down from 22 minutes, pausing in the middle for one commercial break. The timer was discontinued after a few episodes. For the second season, the conceit was abandoned altogether in favor of a more conventional time structure, perhaps due to a combination of network pressure and the difficulties in planning and filming the action so that it appears to unfold in real time.
- ConexionesFeatured in 101 Biggest Celebrity Oops (2004)
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- 22 Minutes with Eleanor Riggs
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